| Gioachino Rossini: Otello Ossia Il Moro Di Venezia: Opera: Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Ricordi
Volume 19 - Sez. Prima - Partitura In 2 Vol. e Commento Critico / Ed. Critica M. Collins
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| Georg Friedrich Händel: Alessandro: Mixed Choir: Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Oratorio in three parts-In quite characteristic fashion for the times Handel’s opera “Alessandro” looks at various episodes in the life and rule of Alexander the Great (356 323 BC). This legendary warrior and military commander conquered large parts of the world before meeting an untimely end at the age of 32. A central conflict in Handel’s opera is Alessandro being in lov…
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| Georg Friedrich Händel: Theodora: SATB: Vocal Score Chorale SATB Soli, chœur mixte et orchestre [Vocal Score] Novello & Co Ltd.
Theodora on a libretto by Thomas Morell was composed between 28 June and 31 July 1749 when Handel was in his 65th year. This oratorio was written for SMATB soli (with a small supporting part for the tenor) SATB chorus and orchestra.This vocal score edited by Watkins Shaw contains all voice parts and a piano accompaniment and includes a lengthy preface by the editor on the history and the sta…
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| Gioachino Rossini: Adina: Opera: Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Ricordi
Volume 25 - Sez. Prima - Partitura + Commento Critico / Ed. Critica F. Della Seta
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| Giovanni Battista Pergolesi: Stabat Mater: SATB: Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Pergolesi’s famous Stabat mater a work for two soloists strings and continuo quickly became a success throughout Europe. However there are numerous indications that it was also performed by choirs from very early on. Particular movements were very probably sung by a two-part choir whilst the arias were kept for the soloists.In this edition the outer movements and no. 8 are now scored for t…
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| Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight s…
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| Jean-Baptiste Lully: Bourgeois Gentilhomme: SATB: Instrumental Work Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Leduc, Alphonse
Bourgeois Gentilhomme
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| Giuseppe Verdi: Quattro Pezzi Sacri: Mixed Choir: Vocal Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
Giuseppe Verdi's Quattro Pezzi Sacri for SATB and Piano.The single works forming the sacred music cycle 'Quattro pezzi sacri' were composed as independent pieces between 1889 and 1897. The scoring ranges from solo voices a cappella to double choir with large orchestra. In 1898 the year of their first joint performance Verdi had them published together as 'Quattro pezzi sacri'. With the compositi…
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| Georg Friedrich Händel: Jephtha: SATB: Vocal Score Chorale SATB Soli, chœur mixte et orchestre [Vocal Score] Novello & Co Ltd.
An oratorio for SATTB soli SATB chorus and orchestra edited and the piano accompaniment arranged by Vincent Novello.
16.99 GBP - Expédié par Musicroom UK Délais: 24 heures - En Stock |
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| Ludwig van Beethoven: Mass C major op. 86: SATB: Study Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] G. Henle
Missa C major op. 86-Ludwig van Beethoven mit sa premi?re messe en musique en 1807 ? la demande du prince Nikolas II Esterh?zy ? l?occasion de la f?te du pr?nom de son ?pouse. Il s?agit de la messe op. 86 pour solistes ch?ur et orchestre. Ainsi composa-t-il dans le voisinage temporel d??uvres aussi c?l?bres que le 4e concerto pour piano le concerto pour violon et les 4e et 5e symphonies une ?…
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| Antonio Vivaldi: Magnificat RV 610: SATB Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Carus Verlag
Magnificat RV 610
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| Ludwig van Beethoven: Symphony no. 9 in D minor op. 125: Orchestra: Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Critical Reports] Barenreiter
Critical Commentary-With final chorus 'An die Freude' (Ode to Joy)Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to u…
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| Felix Mendelssohn Bartholdy: Elijah Op.70: Mixed Choir: Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Barenreiter
Oratorio-Immediately after completing ?St. Paul? in 1836 Mendelssohn mulled over the idea of composing a further oratorio. However a whole decade elapsed before the composition of ?Elijah? which takes as its theme the story of the Biblical prophet from the 1st Book of Kings. When he received the invitation to write a major work for the Birmingham Music Festival Mendelssohn finally embarked on w…
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| Gerald Near: Three Communion Anthems: SATB: Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Aureole Editions
Georges BizetCarmenOpera in three actsCritical new edition with the recitatives later composed by Ernest GuiraudFull score (AE129) and vocal score (AE129-90) available for salePerformance material availale for hire AE129-72
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| Michael Tippett: A Child Of Our Time: Double Choir: Vocal Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Schott
A Child Of Our Time is probably Tippett's most celebrated work. It began life in 1938 when Tippett was searching for an appropriate subject for a full-scale oratorio which would be modelled on Handel's Messiah and Bach's Passions. With the Second World War and particularly the news of Kristallnacht in Nazi Germany the idea for A Child Of Our Time was born. He enriched the work with Negro spiritua…
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| Georg Friedrich Händel: Alexander's Feast K.591: Vocal: Vocal Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
In 1736 Handel composed ?Alexander?s Feast? or ?The Power of Musick? a two-part cantata based on John Dryden?s poem of the same name.In 1790 at the suggestion of Baron Gottfried van Swieten Mozart arranged this work using a German translation of the poem made by Karl Wilhelm Ramler in 1770. As in other arrangements of Handelian works Mozart?s re-instrumentation leads to a change in the sound …
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| Richard Strauss: Capriccio op. 85 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Boosey and Hawkes
A Conversation Piece for Music-Libretto (English). Strauss R
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| Henry Purcell: Ode On St Cecilia's Day 1692: SATB: Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Novello & Co Ltd.
Full Score. Purcell Society Volume 8. Edited under the supervision of the Purcell Society by Peter Dennison.
28.95 GBP - Expédié par Musicroom UK Délais: 24 heures - En Stock |
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| Leos Janacek: Msa glagolskaja: Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
?The Glagolitic Mass? one of the 20th century masterpieces of sacred music has a very complex genesis and constitutes an intricate editorial challenge. This new critical edition presents two different versions of the work in two separate volumes (B/5-I BA 6862 und B/5-II BA 6863): the ?September 1927? version which the composer completed before the first rehearsals and subsequent premiere in B…
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| Jean-Philippe Rameau: Anacreon: Orchestra: Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Barenreiter
Ballet héroïque in one act-Bis heute existiert von diesem hübschen Einakter Rameaus der 1754 im Theater von Fontainebleau zur Uraufführung gelangte weder eine historische noch eine moderne Ausgabe.Die lückenhafte Quellenlage machte eine wissenschaftlich sorgfältige realisierte R
148.00 GBP - Expédié par Musicroom UK |
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| Gioachino Rossini: Mose' In Egitto: Opera: Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Ricordi
Mose' In Egitto
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| Cheryl Frances-Hoad: Amy's Last Dive: Women's Choir: Vocal Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Cadenza Music
Cheryl Frances-Hoad's Amy's Last Drive for Soloists Womens Choir and Orchestra.Duration: 2 hours
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| Richard Strauss: Elektra op. 58: Mixed Choir Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Boosey and Hawkes
Tragödie in einem Aufzug-Study Score (hardback) - Hawkes Pocket Score 92. Strauss R
79.99 GBP - Expédié par Musicroom UK |
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| Gioachino Rossini: Semiramide: Opera: Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Ricordi
Vol. 34 - Sez. I - Partit. In 3 Vol. + Partit. Banda Sul Palco + C.C./ Ed. Crit. Gossett Zedda
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| Ned Rorem: Miss Julie: Opera Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Boosey and Hawkes
Opera in one act-(Vocal Score). Rorem N
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| James Whitbourn: Annelies (Chamber Version): Soprano: Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Chester
Annelies was conceived by James Whitbourn as a concert-length choral work with the libretto based on the diary of Anne Franke a Jewish girl who lived at the time of the holocaust. This version is arranged forSoprano soloist SATB chorus Clarinet in B flat Violin Violoncello and Piano.
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| Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Part Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Einzelstimme(n) - Violoncello] Barenreiter
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio…
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