Written in memory of Gilbert Johnson former principal trumpet of the Philadelphia Orchestra and professor of trumpet at the University of Miami. This work is based on two of his most famous recordings: The Antiphonal Music of Gabrieli (specifically Canzona per sonare No. 2) and Respighi's Pines of Rome. It makes effective use of an antiphonal choir and is an excellent concert opener.

Commissioned by the tuba-euphonium quartet Junction it premiered in 2001 at the Tuba/Euphonium Conference in Lahti Finland. It is based on a rhythmic multimeter motif that constantly propels the work forward. All parts serve as an integral element in the development of the piece.