/ Piano

Par KAPUSTIN NIKOLAI. Kapustins 10 Bagatellen aus dem Jahre 1991 sind kleine unbeschwerte Klavierstücke im Jazz-Kolorit mit hohem technischem Anspruch. Der Zyklus wurde komplett vom Komponisten selbst und auch von Masahiro Kawakami für CD-Veröffentlichungen eingespielt. Die beliebte 9. Bagatelle nahmen zudem auch Marc-André Hamelin und Sun Hee You auf. / Niveau : 5 / Répertoire / Piano

Par KAPUSTIN NIKOLAI. Kapustin composed the 3 Etudes Op. 67 in 1992. The first étude, entitled 'Glissandi,' is written in a swing jazz mood. In No. 2 'Ripetizione' the difficulty lies in the complexity of the rhythm. No.3 'Grappole' contains hand clusters in quasi 'grape form'. / Niveau : 5 / Répertoire / Piano

Virtuoso jazz in classical form: Nikolai Kapustin (b. 1937) is an excellent jazz pianist, arranger and composer. His piano sonatas are now published by Schott Music for the first time. Suitable for pianists looking for technically demanding pieces between modern and jazz music which sound like highly skilled, yet notated improvisation / Piano

Par KAPUSTIN NIKOLAI. The Humoresque Op. 75 - composed in 1994 - is considered one of the most difficult pieces by Kapustin. Presented in the standard jazz form, the variations sound like improvisations, influenced by McCoy Tyner's style, but are minutely through-composed. / Niveau : Avancé / Répertoire / Piano

Virtuoso jazz in classical form: Nikolai Kapustin (b. 1937) is an excellent jazz pianist, arranger and composer. His piano sonatas are now published by Schott Music for the first time. Suitable for pianists looking for technically demanding pieces between modern and jazz music which sound like highly skilled, yet notated improvisation. / Piano

Par KAPUSTIN NIKOLAI. This short duet by contemporary Russian composer Nikolai Kapustin has a driving syncopated rhythm and edgy harmonic palette. Kapustin makes good use of both the cello?s rich sonority and its more hard-edged character to underpin the flute?s almost incessant virtuosic outpourings. There is tense rhythmic interplay between the instruments, making it a hugely enjoyable piece for…

Par KAPUSTIN NIKOLAI. Nikolai Kapustin, born in 1937, is regarded as pioneer of the Soviet jazz scene. In his music he combines typical jazz idioms with classical forms. The Sonata Op. 125 for flute and piano was written in 2004 at the request of Immanuel Davis, flute professor at the University of Minnesota. / Niveau : Avancé / Répertoire / Flûte Traversière et Piano

Par KAPUSTIN NIKOLAI. Nikolai Kapustin is considered a pioneer of the Soviet jazz scene. His music combines typical idioms of jazz with classical forms. The Trio op. 86 for flute, violoncello and piano from 1998 is one of the most popular chamber music works by Kapustin. He recorded it himself together with Alexander Zagorinsky and Alexander Korneev. / Niveau : Avancé / Répertoire / Flûte Travers…

Par KAPUSTIN NIKOLAI. Dans le virtuose Capriccio op. 71 de 1992, Kapustin recourt à des techniques de composition dodécatonale. La pièce est adaptée aux pianistes à la recherche d'oeuvres entre jazz et musique moderne, qui sonnent comme d'habiles improvisations. / Niveau : Avancé / Répertoire / Piano

Virtuoso jazz in classical form: Nikolai Kapustin is an excellent jazz pianist, arranger and composer. Suitable for pianists looking for technically demanding pieces between modern and jazz music which sound like highly skilled, yet notated improvisation. / Piano

Par KAPUSTIN NIKOLAI. The 6 Little Pieces Op. 133 composed in 2007 are, after his Sonatina op. 100 (Schott, ED 22853), Kapustins easiest works for piano. The pieces can be played individually, the intervals are all within the octave range and allow younger pianists to discover the jazz-idiomatic world of Kapustin./ Répertoire / Piano

/ Piano

Virtuoso jazz in classical form: Nikolai Kapustin (b. 1937) is an excellent jazz pianist, arranger and composer. Suitable for pianists looking for technically demanding pieces between modern and jazz music which sound like highly skilled, yet notated improvisation. / Piano