Sinfonico Op. 12

Gavota

Par NOURSE NANCY. The four preludes included in this collection are each based upon a tune associated with a particular time of the church calendar. The Lenten prelude, Meditation upon 'Forty Days and Forty Nights', likewise employs a theme with interpolations approach. The hymn tune, Heinlein, is most closely associated with the English text, 'Forty days and forty nights, Thou wast fasting in the…

Par SCHOCKER GARY. Entre Nous is a four-movement suite for Flute and Harp, premiered in the Salle Cortot concert hall (Paris, France) in October 2017. The movements are titled: Promenade, A Gaspar, Une Baignade, and On y Va!./ Répertoire / Flûte Traversière et Harpe

Arrangeur: Timothy Bonenfant. Par DEBUSSY CLAUDE. All four movements of Claude Debussy's charming Petite Suite arranged for Flute, Clarinet (in A) and Bassoon: En Bateau, Cortege, Menuet, Ballet. Originally composed as a suite for four-hand piano, it is also well-known in its orchestral form, with the orchestration completed by Debussy's friend, Henri Büsser./ Répertoire / Flûte Traversière, Clari…

Par LOEB DAVID. David Loeb's new collection Fantasias on Eurasian Melodies, for piccolo alone, gathers together his Balinese Fantasies, Tibetan Fantasias, and Preludes on Eurasian materials for a thorough tour through these interconnected musical languages. The Fantasias, distinct among Loeb's works, draw on native musical sources while building complex, intriguing music more akin to concert reper…

Par COLQUHOUN MICHAEL. Salsa is a popular Hispanic-American urban dance music with deep African and Cuban roots. Charanga is a style of Salsa which was popular from the 1920's through the 1970's. What made Charanga unique was that along with the usual percussion section (congas, bongos/cowbell, timbales, maracas/guiro and clave) there was a string section and a flute lead. When the music was cocin…

The Sorcerer's Apprentice Score + Parties. Par DUKAS PAUL / JOHNSTON MATT (Arr.). A transcription of The Sorcerer's Apprentice which is very challenging, yet rewarding! Unabridged and in the original key. Especially featured is the Alto Clarinet/Basset Horn part which plays the ever-famous bassoon solo. Also included are two contralto parts, one for a standard instrument, and one for an extended r…

Arrangeur: Matt Johnston. Par HERBERT VICTOR. L'Encore is a short vignette originally composed for Flute, Clarinet (in A) and orchestra accompaniment. For this edition with piano reduction, to transpose the A Clarinet part for B-flat Clarinet would put the clarinet in an awkward key, so instead, included in the volume are additional transposed parts for the flute and piano. Thus, the clarinetist w…

Arrangeur: Shelley Collins. Par KROMMER FRANZ. Czech violinist Franz Krommer (1759-1831), who composed over 300 works of his own, freely borrowed from Ignace Joseph Pleyel's String Quartet in F Major to create this set of variations for two oboes and English horn. Shelley Collins has made it possible to perform this delightful arrangement in a variety of combinations of flutes: Two C Flutes and Al…

Par KIM SINAE. Five Variations on a Korean Hymn Tune, based on 'God's Great Grace It Is Has Brought Us' is suitable for both the concert hall and religious settings. The total length of this work is approximately seven minutes, however, the variations can be mixed and matched at the discretion of the performers if a shorter length is needed./ Répertoire / Flûte Traversière, Clarinette et Piano

Arrangeur: Matt Johnston. Par SCHUMANN ROBERT. Robert Schumann (1810-1856), composed this Adagio and Allegro, Op. 70, for horn and piano in 1859. Along with the Fantasy Pieces for clarinet and piano, and the Three Romances for oboe and piano, it rounds out his small yet important output of solo repertoire for wind instruments. Here, it has been arranged here for either Alto Clarinet (in E-flat) or…

Par ROKEACH MARTIN. Going Up? was commissioned in 2007 by the New York trio Eight Strings and a Whistle and completed in 2008. The material and energy of the piece continually pulls the listener upward, hence the title. There are three themes, all ascending, introduced in the first moments respectively by the flute as the piece opens, the pizzicato cello in measure 4, and the pizzicato cello again…