Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 76 and 77 Haydn composed Symphony No. 78 for a journey to England that never took place. Nonetheless, H. C. Robbins Landon referred to these works as the 'English Symphonies” as they are stylistically closely linked to 'the London Bach”, Johann Christian Bach. In a letter Haydn wrote to his Paris publisher Charles-Georges Boyer in 1783, he describe…

Creation Mass. Par HAYDN FRANZ JOSEF. Haydn's Mass in B-flat major, also known as the 'Creation Mass” was composed in 1801. It is one of the six great Mass settings that forms the crowning glory of his vocal music along with 'The Creation” and 'The Seasons”. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and …

Hob Xxii 11 Nelson Mass Soft-Cover Score. Par HAYDN FRANZ JOSEF. Haydn's Missa in Angustiis, also known as the 'Nelson Mass', was composed in 1798. It is one of the six great Mass settings that forms the crowning glory of his vocal music along with 'The Creation' and 'The Seasons'. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale c…

C major. Par HAYDN FRANZ JOSEF. Concert for violoncello and orchestra. Urtext from: Joseph Haydn Werke, G. Henle Verlag München / Classique / Répertoire / Violoncelle et Orchestre

for Trumpet and Orchestra. Par HAYDN FRANZ JOSEF. Urtext Der Haydn-Gesamtausgabe (G. Henle Verlag)/ Répertoire / Trompette et Orchestre

Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Score) Letters of the composer have come down to us only on a few of Haydn’s symphonies, amongst them the “Laudon” Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher’s suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this nam…

Par SEITHER CHARLOTTE. “Red roots” (2022) hints at its source material in depth – only to turn it into something independent. Starting from a Beethovenian cell (from the unpublished sketch, “Wir irren allesamt”), the focus is on leaving the point of departure, which brings up new lines in the interior of the piano. Here, the (supposed) Beethoven presents himself as an “invented memory”, so reality…

Par MYSLIVECEK JOSEF. Numerous copies of the sonatas for piano/ harpsichord by Josef Myslivecek (1737-1781) are scattered throughout Europe, which testifies to their popularity at the time (among others, W. A. Mozart mentioned them approvingly in a letter to his father). Three years after the composer's death, they were published in Edinburgh under the title “Six Easy Lessons for the Harpsichord”.…

Par MOZART WOLFGANG AMADEUS. Bärenreiter is closely connected with Mozart. The complete works of the ingenious composer have been published in the benchmark “New Mozart Edition” issued by Bärenreiter. Moreover, the vast majority of compositions are available in performing Urtext editions based on the musical text of the “New Mozart Edition”. There is hardly a musical area in which Mozart did not e…

Bärenreiter Dotzauer Etudes for violoncello solo: from op. 47, 107, 120, 126, 160 and “Méthode de Violoncello”, edited by George Kennaway, ISMN 9790006578764, BA12101, 23 x 30.5 cm, 30 pages / Bärenreiter

Urbanes Milieu als kompositorische Lebenswelt im Wien der Gründerzeit. Par BRUCKNER ANTON. German/ Répertoire / Divers

for Piano (Harpsichord) and Violin. Par MOZART WOLFGANG AMADEUS. Ausgaben Für Die Praxis Nach Der Neuen Mozart-Ausgabe. Urtext/ Répertoire / Violon et Piano ou Clavecin

Par GLUCK CHRISTOPH WILLIBALD. / Répertoire / Chant