The French titles and tempo markings in this four-movement, twenty-minute-long trio point to the composer's particular affinity to French culture. The 'Prélude? is followed by an impressive 'Invocation?, an homage to Schlee's highly regarded former teacher Olivier Messiaen in commemoration of the 100th anniversary of his birth. This movement, composed somewhat earlier than the others, was the depa…

Flötenkonzert. Par BOCCHERINI LUIGI. / Répertoire / Flûte Traversière et Instruments à Cordes

Par WARNECKE ULRICH UHLAND. / Recueil / 2 Guitares

/ Chant/Vocal/Choeur / Partition

part II of the cycle Profiles of Light. Par PINTSCHER MATTHIAS. 'Now II” is the second part of a triptych of chamber pieces entitled 'Profiles of Light”. The first part is written for solo piano (Now I, BA 11073), the second for unaccompanied cello. The two instruments are then combined in the concluding third part, Uriel (BA 11013). All three pieces were inspired by the Abstract Expressionist pai…

/ S, A, T, B, Choeur Mixte A 4 Voix Et Orchestre

/ Chant/Vocal/Choeur

Par ZARATE. / Répertoire / Guitare

Par BACH JOHANN CHRISTIAN. / Répertoire / Orchestre

Like Dvorák's third and fourth quartets (in D major and E minor respectively), String Quartet #2 in B-flat major was probably composed between 1868 and 1870, when the young and still inexperienced composer was openly responding to stimuli from his musical surroundings and excitedly adopting new compositional techniques. All three quartets were long considered lost - it was even said that Dvorák de…

/ 1 Voix (Flûte A Bec Soprano) Et Flûte A Bec Soprano / Partition

In 1774 Gluck had committed himself to supplying six stage works to the Académie Royale de Musique in Paris. This job he fulfilled partially by reworking works which had already been premiered in Vienna, such as 'Orfeo ed Euridice? (BA 5845-90).In the case of 'Alceste? which was premiered in 1776 and which was the prototype of the so-called reform opera, the composer created a completely new versi…

Par BACH JOHANN SEBASTIAN. The St. John Passion, Bach’s first passion oratorio, can hardly be understood as “one” work. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the composer‘s direction and for every one of these occasions it was revised – sometimes quite substantially. This edition presents the St. John Passion in its second version of 17…

/ Chant/Vocal/Choeur

Arcangelo Corelli, le virtuose du violon de son temps, a publié son 'Sonates pour violon et basse continue opus V' à Rome en 1700. Ces sonates sont un recueil de violon de son temps et jeté les bases de compositions pour violon futures.Au fil des années, les sonates ont été publiés dans près de 100 éditions, tous basés sur la première édition de Corelli qui ne contient que la ligne de violon solo …