| Playing with Rhythm Guitare [Partition] Barenreiter
10 Pieces for Guitar. Par . Playing with Rhythm: 10 Pieces for Guitar Rhythm is a challenge for many guitar students and is only treated marginally in current pedagogical guitar literature. Precisely this subject is now addressed in the album ?Playing with Rhythm? which was created in cooperation with the Prague Guitar Forum festival. The small compositions written by renowned guitar teachers, c…
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| Scipione Affricano (CAVALLI FRANCESCO) Opéra Barenreiter
Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two dozen operas he had written for Venice had helped establish Venice as the world’s first operatic superpower. “Scipione Affricano” (Venice 1664), Cavalli’s first opera after returning from France, was one of his most successful compositions. In a period that valued new works over familiar ones, “Scipione” was one of a handf…
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| Twelve Fantasias for Viola da gamba without Bass (TELEMANN GEORG PHILIPP) Flûte traversière [Partition] Barenreiter
Arranged for Flute (TWV 40: 26-37). Par TELEMANN GEORG PHILIPP. Georg Philipp Telemann composed thirty-six fantasias for solo instrument: twelve each for traverse flute, violin, and viola da gamba. While those for flute and violin belong to Telemann?s most popular works today, the fantasias for viola da gamba were unknown throughout much of recent history until a copy of these fantasias was redisc…
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| Nocturne for String Orchestra in B major Op. 40 (DVORAK ANTONIN) Orchestre Barenreiter
Par DVORAK ANTONIN. / Date parution : 2022-11-08/ Répertoire / Orchestre
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| Zoroastre - RCT 62 A-B Symphonies (RAMEAU JEAN-PHILIPPE) Orchestre [Conducteur] Barenreiter
Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the version of 1756. Opera in five acts. Rameau’s revised version of his opera “Zoroastre”, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today’s point of view the work profits dramaturgically from many of the changes and seems altoget…
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| Déjà vu in A major for Oboe d'amore (STRANZ ULRICH) Hautbois [Partition] Barenreiter
Par STRANZ ULRICH. For many years the manuscript of 'Déjà vu' slumbered in the music library of oboist Hansjörg Schellenberger (former solo oboist of the Berlin Philharmonic) before it was rediscovered last year. Ulrich Stranz composed this solo work for Oboe d'amore, the alto instrument in the oboe family, at the end of his student years in 1974 as the nucleus of his later identically named conce…
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| MASSES, VOLUME 3 (MOZART WOLFGANG AMADEUS) Commentaire Critique Barenreiter
Par MOZART WOLFGANG AMADEUS. This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume. / Date parution : 2022-11-12/ Livre / Commentaire Critique
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| Streichquartett in F - Op. 135 (BEETHOVEN LUDWIG VAN) Quatuor à cordes: 2 violons, alto, violoncelle Barenreiter
Par BEETHOVEN LUDWIG VAN. Beethoven completed his String Quartet Op.135 at Wasserdorf Castle in Gneixenhof, where he sought to recuperate with his nephew Karl after the latter?s failed suicide attempt in summer 1826. It stands out among his late quartets owing to the often cheerful, almost pastoral character of its four movements. Since Beethoven?s death it has often been interpreted as an attempt…
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| Legende for Organ and Brass Quartet Op. 55a (BUNK GERARD) Orgue et Quatuor de cuivre [Conducteur et Parties séparées] Barenreiter
Par BUNK GERARD. As a 20th century composer, Gerard Bunk developed a distinctive musical style comparable perhaps to that of Max Reger or Sigfrid Karg-Elert. In addition to Bunk?s large-scale organ work ?Legende? Op.29 and its symphonic version Op.29II, there is a further well-known ?Legende? Op.55b written for organ and string orchestra (or string quartet) which was composed in 1945. This edition…
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| Sonata No 2 for Violin and Piano (SAINT-SAENS CAMILLE) Violon et Piano [Partition] Barenreiter
In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.2 was written in 1896 during a stay of several months b…
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| Streichquartett in F - Op. 135 (BEETHOVEN LUDWIG VAN) Quatuor à cordes: 2 violons, alto, violoncelle Barenreiter
Par BEETHOVEN LUDWIG VAN. Beethoven completed his String Quartet Op.135 at Wasserdorf Castle in Gneixenhof, where he sought to recuperate with his nephew Karl after the latter?s failed suicide attempt in summer 1826. It stands out among his late quartets owing to the often cheerful, almost pastoral character of its four movements. Since Beethoven?s death it has often been interpreted as an attempt…
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| Zoroastre rct 62B (RAMEAU JEAN-PHILIPPE) Opéra Barenreiter
Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many…
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| PIANO SONATAS I (SCHUBERT FRANZ) Piano seul [Partition] Barenreiter
The early sonatas. Par SCHUBERT FRANZ. Schubert was visibly adventurous in his early piano sonatas, as is apparent in their wide-ranging key schemes, diverging versions of many movements or entire sonatas, and numerous works left incomplete. This revised Urtext edition contains the sonatas he composed between 1815 and 1817. An updated preface and valuable notes on central questions of performance …
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| Zoroastre rct 62B (RAMEAU JEAN-PHILIPPE) Piano, Voix Barenreiter
Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many…
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| Tänze, Band 2 (MOZART WOLFGANG AMADEUS) Commentaire Critique Barenreiter
Par MOZART WOLFGANG AMADEUS. This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume. KV 363, 461(448a), 462(448b), 463(448c), 509, 534-536, 567, 568, 571, 585-587, 599, 601, 604, 600, 602, 603, 609, 610 / Date parution : 2022-11-12/ Livre / Commentaire Critique
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| Aus Holbergs Zeit Op. 40 (GRIEG EDVARD) Orchestre à Cordes [Conducteur] Barenreiter
Par GRIEG EDVARD. Grieg Holberg Suite (From Holberg\'s Time) Op.40 (Full Score) Suite in the Olden Style for String Orchestra To celebrate the 200th birthday of the playwright Ludvig Holberg (1684-1754), a statue was erected in his honour in 1884. Edvard Grieg, who, like Holberg, was born in Bergen, was commissioned to write an open-air cantata for the ceremony. But he also refers to Holberg in …
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| Pavane - Op.50 (FAURE GABRIEL) Piano seul [Partition] Barenreiter
Par FAURE GABRIEL. Fauré?s ?Pavane? was composed for orchestra in 1887, followed by a version for chorus and orchestra in that same year. Three decades later Serge Diaghilev had it choreographed for his Ballets russes ? a sign of its great popularity. ?Pavane? exudes the spirit of Paris?s fêtes galantes at the turn of the century. A version for solo piano appeared in 1889; it was most likely prepa…
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| Song For St. Cecilia?s Day (HAENDEL GEORG FRIEDRICH) Soli, choeur mixte et accompagnement Barenreiter
Par HAENDEL GEORG FRIEDRICH. Handel Song for St Cecilia´s Day (HWV 76) (Vocal Score) Following ?Alexander?s Feast? (1736), in 1739 Handel produced a second setting of the ?Ode to St Cecilia? (?Song for St Cecilia?s Day?). At its première it was combined with ?Alexander?s Feast?. Rather than a dramatic plot presentable in the theatre, the Ode, in its seven sections, offers a general hymn of prais…
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| Ighigenie auf Tauris (GLUCK CHRISTOPH WILLIBALD) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Vienna version 1781. Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigenie auf Tauris (Vienna version 1781) (Vocal Score) Music drama in four acts Following upon the great success of “Iphigénie en Tauride”, Gluck arranged the popular drama of human passions, guilt and unconditional friendship once again for Vienna’s Burgtheater, where it was premièred in 1781. Especially remarkable is the masterly orche…
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| THE TECHNIQUES OF PERCUSSION PLAYING (DIERSTEIN / ROTH / RULAND) Percussion [Partition] Barenreiter
Par DIERSTEIN / ROTH / RULAND. / Date parution : 2022-11-08/ Méthode / Percussions
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