Sheet Music for Organ Johann Sebastian Bach: Complete Organ Pieces Volume 4: Toccatas and Fugues / individual pieces Edited by Jean-Claude Zehnder Intermediate level of difficulty ISMN 9790004183755, publisher's no. EB 8804 Format: 32 x 25 cm 184 Pages Including supplementary online material / Breitkopf and Härtel

Partition classique pour violon Clara Schumann: Trois Romances op. 22 Pour violon et piano Publiée par Joachim Draheim Niveau de difficulté moyennement élevé à élevé ISMN 9790004182345, n° d'édition EB 8645 Format: 23 x 30,5 cm 24/7 pages / Breitkopf and Härtel

Partition classique pour flûte traversière Carl Reinecke: Concerto en Ré majeur op. 283 Pour flûte traversière et orchestre Réduction pour piano Publiée par Henrik Wiese Niveau de difficulté moyennement élevé ISMN 9790004181706, n° d'édition EB 8735 Format: 23 x 31 cm 72 pages / Breitkopf and Härtel

Partitions classiques pour orgue Max Reger: Intégrale de l'œuvre pour orgue Edition Urtext basé sur l'édition complète de Reger 7 volumes sous emboîtage Publiées par Hans Klotz ISMN 9790004189566, n° d'édition EB 9476 Format: 23 x 30,5 cm 1252 pages / Breitkopf and Härtel

Partition classique pour piano Fanny Hensel: Vier römische Klavierstücke Pour piano Publiée par Christian Lambour Niveau de difficulté moyennement élevé ISMN 9790004180075, n° d'édition EB 8164 Format: 23 x 30,5 cm 36 pages / Breitkopf and Härtel

Partition classique pour alto Carl Stamitz: Concerto pour alto et orchestre en Ré majeur op.1 Réduction pour piano Publiée par Paul Klengel Niveau de difficulté moyennement élevé ISMN 9790004164471, n° d'édition EB 5580 Format: 23 x 30,5 cm 36 pages / Breitkopf and Härtel

Classical Sheet Music for Violin Georg Philipp Telemann: Twelve Fantasies TWV 40:15-25 Urtext edition For violin solo Edited by Kolja Lessing ISMN 9790004189467, publisher's no. EB 9466 Format: 23 x 30.5 cm 34 Pages / Breitkopf and Härtel

Par MOUSSORGSKY MODEST / RAVEL MAURICE (Arr.) . Ravel’s brilliant compositional interpretation of the Pictures at an Exhibition is, to this day, the most famous and independent orchestration of Mussorgsky’s masterpiece. When the French composer turned his attention to his Russian colleague’s piano cycle in 1922, he was at the height of his mastery and Paris was enraptured by Russian music. Notated…

BACH J.S. - BRANDENBURGISCHES KONZERT NR. 5 - CLAVECIN / Orchestre / Edition Breitkopf

On the opera stage, the tenor is often the most eminent protagonist. Whether as ardent lover or tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura.The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire f…

Meyerbeer: Voici donc les débris / Nonnes qui reposez (Bertram - Robert le diable)Meyerbeer: Volontiers, un vieil air huguenot / Piff, paff (Marcel - Les Huguenots)Glinka: ?ujut pravdu! / Ty prijdë?' moja zarja! (Susanin - ?izn' za carja)Wagner: Gar viel und schön (Landgraf Hermann - Tannhäuser)Wagner: Gott grüß euch (König Heinrich - Lohengrin)Wagner: Mein Herr und Gott (König Heinrich - Lohengri…

?Una voce poco profonda?: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes,…

Mozart: Bravo signor padrone! / Se vuol ballare (Figaro - Le nozze di Figaro)Mozart: Ehi capitano / Non più andrai (Figaro - Le nozze di Figaro)Mozart: Tutto è disposto / Aprite un po' quegl'occhi (Figaro - Le nozze di Figaro)Mozart: Eh consolatevi / Madamina, il catalogo è questo (Leporello - Don Giovanni)Lortzing: O sancta justitia! (Van Bett - Zar und Zimmermann)Lortzing: Fünftausend Taler! (Ba…

It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. (Peter Anton Ling) OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conce…