Meyerbeer: Voici donc les débris / Nonnes qui reposez (Bertram - Robert le diable)Meyerbeer: Volontiers, un vieil air huguenot / Piff, paff (Marcel - Les Huguenots)Glinka: ?ujut pravdu! / Ty prijdë?' moja zarja! (Susanin - ?izn' za carja)Wagner: Gar viel und schön (Landgraf Hermann - Tannhäuser)Wagner: Gott grüß euch (König Heinrich - Lohengrin)Wagner: Mein Herr und Gott (König Heinrich - Lohengri…

?Una voce poco profonda?: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes,…

Mozart: Bravo signor padrone! / Se vuol ballare (Figaro - Le nozze di Figaro)Mozart: Ehi capitano / Non più andrai (Figaro - Le nozze di Figaro)Mozart: Tutto è disposto / Aprite un po' quegl'occhi (Figaro - Le nozze di Figaro)Mozart: Eh consolatevi / Madamina, il catalogo è questo (Leporello - Don Giovanni)Lortzing: O sancta justitia! (Van Bett - Zar und Zimmermann)Lortzing: Fünftausend Taler! (Ba…

It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. (Peter Anton Ling) OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conce…

The present volume (OperAria Tenor, Volume 3, EB 8876) contains a representative cross-section of the dramatic repertoire for tenor. On the opera stage, the tenor is often the most eminent protagonist. Whether as an ardent lover or a tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and …

Par SIBELIUS JEAN. After preparing his Scenes historiques op. 66 for print in spring 1912, Sibelius had many grand plans but had to turn towards more profitable piano works first, due to his financial situation. Within only one month, he wrote the Three Sonatinas op. 67 in June 1912, which were published by Breitkopf already in November the same year. Although by his own accounts he did not like w…

Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…

Les 52 pages de ce recueil vont vous faire apprécier la partition Mini-Tango du célèbre compositeur Schmitz Manfred qui fait partie de la catégorie des partitions Classique. Cette partition imprimée par les éditions Breitkopf est répertoriée sous la référence DV 32148. Passionnés de Classique et joueurs de Piano 4 mains et Plus et plus précisément de Piano 4 Mains il ne vous reste plus qu'à travai…

Breitkopf Urtext für Flöte und Cembalo / for Flute and Harpsichord. Par BACH CARL PHILIPP EMMANUEL. These Sonatas for flute and harpsichord obbligato (Wq 83 - 86) were written in Potsdam between 1745 and 1755, while C. P. E. Bach was in the service of King Frederick II of Prussia. The sonatas also exist in genuine trio Sonata versions. In our present version, the right hand of the harpsichordist t…

Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…

/ Choeur De Femmes

/ Choeur De Femmes

Arrangeur: Joachim Draheim. Par SCHUMANN CLARA. 'You can be rightfully pleased with what is coming!' announced Clara Schumann self-confidently in late 1855 to the 24-year-old Joachim upon sending him a copy of the 'Three Romances' op. 22 for violin and piano that had just been published by Breitkopf and Härtel. There is no doubt that her acquaintance with the young virtuoso had stimulated her to w…

Les 32 pages de ce recueil vont vous faire apprécier la partition Kantate 14 Wär Gott nicht mit du célèbre compositeur Bach Johann Sebastian qui fait partie de la catégorie des partitions Classique. Cette partition imprimée par les éditions Breitkopf est répertoriée sous la référence EB 7014. Passionnés de Classique et joueurs de Chant/Vocal/Choeur et plus précisément de Soliste, Choeur Mixte Et O…