Lecture complémentaire pour trombone Etudes pour trombone Extrait de cantates de Jean-Sébastien Bach Publiée par Holger Eichhorn and Georg Christoph Biller ISMN 9790004180327, n° d'édition EB 8614 Format: 23 x 30,5 cm 112 pages / Breitkopf and Härtel

Method for Oboe 3 Etudes for oboe and piano By José Siqueira ISMN 9790200415025, publisher's no. DV 31003 Format: 23 x 30.5 cm 20 / 8 pages / Breitkopf and Härtel

Classical Sheet Music for Piano Modest Mussorgsky: Eine Nacht auf dem Kahlen Berge (A Night on the Bald Mountain) Arranged for piano Arranged by C. Tchernow Intermediate to advanced level of difficulty ISMN 9790004178508, publisher's no. EB 8561 Format: 23 x 30.5 cm 20 pages / Breitkopf and Härtel

Par MOUSSORGSKY MODEST / RAVEL MAURICE (Arr.) . Ravel’s brilliant compositional interpretation of the Pictures at an Exhibition is, to this day, the most famous and independent orchestration of Mussorgsky’s masterpiece. When the French composer turned his attention to his Russian colleague’s piano cycle in 1922, he was at the height of his mastery and Paris was enraptured by Russian music. Notated…

Par SCHUMANN ROBERT. In 1925, Breitkopf and Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann?s ?Instructive Edition? of her husband?s works for the new engraving. ?[?] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation ? all of this would have to be taken int…

Par SCHUMANN ROBERT. In 1925, Breitkopf and Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann?s ?Instructive Edition? of her husband?s works for the new engraving. ?[?] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation ? all of this would have to be taken int…

?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, s…

On the opera stage, the tenor is often the most eminent protagonist. Whether as ardent lover or tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura.The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire f…

Meyerbeer: Voici donc les débris / Nonnes qui reposez (Bertram - Robert le diable)Meyerbeer: Volontiers, un vieil air huguenot / Piff, paff (Marcel - Les Huguenots)Glinka: ?ujut pravdu! / Ty prijdë?' moja zarja! (Susanin - ?izn' za carja)Wagner: Gar viel und schön (Landgraf Hermann - Tannhäuser)Wagner: Gott grüß euch (König Heinrich - Lohengrin)Wagner: Mein Herr und Gott (König Heinrich - Lohengri…

?Una voce poco profonda?: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes,…

Mozart: Bravo signor padrone! / Se vuol ballare (Figaro - Le nozze di Figaro)Mozart: Ehi capitano / Non più andrai (Figaro - Le nozze di Figaro)Mozart: Tutto è disposto / Aprite un po' quegl'occhi (Figaro - Le nozze di Figaro)Mozart: Eh consolatevi / Madamina, il catalogo è questo (Leporello - Don Giovanni)Lortzing: O sancta justitia! (Van Bett - Zar und Zimmermann)Lortzing: Fünftausend Taler! (Ba…

Mozart: Wer ein Liebchen hat gefunden (Osmin - Die Entführung aus dem Serail)Mozart: O, wie will ich triumphieren (Osmin - Die Entführung aus dem Serail)Mozart: La vendetta (Bartolo - Le nozze di Figaro)Mozart: O Isis und Osiris (Sarastro - Die Zauberflöte)Mozart: In diesen heil'gen Hallen (Sarastro - Die Zauberflöte)Beethoven: Hat man nicht auch Gold beineben (Rocco - Fidelio)Rossini: La calunnia…

The present volume (OperAria Tenor, Volume 3, EB 8876) contains a representative cross-section of the dramatic repertoire for tenor. On the opera stage, the tenor is often the most eminent protagonist. Whether as an ardent lover or a tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and …

Par ZELENKA JAN DISMAS. The Missa Omnium Sanctorum ZWV 21 is Zelenka?s last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka?s most beautiful inspirations. The score and parts material o…