Ouvrage de référence Livre de quiz avec 231 questions et réponses sur l'histoire de la musique, la théorie musicale, les compositeurs, les instruments, etc. Par Thomas Krämer ISBN 9783765104473, n° d#édition BV 447 Format: 12,5 x 19 cm 176 pages En langue allemande / Breitkopf and Härtel

Méthode de chant Un "Vaccai" allemand - Cahier d'exercices de chant avec 24 mélodies sur des poèmes de Heine pour voix aigue Par Steffen Wolf Avec accompagnement au piano Paroles en langue allemande avec transcription phonétique internationale Contient des commentaires pédagogiques en langues allemande, anglaise et française ISMN 9790004184387, n° d'édition EB 8848 Format: 23 x 30,5 cm 60 pages Co…

Partition classique pour violon Jean Sibelius Serenata n°1 en Ré majeur, op.69a pour violon et orchestre Réduction pour piano Niveau de difficulté moyennement élevé à élevé ISMN: 9790004180983 N° d'édition: EB 3936 Format DIN A4 14 pages / Breitkopf and Härtel

Partition classique pour flûte traversière Carl Reinecke: Concerto en Ré majeur op. 283 Pour flûte traversière et orchestre Réduction pour piano Publiée par Henrik Wiese Niveau de difficulté moyennement élevé ISMN 9790004181706, n° d'édition EB 8735 Format: 23 x 31 cm 72 pages / Breitkopf and Härtel

Par ZELENKA JAN DISMAS. The Missa Omnium Sanctorum ZWV 21 is Zelenka?s last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka?s most beautiful inspirations. The score and parts material o…

Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Betz, Marianne/Köhler, G. H./ Répertoire / 2 Flûtes Traversières

Par DULON FRIEDRICH LUDWIG. Editeur(s) d'origine: Imbescheid, Albrecht/ Répertoire / 2 Flûtes Traversières

Par DULON FRIEDRICH LUDWIG. Editeur(s) d'origine: Imbescheid, Albrecht/ Répertoire / 2 Flûtes Traversières

Par HOLSZKY ADRIANA. / Répertoire / 2 Clarinettes

Lied- und Tanzvariationen. Par SWEELINCK JAN PIETERSZOON. Following the successful new edition of Scheidt's Tabulatura nova, Harald Vogel now releases his second major project for Breitkopf & Härtel, Jan Pieterszoon Sweelinck's 'Complete Keyboard Works'. Assisting the leading interpreter of 16th- and 17th-century organ music is Pieter Dirksen, the Dutch harpsichordist and Sweelinck scholar. Togeth…

Par VANHAL JOHANN BAPTIST. The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The new edition profits from Tobias Glöckler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glöckler…

The present volume (OperAria Tenor, Volume 3, EB 8876) contains a representative cross-section of the dramatic repertoire for tenor. On the opera stage, the tenor is often the most eminent protagonist. Whether as an ardent lover or a tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and …

Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…

Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…

Breitkopf Urtext für Flöte und Cembalo / for Flute and Harpsichord. Par BACH CARL PHILIPP EMMANUEL. These Sonatas for flute and harpsichord obbligato (Wq 83 - 86) were written in Potsdam between 1745 and 1755, while C. P. E. Bach was in the service of King Frederick II of Prussia. The sonatas also exist in genuine trio Sonata versions. In our present version, the right hand of the harpsichordist t…