| Piano Concerto In A Major K. 488 Piano seul Breitkopf and Hartel
Les maisons d'édition de G. Henle à Munich et à Breitkopf and Härtel poursuivent leur coopération sur les concertos pour piano de Mozart, ce printemps. Après le Concerto pour piano K. 467, il est maintenant au tour de l'K. Un grand Concerto 488. Un des concertos les plus fréquemment exécutées de tous, il a été écrit alors que Mozart travaillait sur l'opéra 'Le nozze di Figaro'. La situation de sou…
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| Sonatina for Clarinet and Piano (HABICHT GUNTER) Clarinette et Piano [Partition] Breitkopf and Hartel
Par HABICHT GUNTER. Günter Habicht composed music for folk instruments and contributions to educational literature as well as works for wind orchestra, chamber and orchestral music, including the ?Sinfonietta?, published in 1964 by VEB Breitkopf and Härtel Musikverlag Leipzig, and the award-winning ?Quartettino 1969? for wind instruments, created for a composition contest organized by the Associat…
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| OPERARIA TENOR 2 Voix Tenor Breitkopf and Hartel
The present volume (OperAria Tenor, Volume 2, EB 8875) contains a representative cross-section of the lyric-dramatic repertoire for tenor. On the opera stage, the tenor is often the most eminent protagonist. Whether as an ardent lover or a tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectation…
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| OPERARIA TENOR 3 Voix Tenor Breitkopf and Hartel
The present volume (OperAria Tenor, Volume 3, EB 8876) contains a representative cross-section of the dramatic repertoire for tenor. On the opera stage, the tenor is often the most eminent protagonist. Whether as an ardent lover or a tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and …
34.90 EUR - Expédié par Woodbrass Délais: 24 heures - En Stock |
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| MISSA OMNIUM SANCTORUM IN A-MOLL ZWV 21 (ZELENKA JAN DISMAS) (ZELENKA JAN DISMAS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Partition] Breitkopf and Hartel
Par ZELENKA JAN DISMAS. The Missa Omnium Sanctorum ZWV 21 is Zelenka?s last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka?s most beautiful inspirations. The score and parts material o…
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| Werke Für Tasteninstrumente 4 (SWEELINCK JAN PIETERSZOON) Orgue ou Clavecin [Partition] Breitkopf and Hartel
Lied- und Tanzvariationen. Par SWEELINCK JAN PIETERSZOON. Following the successful new edition of Scheidt's Tabulatura nova, Harald Vogel now releases his second major project for Breitkopf & Härtel, Jan Pieterszoon Sweelinck's 'Complete Keyboard Works'. Assisting the leading interpreter of 16th- and 17th-century organ music is Pieter Dirksen, the Dutch harpsichordist and Sweelinck scholar. Togeth…
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| Double Bass Concerto Violon 2 (VANHAL JOHANN BAPTIST) Violon [Partition] Breitkopf and Hartel
Par VANHAL JOHANN BAPTIST. The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The new edition profits from Tobias Glöckler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glöckler…
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| Double Bass Concerto (VANHAL JOHANN BAPTIST) Conducteur [Partition] Breitkopf and Hartel
Par VANHAL JOHANN BAPTIST. The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The new edition profits from Tobias Glöckler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glöckler…
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| Violinkonzert 2 D-Dur Kv 211 (MOZART WOLFGANG AMADEUS) Orchestre, Violon [Partition] Breitkopf and Hartel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Waldersee, Paul/ Répertoire / Violon et Orchestre
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| Konzertarien Für Tenor (MOZART WOLFGANG AMADEUS) Voix Tenor, Piano [Partition] Breitkopf and Hartel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Beyer, Franz/ Répertoire / Ténor et Orchestre
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| Trietto Metodicho, Nr. 1 A-Dur (TELEMANN GEORG PHILIPP) 2 Flûtes traversières, Violoncelle [Partition] Breitkopf and Hartel
Par TELEMANN GEORG PHILIPP. Editeur(s) d'origine: Sc cor eider, Martin G./ Répertoire / 2 Flûtes Traversières ou Violons et Basse Continue
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| Flötenkonzert D-Dur (STAMITZ ANTON) Flûte traversière, Orchestre [Partition] Breitkopf and Hartel
Par STAMITZ ANTON. Editeur(s) d'origine: Lebermann, W. -Haverkam Piano, U./ Répertoire / Flûte Traversière et Orchestre
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| 4 Sonaten, Heft 2 Wq 85, 86 (BACH CARL PHILIPP EMMANUEL) Flûte traversière et Piano [Partition] Breitkopf and Hartel
Breitkopf Urtext für Flöte und Cembalo / for Flute and Harpsichord. Par BACH CARL PHILIPP EMMANUEL. These Sonatas for flute and harpsichord obbligato (Wq 83 - 86) were written in Potsdam between 1745 and 1755, while C. P. E. Bach was in the service of King Frederick II of Prussia. The sonatas also exist in genuine trio Sonata versions. In our present version, the right hand of the harpsichordist t…
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| Requiem Op. 89 Violon 1 (DVORAK ANTONIN) Violon [Partition] Breitkopf and Hartel
Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…
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| Requiem Op. 89 Ensemble A Vent (DVORAK ANTONIN) Ensemble à vent [Partition] Breitkopf and Hartel
Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…
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| Requiem Op. 89 Violon 2 (DVORAK ANTONIN) Violon [Partition] Breitkopf and Hartel
Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…
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| Requiem Op. 89 Choeur (DVORAK ANTONIN) Chorale [Partition] Breitkopf and Hartel
Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…
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| 4 Sonaten, Heft 1 Wq 83, 84 (BACH CARL PHILIPP EMMANUEL) Flûte Traversière et Clavecin ou Piano [Partition] Breitkopf and Hartel
Breitkopf Urtext für Flöte und Cembalo / for Flute and Harpsichord. Par BACH CARL PHILIPP EMMANUEL. These Sonatas for flute and harpsichord obbligato (Wq 83 - 86) were written in Potsdam between 1745 and 1755, while C. P. E. Bach was in the service of King Frederick II of Prussia. The sonatas also exist in genuine trio Sonata versions. In our present version, the right hand of the harpsichordist t…
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| Requiem Op. 89 Alto (DVORAK ANTONIN) Alto seul [Partition] Breitkopf and Hartel
Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…
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| Requiem Op. 89 (DVORAK ANTONIN) Choeur et Piano [Partition] Breitkopf and Hartel
Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…
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| Requiem Op. 89 (DVORAK ANTONIN) Conducteur [Partition] Breitkopf and Hartel
Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…
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| Requiem Op. 89 Violoncelle (DVORAK ANTONIN) Violoncelle (Partie Séparée) [Partition] Breitkopf and Hartel
Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…
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| 6 Paganini-Etüden (LISZT FRANZ) Piano seul [Partition] Breitkopf and Hartel
Par LISZT FRANZ. Franz Liszt dedicated the Grandes Etudes De Paganini to Clara Schumann, whose pianistic genius he revered. Two of the Etudes in the collection deserve particular notice: no. 3 La Campanella (The Bell) enjoyed great celebrity for the extraordinary character of its sonorities. And in the closing a-minor Etude, Liszt took his place next to many other composers with his variations on …
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| Zelenka J.d. - Miserere C-moll Zwv 57 - Piano Reduction Breitkopf and Hartel
Zelenka: Miserere in C minor ZWV 57 Breitkopf Urtext ed. by M. Hutzel und Thomas Kohlhase The Miserere in C minor ZWV 57 is one of the late works of the Bohemian composer Jan Dismas Zelenka. According to an entry in the autograph score, it was completed on 12 March 1738 and thus chronologically takes its place between the Missa Sanctissimae Trinitatis (1736) and the Missa votiva (1739). It was th…
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| Leipziger Ausgabe der Werke von Mendelssohn Orchestre de chambre Breitkopf and Hartel
Serie III Bd. 8 Kammermusikwerke Weiterer Besetzungen. Par MENDELSSOHN-BARTHOLDY FELIX. With the exception of the works for violin or violoncello and piano, to each of which a separate volume is devoted, all of Mendelssohn's other works for one or two instruments with piano are collected in this volume. Mendelssohn did not have any of these works printed.
They are the viola sonata MWV Q 14, compos…
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| 3 SONATINAS OP. 67 (SIBELIUS JEAN) Piano seul [Partition] Breitkopf and Hartel
Par SIBELIUS JEAN. After preparing his Scenes historiques op. 66 for print in spring 1912, Sibelius had many grand plans but had to turn towards more profitable piano works first, due to his financial situation. Within only one month, he wrote the Three Sonatinas op. 67 in June 1912, which were published by Breitkopf already in November the same year. Although by his own accounts he did not like w…
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