Partition classique pour violon 4 pièces de Jean Sibelius pour violon et piano Publiée par Anna Pulkkis Niveau de difficulté moyennement élevé à élevé ISMN: 9790004188040 N° d'édition: EB 9340 Format DIN A4 28 pages / Breitkopf and Härtel

Classical Sheet Music for Piano Johann Sebastian Bach: Piano Works Volume IV - Two-Part Inventions BWV 772-786: instructive edition Edited by Ferruccio Busoni Intermediate to advanced level of difficulty ISMN 9790004162583, publisher's no. EB 4304 Format: 23 x 30.5 cm 44 Pages With explanatory notes in German, English and French / Breitkopf and Härtel

Sheet Music for Organ Johann Sebastian Bach: Complete Organ Pieces Volume 1: Preludes and Fugues I Edited by David Schulenberg Intermediate level of difficulty ISMN 9790004183724, publisher's no. EB 8801 Format: 32 x 25 cm 140 Pages Including supplementary online material / Breitkopf and Härtel

Sheet Music for Organ Johann Sebastian Bach: Complete Organ Pieces Volume 2: Preludes and Fugues II Edited by David Schulenberg Intermediate level of difficulty ISMN 9790004183731, publisher's no. EB 8802 Format: 32 x 25 cm 148 Pages Including supplementary online material / Breitkopf and Härtel

Partition classique pour violon Clara Schumann: Trois Romances op. 22 Pour violon et piano Publiée par Joachim Draheim Niveau de difficulté moyennement élevé à élevé ISMN 9790004182345, n° d'édition EB 8645 Format: 23 x 30,5 cm 24/7 pages / Breitkopf and Härtel

Partition classique pour violoncelle Fanny Hensel: 2 pièces pour violoncelle et piano - Fantasia en Sol mineur et Capriccio en Lab majeur Publiée par Christian Lambour Niveau de difficulté moyennement élevé ISMN 9790004178621, n° d'édition EB 8575 Format: 23 x 30,5 cm 26 pages / Breitkopf and Härtel

Lied- und Tanzvariationen. Par SWEELINCK JAN PIETERSZOON. Following the successful new edition of Scheidt's Tabulatura nova, Harald Vogel now releases his second major project for Breitkopf & Härtel, Jan Pieterszoon Sweelinck's 'Complete Keyboard Works'. Assisting the leading interpreter of 16th- and 17th-century organ music is Pieter Dirksen, the Dutch harpsichordist and Sweelinck scholar. Togeth…

Par VANHAL JOHANN BAPTIST. The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The new edition profits from Tobias Glöckler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glöckler…

Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…

Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…

Breitkopf Urtext für Flöte und Cembalo / for Flute and Harpsichord. Par BACH CARL PHILIPP EMMANUEL. These Sonatas for flute and harpsichord obbligato (Wq 83 - 86) were written in Potsdam between 1745 and 1755, while C. P. E. Bach was in the service of King Frederick II of Prussia. The sonatas also exist in genuine trio Sonata versions. In our present version, the right hand of the harpsichordist t…

Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…

Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…