Eingangschor Aus Der Kantate Zu Mariae Verkündigung. Par TELEMANN GEORG PHILIPP. Tonalité : C-Dur - Hofmann, Klaus (Arr.) - Lunn, Jean (Trad.) - TVWV 1:359/1 / Mottet / Date parution : 1974-04-01/ Répertoire / Choeur SS (B) ou SA (B), 2 Violons, (Alto) et Bass

Dominicusmesse. Par MOZART WOLFGANG AMADEUS. Tonalité : C-Dur - Horn, Paul (Arr. ) - KV 66/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Kantate Zum Sonntag Rogate. Par BACH JOHANN SEBASTIAN. Tonalité : E-Dur - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 86/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois d'Amour, Vi

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

Choralkantate Iii. Par BORNEFELD HELMUT. BoWV 52/ Répertoire / Choeur à 1 ou 2 Parties, 2 Instruments de Mélodie

Kyrie-Gloria-Messe (Lutherische Messe). Par BACH JOHANN SEBASTIAN. Tonalité : G-Dur - Horn, Paul (Arr. ) - BWV 236 / Date parution : 2000-12-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Himmelfahrtsoratorium. Par BACH JOHANN SEBASTIAN. Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 [Ascension Oratorio]. Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text incl…

Kantate Zum 13. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. The closing chorale of the cantata is given without text in the autograph. In this edition, the recommendation of the Neuen Bachausgabe (NBA 1/21) is followed./ Répertoire / Solistes SATB, Choeur SATB, Trompette (Da Tirarsi)

B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

Osterkantate. Par TELEMANN GEORG PHILIPP. This cantata has come down to us, unusually, with two sets of words. Certainly the second, and possibly also the first, is a parody. The first text is clearly intended for Easter, while the second, of a general nature, sings the praises of patience, hope, and trust in God. This extremely effective work, basically heroic in character, might well be performe…

Kommunionskantate. Par TELEMANN GEORG PHILIPP. Hofmann, Klaus (Arr.) - Scandrett, Robert (Trad.) - TVWV 1:442/ Répertoire / Solo à (MSBar, B), Viole de Gambe et Basse Continu

Kantate Zum 7. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : h-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 107/ Répertoire / Solistes STB, Choeur SATB, (Cor Da Caccia), 2 Flût

g-Moll. Par BACH JOHANN SEBASTIAN. Tonalité : g-Moll - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - BWV 229 / Mottet / Répertoire / Choeur SATB/SATB, (8 Instruments et Basse Continue

Kantate Zum 25. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : d-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 90/ Répertoire / Solistes ATB, Choeur SATB, Trompette, Instruments