Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the mus…

Antiphona Angelorum. Aus: Zwölf Geistliche Gesänge. Par SCHUTZ HEINRICH. Tonalité : mixolydisch - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - SWV 421 (op. 13 #2)/ Répertoire / Choeur SATB, (4 Instruments, Contrebasse, et Orgue

Kantate Zum Ratswechsel - Ergänzende Rekonstruktion Des Fragments: Reinhold Kubik. Par BACH JOHANN SEBASTIAN. Horn, Paul / Kubik, Reinhold (Arr.) - Wicker, Jutta (Trad.) - BWV 193/ Répertoire / Solistes SA, Choeur SATB, 3 Trompettes, Timbales,

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Aus: Psalmen Davids. Par SCHUTZ HEINRICH. Tonalité : G-Dur - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - SWV 41 (op. 2 #20) / Psaumes / Répertoire / Petit Choeur SATB/SATB et Basse Continue, (Grand C

Aus: Kleine Geistliche Konzerte I. Par SCHUTZ HEINRICH. mit singbarer englischer Übersetzung / Musique religieuse / Répertoire / Solistes SA et Orgue

Kantate Zum Sonntag Septuagesimae. Par BACH JOHANN SEBASTIAN. Tonalité : h-Moll - Drinker, Henry (Trad. ) - BWV 144/ Répertoire / Solistes SAT, Choeur SATB, 2 Hautbois/Hautbois d'A

Trauerfeier. Par BACH JOHANN SEBASTIAN. Two versions survive: 1st version composed 1736/37, 2nd version in the first half of the 1740s. The versions differ only in instrumentation, and both are integrated in this edition. / Mottet / Répertoire / Choeur SATB, 2 Litui (2 Cors), Cto ou Violon et 3

Kantate Zum Fest Der Himmelfahrt Christi. Par BACH JOHANN SEBASTIAN. lyricist possibly Christian Weiß, Sen. ; This edition contains a reconstructed part fo violin solo [Dürr/Hellmann] for the Tenor Aria no. 2./ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois/Hautbois d'

Kantate Zum Pfingstfest (1. Pfingsttag). Par BACH JOHANN SEBASTIAN. The marriage cantata (BWV 34a) on which this work is based was composed in 1726. This parody was composed in the first half of the 1740's./ Répertoire / Solistes ATB, Choeur SATB, 3 Trompettes, Timbales,

Kantate Zum 10. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : d-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 101/ Répertoire / Solistes SATB, Choeur SATB, (Cto et 3 Trombones),

Kantate Zum Neujahrsfest. Par BACH JOHANN SEBASTIAN. A new edition of the Neujahrs-Kantate, which previously appeared in an edition based on manuscript copies from the 19th century. The present edition is based on a manuscript from 1762 which was first discovered in 1971; this source varies considerably from the previously known manu-scripts and it presents a clearer version of the cantata./ Réper…

Ein Oratorium Nach Worten Des Alten Testaments. Par MENDELSSOHN-BARTHOLDY FELIX. Opus : 70/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Instrumentalsätze Aus Den Trauermusiken Für Die Hamburger Bürgermeister Gerhard Schröder (1723) Und Daniel Stockfleth (1739). Par TELEMANN GEORG PHILIPP. Mourning music consisting of free and chorale-based instrumental movements [”Nun lasset uns den Leib begrab’n” – “Christus, der ist mein Leben”] from Telemann’s funeral music for the Hamburg mayors Schröder [1723] and Stockfleth [1739]. – Music f…

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. The present cantata draws on two of Bach’s earlier works. The original form was the cantata 'Alles, was von Gott geboren' [Weimar 1715, BWV 80a]. A second version [BWV 80b] was written between 1727 and 1731 in Leipzig. The instrumentation of movements 1 and 5 come from a later adaptation by Wi…