Par GARCIA JANINA. The collection of 'Musical Pictures fot the Youngest' is addressed to children setting out on their adventure with playing the guitar. The gradual introduction to the world of the guitar is favoured by the format of the collection, in which the works are arranged according to difficulty, from easy one part melodies to harmonically and technically more complicated and demanding p…

Series C. Par MONIUSZKO STANISLAW. The work of neoclassical character, in the traditional form of a suite combining transparency of texture with lightness of expression. As is typical for the genre, the parts of the cycle are juxtaposed based on contrast in character and pace. The piece begins with a rough and somewhat 'robbery' Allegro, followed by Moderato, which is a refined and at the same tim…

NATIONAL EDITION SERIES A VOLUME 7 Jan Ekier. Par CHOPIN FREDERIC. The Preludes of Op. 28 include all 24 major and minor tonalities arranged in a circle of fifths, with each major key being followed by its relative minor. Contrary to custom of using this type of piece as didactic material, Chopin's cycle was intended as concert music. The Preludes are a diverse variety of mood, tempo, articulation…

Par ROZYCKI LUDOMIR. It is surprising that in undoubtedly too few publications discussing the life and art of Ludomir Rózycki the attention is paid primarily to his operatic and symphonic works, while piano pieces as well as chamber music are pushed to the margins, analysed incidentally. Meanwhile, they constitute a significant part of his legacy. Rózycki was a composer who magnificently operated …

Par ROZYCKI LUDOMIR. This volume contains piano pieces by Ludomir Rózycki, which refer to the fantasy genre. Fantaisie (Fantasia) op. 11 is a youthful piece in which the individual creative language of the Young Poland composer resounds. The dark, mystical mood of the composition is interrupted by an almost tender cantilena theme. Fantaisiestücke (Fantastic Pieces) op. 46 come from a later period …

for clarinet, violin, viola, cello, piano and percussion. Par PTASZYNSKA MARTA. Composition was written in 2008 on a commission from the University of Chicago for the celebration of the 100th anniversary of Olivier Messiaen's birth. This tree movement work attempts to refer to Messiaen's work, in particular to the beautiful sonorities of the Quatour pour la fin du temps. From ancient time the rain…

for carillon. Par KULENTY HANNA. This is another work in which composer forges musical surrealism out of resounding bitonal harmonies in various bi-resonances, bi-spaces and bi-times. Bizarre… – just like this remarkable instrument. It was written 2022, in France, recalled the sound of the instrument from St Catherine’s in Gdansk and the carillon sonosphere of the Netherlands – a country comosers …

for violin and piano. Par LUTOSLAWSKI WITOLD. The title of this striking, virtuosic work refers to the continuous succession of sudden changes that occur within it, with contrasts of rhythm, dynamics and articulation. Written in 1992, it is Lutoslawski?s last composition. / Date parution : 2023-06-01/ Répertoire / Violon et Piano

for piano. Par MOLODYNSKA-WHEELER MARTA. In the collection, the author has placed pieces of varying difficulty, as well as in a variety of styles, from classical, through latin music, to jazz. There are cantilenas and lively pieces. The publication is intended for intermediate and advanced pianists. / Date parution : 2023-06-01/ Recueil / Piano

for concert band. Par KILAR WOJCIECH. / Date parution : 2023-06-01/ Répertoire / Concert Band

for carillon. Par PRZYBYLSKI DARIUSZ. First composer contact with the carillon came in March 2022, in the tower of the Main Town Hall in Gdansk. The instrument’s unusual location, as well as the remarkable space through which its music resounds, aroused composer imagination in such a way as to trigger visions or hallucinations in sound, which in turn inspired the work presented here. / Date paruti…

Par KOLBUSZ ALEKSANDRA. Long before writing Passalega, I harboured the idea of creating some form of organically homogeneous chain of musical tensions evolving ever more distinctly into a musical utterance, although still indeterminate in terms of pitch. The tissues forming the chain of those tensions were of relatively simple design, yet in spite of this ? or perhaps because of it ? they were inc…

Par SZALONEK WITOLD. This work reveals the remarkable world of Szalonek?s imagination. Making use of the traditional form of the chaconne, he leaves the soloist ample possibilities for interpretation ? avec fantaisie ? particularly in terms of agogic shifts, and also in the way the narrative is led. In Chaconne-fantaisie, the soloist displays the whole spectrum of the violin?s sonoristic capac_x00…