Tonalité : D-Moll - Hochstein, Wolfgang (Arr.) -. Par HASSE JOHANN ADOLF. The festive work with their, for Hasse’s time, relativly large orchestra ensemble, was first performed on 29 June 1751 on the occasion of the dedication of the new Catholic Court Church in Dresden. They are appropriate for performance together in either worship services or in a concert setting. / Messe / Répertoire / Solist…

The French titles and tempo markings in this four-movement, twenty-minute-long trio point to the composer's particular affinity to French culture. The 'Prélude? is followed by an impressive 'Invocation?, an homage to Schlee's highly regarded former teacher Olivier Messiaen in commemoration of the 100th anniversary of his birth. This movement, composed somewhat earlier than the others, was the depa…

Par TELEMANN GEORG PHILIPP. Each sonata is written in a three movement form (fast-slow-fast), and are equally successful and satisfying when played by any two instruments of matching pitch.Editorial metronome markings, articulation and dynamics have been suggested throughout. They, along with trills and other ornaments, may be adjusted as desired. The music should be interpreted in strict Baroque …

Violin Edition. Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better underst…

Close your eyes and relax: these pieces are as pleasant and evocative for the listener as a cup of coffee, and they're charming to play too! Together with the CD and the piano accompaniment, the pieces are suitable for lessons, concerts or just music-making at home. Chord symbols facilitate accompaniment with guitar, accordion, or other instruments.Other editions: My Blue Violin (ED 21767) and The…

Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains the complete chamber music without a keyboard instrument. The most important group of works comprises the string quartets, 10 of which have survived. They were composed during the 1770s, whenHaydn was developing this class of music. The differing balance between such contrasting musical elements as entries in imitation…

Par VAUGHAN WILLIAMS RALPH. Two pieces for Violin and Piano. These two brief and lyrical pieces were first published in 1923, but it is probable that they were written before 1914. Dedicated to Dorothy Longman. / Niveau : Elémentaire / Répertoire / Violon et Piano

A delightful collection of well-loved piano solos (and one song) by Haydn, Mozart, and Beethoven; arranged - with equal difficulty parts - for violin, cello and piano. Whether just for pleasure, or a public concert, or as GCSE/A-level ensembles, these pieces will be very useful, with the added bonus of having familiarity in another form. They would also make appealing encores for amateur or profes…

Par CARSE ADAM. A delightful collection of pieces for Violin and Piano by 19th Century English composer Adam Carse. They have all been selected and the Violin part edited by Mary Cohen./ Répertoire / Violon et Piano

Par HANNICKEL MIKE. It's time for those sassy, brass trumpets to step to the front and make sure everyone knows they are there. / Niveau : 0.5 / Musique légère originale / Répertoire / Concert Band

Six easy pieces. Par MULLER IVAN. Ivan Müller was born in Reval in Russia (now Tallinin, Estonia) on 3 December 1786 and died in Bückeburg (Germany) in 1854. In 1808/09 he performed widely as a clarinet virtuoso - in Berlin, Leipzig, Wien, Paris and many other places where he also presented the new ?clarinette omnitonique? in B flat which he had invented. The system of keys in use in Germany to th…

Par SPARKE PHILIP. This is a little salute to the wonderful music of Duke Ellington, taking Mood Indigo as its model. Something Borrowed, Something Blue will allow the young band to approach this masterpiece?s laid-back style, using chords and harmonies that they may be hearing for the first time. The flexible instrumentation of this work makes it ideal for bands without the full quota of players.…

Op. 45 No. 3. Par DVORAK ANTONIN. Dvorák composed his 'Slavonic Rhapsodies” op. 45 in 1878, initiating his so-called 'Slavonic period”. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major, G minor and A-flat major) appearing under the same opus number. Now the 'Slavonic Rhapsodies” are being issued separately in scholarly-critical editio…

Par L'ESTRANGE ALEXANDER / PILLING T.. The Jazz Sessions Series is a tremendous collection of Jazz standards, classics and original material by contemporary composers Alexander L'Estrange and Tom Pilling. Each book is dedicated to a particular instrument but they are all able to work in conjunction with each other in ensembles and Jazz bands, providing an exciting and enjoyable repertoire. A profe…

Critical Complete Edition Of The Works Of Miloslav Kabelác V/13. Par KABELAC MILOSLAV. The four small-scale preludes of Miloslav Kabelác's op. 48 were commissioned in 1966 by the second 'Prague Spring International Music Competition” in the category organ. They are written in proportional notation, which the composer preferred ever since his Symphony No. VI of 1961. For practical reasons one of t…