Arr. James Curnow. Par BRAHMS JOHANNES. Au cours de l’été 1880, le compositeur allemand Johannes Brahms (1833-1897) écrit son Ouverture pour une fête académique, op. 80. Elle est contemporaine de l' Ouverture tragique qui en est son pendant. Un an auparavant, Brahms avait été fait docteur « honoris causa » de l’Université de Breslau. Dans un premier temps, il se contenta d'une simple note manuscri…

e-Moll. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Ge…

Arrgt: Eric Vireton. Par BACH JOHANN SEBASTIAN. Formation : Musique de Chambre, Solo - Instrumentation : 1 Violon Solo - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 4 mn 25 s - Style Musical : Classique, Pédagogique - Catégorie : Arrangement, Incontournable Réédité - Compositeur : Johann Sebastian BACH - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique, Pédagogique / Réper…

über 'Wo Gott zum Haus nicht gibt sein Gunst'. Par WALTHER JOHANN GOTTFRIED. Johann Gottfried Walther nimmt unter den Orgel-Komponisten der ersten Hälfte des 18. Jahrhunderts neben Bach eine Spitzenposition ein. Nahezu unbekannt ist bis heute, dass der Weimarer Stadtorganist und Bach-Verwandte auch zahlreiche Vokal-Kompositionen geschaffen hat. In seiner bei Mattheson 1740 veröffentlichten Autobio…

Aus: Israelsbrünnlein. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 a…

Trumpet and String Quartet. Par BACH JOHANN SEBASTIAN. Formation : Musique de Chambre, Quintette, Quatuor - Instrumentation :Trompette et Quatuor à Cordes : 1 Trompette 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : Intermédiaire / Avancé - Durée : 3 mn 00 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Johann Sebastian BACH - Arrangeur : Eric VIRETON / Niveau : I…

Tonalité : C-Dur - Mh 182. Par HAYDN JOHANN MICHAEL. Haydn’s Missa Sancti Joannis Nepomuceni, dated 21 May 1772, is dedicated to the Bohemian martyr and patron “Saint of bridges, ” Johannes Nepomuk [ca. 1340–1393, canonized in 1729]. Despite the addition of woodwinds and brass to the three-part string section, the Mass is in a comparatively simple, compact form as was expressly required by Count H…

1. Choir, 2. Choir, Organ. Par BACH JOHANN SEBASTIAN. Version of 1736 (final version) Bach ’s St. Matthew Passion passed through several stages in its progress towards its final form, stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas’s Church, Leipzig, in a version of which the copy made by Bach ’s son-in-…

Par REUTTER HERMANN / BACH JOHANN SEBASTIAN. Of The Choral 'Komm, Süßer Tod, Komm, Sel'Ge Ruh'!' By Johann Sebastian Bach/ Répertoire / Piano

Nr. 1, 2, 3, 4, 5, 6, 8. Par QUANTZ JOHANN JOACHIM. Johann Joachim Quantz (1697-1773) was one of the most famous flautists of his time. As a composer his repertoire included a significant number of sonatas for flute and continuo. Seven of these compositions, arguably ranking amongst the most beautiful flute works from the Baroque era, are included in this edition. / Niveau : Avancé / Classique …

Par STRAUSS JOHANN / GHIDONI. Johann Strauss ' Train De Plaisir is a Polka, arranged here for Flute and Piano accompaniment by Armando Ghidoni./ Répertoire / Flûte Traversière ou Hautbois et Piano

Arrangeur: Ward Gardner. Par PACHELBEL JOHANN. Johann Pachelbel: Two Fugues for Recorder Trio (SAT)/ Répertoire / 3 Flûtes à Bec (S, A et T)

Es-Dur. Par HASSE JOHANN ADOLF. Two complete settings of the Requiem by Johann Adolf Hasse are extant. Hasse composed the Requiem in C major on the death of the Elector Friedrich August 11 of Saxony. Only a few weeks later his son the elector Friedrich Christian also died. Presumably for this reason Hasse wrote the Requiem in D flat, and because of the shortage of time he used the Sanctus and Agnu…

Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto …

Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto …