Par MANTOVANI BRUNO. After Eclair de lune for three principal snare drums, three ensembles and electronics, and after my Concerto for two violas written for Tabea Zimmermann and Antoine Tamestit, I felt compelled to compose a new work for double soloist, and ended up choosing the piano. First of all from a desire to write for Varduhi Yeritsyan and François-Frédéric Guy, but also because the confro…

10 flexible Blues Arrangements for Brass T.C. Ensemble. Par HUFSCHMIDT THOMAS. Get the blues by playing in small or large ensembles of woodwinds, brass, strings, or rhythm section!Play together in harmony with classmates, family, and friends. Use any combination of instruments and any skill level. Everyone can play the blues! As a conductor of school bands or ensembles you?re always looking for a…

Par LOEB DAVID. There are various traditions of performing on high pipes throughout the world. By thinking of the piccolo as the modern instrument repository for these traditions and this music, in the same sense that the piano is the modern instrument repository for all keyboard music, the piccolo's potential repertoire is vastly enlarged. It was with this definition of the piccolo in mind that D…

10 flexible Blues Arrangements for Flute Ensemble. Par HUFSCHMIDT THOMAS. Get the blues by playing in small or large ensembles of woodwinds, brass, strings, or rhythm section!Play together in harmony with classmates, family, and friends. Use any combination of instruments and any skill level. Everyone can play the blues! As a conductor of school bands or ensembles you?re always looking for arrang…

Par ZUBEL AGATA. The musical axis of the opera Bildbeschreibung consists of the relations between the soloistically treated instruments, the parts of which are based on the realisation by the performers of layers of sound ? understood not just as the exploration of their own instrument, but above all the presentation or representation in sound of the text. Each of the parts forges an area of ?pict…

Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments,…

Par PERLSON JORDAN. First Lessons Cajon will take you through the necessary steps to become a proficient cajon player in a pop and rock context. Basic lessons in rhythm will help you learn mainstream beats for the cajon that you can use in your favorite songs. Lessons in hand position, posture, and sound are also included to ensure the best cajon playing experience possible. Whether you are a begi…

Six Pieces by Fritz Kreisler Transcribed for Alto Saxophone and Piano. Par KREISLER FRITZ. Fritz Kreisler (1875-1962) was celebrated as one of the greatest violinists of all time. His brilliant technique and rich tone produced a characteristic sound that was and remains immediately identifiable. This collection features six pieces that Kreisler composed or transcribed for violin and piano, here tr…

Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or tri…

Par CRUMB GEORGE. Like Book I of George Crumb\'s final large-scale keyboard cycle, Metamorphoses, Book II: Ten Fantasy-Pieces (After Celebrated Paintings) comprises ten movements for solo piano, each inspired by one of the composer\'s favorite works of visual art. His efforts to render these paintings in sound lead Crumb to reach beyond the conventional resources of the instrument once more: the i…