For Three Violins, Bass Viol And Continuo. / Recueil / 3 Violons, Basse Viol et Basse Continue

Mozart's 'Missa in C major? (K. 220), nicknamed the 'Sparrow Mass? for its frequently recurring characteristic motifs in the violins, has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started 'Bärenreiter Female Choir? series.Heribert Breuer has judiciously transferred the tenor and bass solos t…

Par DUBUGNON RICHARD. / Répertoire / 2 Violons et Piano

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Ch…

Passionskantate. Par TELEMANN GEORG PHILIPP. In this five-movement Passion cantata dating from Telemann’s Frankfurt years, the vocalist and the violist are each given attractive, though not excessively difficult tasks. This edition contains the original version for voice, viola and bassocontinuo, as well as the version by Telemann’s successor at Frankfurt, Johann Balthasar König [1691–1758], which…

Wonderful for teaching Baroque style and bowing concepts, this piece features limited third position for the violins, cellos, and basses. Violas share in the thematic materials with string basses, mostly sharing the basso continuo line with cellos. This movement from Telemann's Sonata in A for String Quartet has been perfectly set by Robert Sieving. (3:20) / Orchestre A Cordes

Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble; the second, op. 168, from 1870 (see p. 5) included strings and organ, in which th…

Par MOZART WOLFGANG AMADEUS. Allegro in B-flat major of a Quintet for Clarinet, two Violins, Viola and Violoncello K. Anh. 91 (516c). This Allegro fragment was possibly sketched in 1787 two years before composition of the A major Clarinet Quintet K. 581. It is 93 bars long and is complete in all instrumental parts but was abandoned abruptly at the bottom of the fourth page. The distinguished Mozar…

/ Musique De Chambre Avec Instruments A Vent

Par SCARLATTI ALESSANDRO. Also suitable for flutes, oboes or violins/ Répertoire / 2 Flûtes à Bec Alto ou Flûte Traversière, Hautbois

Par PAVLOV FILIP. / Recueil / 3 Violons

From Ander Theil (1639) for 2 discant viola da gambas (or 2 violins) & b. c., edited by Leonore and Günter von Zadow. The pieces are evocative of the Italian music of the early baroque period.

Showcase your cellos! This piece, arranged by Bob Phillips, will make them sound great! Featuring 'What Child Is This',' 'Oh Come, Oh Come Emmanuel,' and 'Angels We Have Heard on High.' A perfect training exercise for third and fourth positions for the cellos, this lovely medley also includes a bit of easy third position for the first violins. The melody for the cellos is mostly on the A-string. (…

Based on popular songs and with easy-to-follow text and diagrams, this excellent course assumes no prior knowledge of keyboards or music yet right from the beginning, you will be playing arrangements which include a complete rhythm section with full sounding chords, bass and drums. You play 20 famous songs including 'Bright Eyes', 'Don't Cry For Me Argentina' , 'I Left My Heart In San Francisco' a…