Songbook pour violoncelle 37 pièces divertissantes allant du classique à la pop Arrangements pour violoncelle et piano Par Rainer Mohrs and Beverley Ellis Niveau de difficulté moyennement élevé ISBN 9783795700836, ISMN 9790001205313, n° d'édition ED 23042 Format: 23 x 30,5 cm 120 pages / Schott

Recueil de partitions pour piano De la série "Pianissimo" 90 morceaux originaux pour piano des XXe et XXIe siècles Sous la direction de Hans-Günter Heumann et Rainer Mohrs Sonorités et rythmes modernes Styles représentés : Musique Nouvelle, Néoclassicisme, Danses Modernes, Jazz, Blues, Pop, Crossover, Rock, New Age, Musique Méditative Niveau de difficulté : facile à intermédiaire ISBN 978-3-7957-4…

Par WILLMINGTON EDWIN M.. Daily Grace expresses the grace that we have received from God through the sacrifice of Christ on the cross: a true gift. There is an option to incorporate AMAZING GRACE with a congregation, another voice, or other instrument to effectively connect the soloist's melody with the familiar refrain. / Date parution : 2022-05-31/ Répertoire / Chant et Piano

Vier Seiten for violoncello is an attempt to present an event that in reality takes about two seconds in extreme slow motion, thus making even the micromovements visible or audible beyond the straight line of motion.When I composed the piece, the fatal accident of Ayrton Senna came to my mind again and again - an accident which was shown on TV in slow motion again and again until it became unbeara…

Par VAN DER ROOST JAN. This suite was composed by Jan Van der Roost on the occasion of the 110th anniversary of the ‘Koninklijke Sint Martinusfanfare’ (Royal Saint Martinus Fanfare Band) from Halle (Belgium). The composer was required to create a suite in three movements based on three images associated with the ‘Sint Martinusfanfare’ from the small town of Halle in the province of Brabant. The fi…

A Method for Keyboard Artists. Par . Improvising Fugue: A Method for Keyboard Artists is a guide for those who aspire to the highest levels of fluency as inventors of spontaneous music at the piano, fortepiano, harpsichord, organ, or digital keyboard. Written for professional performers, conservatory students, and devoted amateurs, this book leads the reader along the arduous journey from score de…

Par PASSANI EMILE. Lorsque Joseph avec sa sainte Epouse (No. 1 from '7 Noë ls provencaux de Saboly') unison chorus/ Feuillet / 3 Voix Egales

Par HOLST GUSTAV. Among the most popular and important modern British composers, Gustav Holst (1874–1934) was a true eccentric, given to odd enthusiasms and mystical musings. His spectacular symphonic suite The Planets, first performed in 1918, established hisinternational reputation and remains a staple of the orchestral repertoire to this day. Scored for huge orchestral forces and a wordless cho…

Par VAN DER ROOST JAN. This work, in two movements, was written for the 50th anniversary of “Harmonie St. Cecilia” in Oudenburg, Belgium, and is dedicated to its conductor, Arne Wyntin. The first part is rather quiet and pastoral in character, and is written in a gently rocking 12/8 time. The tranquility of the area around the medieval town of Oudenburg, a rustic region not far from the North Sea,…

Par MUSSORGSKY MODEST. The symphonic poem Night on a Bald Mountain took its inspiration from a story by the well known Russian writer Nicola Gogol. Mussorgsky took no steps to promote his masterpiece and it was only after his death when Rimsky-Korsakov was looking through the enormous stack of manuscripts that the work resurfaced. Written above the score, Mussorgsky gives a brief description of th…

Par PLANEL. French composer, Robert Planel (1908-1994) was the son of composer and founder of the Music School of Montelimar, Alphonse Planel. Robert Planel was an exceptionally accomplished musician, reflected in his composition Prelude and Saltarelle for Alto Saxophone and Piano. It is hard to fathom why Prelude and Saltarello has somewhat disappeared from the repertoire. With a typical performa…

Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all th…