The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white n…

The World's Most Beautiful Arias with Full Orchestra Play Along. Les grandes chanteuses lyriques nous captivent depuis plus de trois siècles. Lorsque nous les voyons sur scène, nos oreilles se délectent de mélodies qui comptent parmi les plus belles de tous les temps. Live at the Opera permet aux instrumentistes d’accéder également à ces trésors : 12 arias d’opéras ont été individuellement arrangé…

Par SAMITZ NICO. 'Tout commencement est magique' - Göthe avait déjà reconnu qu'il y avait quelque chose de magique dans la nouveauté. Cette réflexion est également la source d'inspiration du morceau 'Something new to believe in'. Au début, la composition confère au cor la partie musicale principale avec des mélodies accrocheuses et pleines de force positive. Après que la partie centrale exprime de…

The importance of the single in the career of The Smiths cannot be overstated. Morrissey and Marr both regarded the format as hugely significant, with each release sporting a traditional paper sleeve and poignant choice of cover star, from James Dean to Shelagh Delaney. They reflected the band's shared love of the great singles of the 50s and 60s, and many have since become collector's items. This…

Complete Edition. Par LISZT FRANZ. Supplementary Volume 16 of the New Liszt Edition contains free arrangements and technical exercises. In the first section can be found early versions of three arrangements. The first consists of the first and intermediary versions of a transcription of Die Rose, a song Schubert composed to a poem by Schlegel. The arrangement of the second movement of Berlioz's Ha…

Jazz Play-Along Vol.86. Par SILVER HORACE. Peu de musiciens et de compositeurs ont influencé jazz comme Horace Silver a. Ses compositions, enregistrements et groupes ont contribué à définir la forme même de jazz tel que nous le connaissons aujourd'hui... Nous continuons donc ici les explorations de Volumes 17 et 18 de la AebeSeries (qui comportait des airs de Horace) de contester et d'étirer votre…

Par PIETILA ESA. Esa Pietilä's The Wind Wants for wind quintet examins various kinds of wind: 'A balmy summer breeze suddenly gives way to an autumn gale that blows with all its might, whips round corners, forms flurries and howls in the treetops', describes the composer. The work includes improvisational episodes, the duration is c. 16 minutes. This product includes the score and parts. Have a lo…

Think Benjamin Britten's Young Person's Guide but just for strings! Written to be used for outreach or recruiting concerts, this piece is a great way to educate audiences of all ages about the different instruments of the string orchestra. All of your students will love getting a chance in the spotlight as the simple main theme is followed by five variations, each featuring a different section (ye…

Par BUSH GEOFFREY. Wind and Brass/ Répertoire / Quintette à vent

Over 20 piano solos for the church pianist. Par AUSTIN GLENDA. 23 brand new arrangements for church pianists everywhere! Preludes and Postludes marks Glenda Austin's 8th book in her popular Solos for the Sanctuary series. Expect to hear the unexpected: interesting chords, jazz, classical influences, and everything in between. There are some pieces that you can sit down and play as well as a few th…