Arrangeur: Alexander L'Estrange. Par L'ESTRANGE ALEXANDER. If you are looking for straightforward and rewarding repertoire for your beginner choir then look no further. These simple choral arrangements have been carefully designed to provide rewarding, varied repertoire for beginner choirs. The Simple 3-part choral arrangements for soprano, alto and a combined part for men's voices make the series…

Two #1 hits (My Girl in 1965 by the Temptations and My Guy in 1964 by Mary Wells) are inventively combined by Ed Lojeski in a seamless guy-girl showcase for pop and show choirs. / Voix Mixtes

Santa Claus has never sounded funkier! Hip and hot, it's hard to believe this is a carol from the 1800s. Designed for choirs of any age to bring the house down as they sing (and maybe dance) this perky, rockin' arrangement. / 2 Parties Mixtes

The series Der Junge Pop-Chor has vastly expanded the range of contemporary choral material available to choirs. In Volume 3 of this successful series, five more songs are included for 2-part youth choir (or 2-part women's choir), arranged with Piano Accompaniment.This series is mostly aimed at teenagers and young adults, who want to sing the latest chart-topping hits. The accompanying CD contains…

Weihnachtskantate. Par GRAF WOLFRAM. The cantata is original and interesting. While it is very easy for the choir, it is somewhat more demanding on the orchestra. Highly recommended to enrich the Christmas season. [Singen und Musizieren im Gottesdienst 5/2000]/ Répertoire / Choeur d'Enfants à 2 Parties et Instruments (Flûte

Adventskantate. Par GRAF WOLFRAM. The first impression from playing through it: exciting! A composition for children’s choir that is demanding in every respect. Nicolai’s hymn is transformed by a modern, truly original musical language. [Musica Sacra 6/2000]/ Répertoire / Choeur d'Enfants à 2 Parties et Instruments (Flûte

Retrouvez ici 5 chansons Pop pour les choeurs d'aujourd'hui spécialement arrangées par Mark De-Lisser, coach vocal et directeur de chorale.Arrangements pour choeur soprano, alto, ténor et piano. Inclus 2 CDs avec pour chaque chanson: - une piste démonstration - une piste playback - une piste seulement soprano - une piste seulement alto - une piste seulement ténor / Chant Et Piano / Partition

Five great songs are given the gospel treatment, and the result is a guaranteed showstopper - fun, funky, slick and stylish.The arrangements are by vocal coach and choral director Mark De-Lisser, and were performed by his choir, ACM Gospel Choir, on BBC's Last Choir Standing - they are all uplifting, modern and a joy to sing.Arranged for SAT choir with downloadable backing tracks using the accompa…

Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the…

Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the…

Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the…

Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the…

Par SUTCLIFFE JAMES HELME. Treble Voices. Sutciffe, Jh/ Feuillet / 2 Parties Voix Aigües (SA)

Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (cello or organ) My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi…

Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (cello or organ) My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi…