Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

HYMN OF PRAISE INSTRUMENTATION : SOLOISTS, MIXED CHOIR AND ORCHESTRA VERSION : STUDY SCORE CONTENU : PREFACE - VORWORT - EDITORIAL NOTES - SYMPHONIE NR. 2: - 1. SINFONIA - 2. CHOR: ALLES WAS ODEM HAT/ALL MEN, ALL THINGS - SOPRAN-SOLO UND FRAUENCHOR: LOBE DEN HERRN/PRAISE THOU THE LORD - 3. TENOR-SOLO: SAGET ES...ER ZÄHLET UNSRE THRÄNEN/SING YE PRAISE...HE COUNTETH ALL YOUR SORROWS - 4. CHOR: SA…

/ Divers

Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all th…

Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all th…

Parti Orchestra. Par VIVALDI ANTONIO. The orchestral set contains: 3 copies of Vl I and 3 copies Vl II 2 copies of vla, 2 copies of cello 1 copy of organ, contrabass, trumpet and oboe. Today the Gloria RV 589 (BA 7674) is one of Vivaldi's best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the ; Gloria as a self-contained work …

Partition de chant Edition Urtext Voix pour soliste, chorale et orchestre (soprano solo I, soprano solo II, alto solo, ténor solo, basse solo, chorale mixte (SSATB)) Niveau de difficulté moyennement élevé à élevé Publiée par von Alfred Dürr Arrangement d'Alfred Dürr and Andreas Köhs ISMN 9790006464272, n° d'édition BA05103-90 Format: 19 x 27 cm 87 pages En langue latine 2e version avec 4 mouvemen…

Par PURCELL HENRY. Opera/ Répertoire / Solistes, Choeur et Orchestre

This five movement work for SATB choir is based on five different Native American peoples. The sequence starts with 'Falling,? a lullaby, and ends with 'Rising,? an image of spirits gently swaying on their final journey above. Between these two lie 'Waking,? a celebration of the joy of being alive, 'Singing,? which expresses the experience of attending deeply to the natural world, and 'Leaving,? i…

Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV …

Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV …

Classeur Format portrait : env. 25 x 33 cm Épaisseur : env. 3 cm Mécanisme à 4 anneaux Deux poches intérieures Avec sangle de maintien Dragonne réglable 4 coins de protection en métal 2 cordons en caoutchouc Porte-stylo Compartiment pour étiquette Motif avec lignes de notes en relief Couleur : noir Matériau : cuir synthétique Autres couleurs sur demande / Rolf Handschuch