Jubel-Messe - WeV A.5, Offertorium WeV A.4, Op. 76. Par WEBER CARL MARIA VON. En qualité de maître de chapelle du théâtre de la cour royale de Dresde, Carl Maria von Weber avait pour première mission de développer l’opéra allemand à la cour. Mais il devait aussi écrire pour la messe toutes les trois semaines. Cela convenait parfaitement au compositeur d’opéra Weber qui considérait ses talents arti…

Jubel-Messe - WeV A.5, Offertorium WeV A.4, Op. 76. Par WEBER CARL MARIA VON. En qualité de maître de chapelle du théâtre de la cour royale de Dresde, Carl Maria von Weber avait pour première mission de développer l’opéra allemand à la cour. Mais il devait aussi écrire pour la messe toutes les trois semaines. Cela convenait parfaitement au compositeur d’opéra Weber qui considérait ses talents arti…

Ce produit est abimé (couverture cornée, présence d'étiquette?).Solistes, choeur à 4 voix mixtes, cordes et bc / Orchestre / Ricordi

Ce score étude est basée sur l'édition de 'Idomeneo', édité par Daniel Heartz en 1973 qui a été publié dans le cadre de la 'Nouvelle édition Mozart', ainsi que le rapport critique de Bruce Alan Brown (2005).Manuscrit autographe de Mozart des actes I et II, qui est aujourd'hui conservée dans la Jagiellonska Biblioteka, Cracovie et agit I et II de l'indice de performance de Munich ne devint à nouvea…

Par LUTZ GREG. Turtle and Rabbit by Greg Lutz for Flute Choir and Narrator. A new take on a familiar story! In regards to the Percussion parts, there are a few ways which they can be performed. Optimally, with a large enough flute choir, one player from each of the involved parts (Piccolo, Flute 2, 3, and 4) would be able to play the parts at the times indicated in their parts. Additionally, a sep…

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Par L'ESTRANGE ALEXANDER (Arr.). When Cecil Sharp transcribed O Waly Waly in 1908, it bore this title but did not contain the title words (beginning instead with ‘Down in the meadows’). It has been suggested since that the version we know now may be a composite of three songs: the Scottish ‘Waly waly’ (meaning ‘a cry of woe or grief’), the Cecil Sharp transcript and an American song, The water is …

Par FORBES L'ESTRANGE JOANNA (Arr.). Wade in the Water is a lively and infectious spiritual. Its features include a call-and-response texture, jazz ‘scat’ vocalization and finger clicks on beats 2 and 4 of the measure. This arrangement by Joanna Forbes L’Estrange remains true to the spirit of Eva Cassidy’s well-loved version, adapting the instrumental improvisation on the recording to create a fun…

Par PART ARVO. Estonian minimalist composer Arvo Pärt has adapted his celebrated work, Summa, for recorder quartet. Originally written for four solo a cappella voices, it is also available in arrangements for string quartet, string orchestra, and choir with organ. Summa bears the distinctive qualities of Pärt's music, masking its great collective complexity with simplicity in each part. This arra…

4 Fragments For 8-Part Choir. Par TROJAHN MANFRED. German / Niveau : 4 / Répertoire / SSAATTBB