Par FAITH REBECCA. In this collection we have gathered fifty Christmas Carols from around the world carefully arranging them for Voice and Piano. Each piano accompaniment is playable by a competent pianist, and there are additional optional harmonies added to the vocal part for choral use if desired. Every country puts its own unique cultural stamp on celebrating the holiday season and this volume…

a-Moll. Par SCHUNCKE HUGO. An oboe concerto from the romantic era? Embarassingly, due to the small amount of solo literature for the instrument from this period, this question often asked of oboists, must be answerded with a reference to the few small concert pieces and sets of variations available. The A minor Concerto by Hugo Schuncke, who was a musician at the Court of Stuttgart, fills a need. …

a-Moll. Par SCHUNCKE HUGO. An oboe concerto from the romantic era? Embarassingly, due to the small amount of solo literature for the instrument from this period, this question often asked of oboists, must be answerded with a reference to the few small concert pieces and sets of variations available. The A minor Concerto by Hugo Schuncke, who was a musician at the Court of Stuttgart, fills a need. …

In the bleak midwinter is a setting for four-part choir of the famous poem by Christina Rossetti. This poem came to mind when I was walking down a Cornish lane on a cold, bleak November day, and I began to put the words to music as I walked. I was a little hesitant to write a setting of this text in the light of other much loved versions, but I felt inspired so decided to go for it! An atmosphere …

a-Moll. Par SCHUNCKE HUGO. An oboe concerto from the romantic era? Embarassingly, due to the small amount of solo literature for the instrument from this period, this question often asked of oboists, must be answerded with a reference to the few small concert pieces and sets of variations available. The A minor Concerto by Hugo Schuncke, who was a musician at the Court of Stuttgart, fills a need. …

a-Moll. Par SCHUNCKE HUGO. An oboe concerto from the romantic era? Embarassingly, due to the small amount of solo literature for the instrument from this period, this question often asked of oboists, must be answerded with a reference to the few small concert pieces and sets of variations available. The A minor Concerto by Hugo Schuncke, who was a musician at the Court of Stuttgart, fills a need. …

Par ARTHUR GEORGE. A serene setting for choir which features a simple step like melody with a beautifully flowing solo soprano line above. The musical setting uses two lullaby-like rhythmical ostinatos which run right throughout the work to shape the musical line. The music covers a wide dynamic range in a short space of time rising gently only to fall back down until it fades into nothing. …

Musical numbers that one after another hit the jackpot. Par DREWE ANTHONY. This is the official songbook for the brand new stage version of Half a Sixpence. The show opened to rave reviews and is currently playing at the Noël Coward Theatre, London. This musical adaptation of H.G. Wells's semiautobiographical novel 'Kipps: The Story of a Simple Soul', is a completely fresh adaptation which reunite…

/ 3 Parties Mixtes, Flûte A Bec Soprano, Flûte A Bec Alto, Hautbois (Ou Flûte A Bec Alto Ou Violon) Et Instrument(s) A Cordes / Partition

Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Missa brevis St. Joannis de Deo - Kleine Orgelmesse écrite et composée pour Soprano et plus précisément pour Soprano, Choeur Mixte A 4 Voix, Instruments A Cordes …

/ Choeur D'Enfants A 1 A 3 Voix, 4 Récitants, Flûte A Bec Soprano, Flûte A Bec Alto, Violon, Violoncelle, Guitare (Violoncelle), Tambour Et Triangle / Partition

/ S, S, A, T, Basse (Aussi Chorale), Flûte A Bec Soprano, 2 Flûtes A Bec Alto Et Instrument(s) A Cordes

Par VILLETTE PIERRE. This edition of Salve Regina by Pierre Villette is a version of this Marian hymn for SATB a cappella. It's written with lyrics in Latin and should be sung at a slow tempo (52). The lyrical piece features a long introduction followed by the Soprano solo and a finale. At the end of the solo, the voices alternate between the initial tempo and some slower parts to arrive to the cl…

/ Choeur Mixte (SATB), Flûte A Bec Soprano, Hautbois (Flûte A Bec Alto, Flûte A Bec Tenor), Instrument(s) A Cordes (Sans Viole) (Luth Ou Guitare Ad Libitum) / Partition

/ 2 Maîtres De Chapelle Du Choeur, Choeur De Jeunes A 1 A 3 Voix (Choeur D'Enfants), 2 Flûtes A Bec Soprano Et Instrument(s) A Cordes / Partition