| Slavonic Rhapsody In A Flat Major Op. 45/3 Alto - 2 Ex. Minimum (DVORAK ANTONIN) Alto seul Barenreiter
Op. 45 No. 3. Par DVORAK ANTONIN. Dvorák composed his 'Slavonic Rhapsodies? op. 45 in 1878, initiating his so-called 'Slavonic period?. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major, G minor and A-flat major) appearing under the same opus number.
Now the 'Slavonic Rhapsodies? are being issued separately in scholarly-critical editio…
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| Polonaise (DVORAK ANTONIN) Orchestre d'harmonie [Conducteur et Parties séparées] De Haske Publications
Arr. Wil Van Der Beek. Par DVORAK ANTONIN. The year 2004 marked the 100th anniversary ofthe death of Antonin Dvorák. In 1879 Dvorákwrote this Polonaise as a commission for thecommittee organising the festivities for theirfamous national dance festival. Many famousCzech composers wrote dances specially for thisevent. This Polonaise in three movements, with itsfine melody lines, deserves to be more …
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| Slavonic Dances No. 7 And 8 (DVORAK ANTONIN) Orchestre d'harmonie [Conducteur et Parties séparées] De Haske Publications
from opus 46. Par DVORAK ANTONIN. En 1878, Antonín Dvorák composa une série de huit danses slaves. Contrairement à Brahms, Dvorák s’est contenté d’emprunter aux danses de son pays natal leurs caractéristiques rythmiques. Wil van der Beek a réalisé un arrangement de deux d’entre elles : la danse n° 7, une vive skocná dont le thème mélodique est écrit en forme de canon et la danse n° 8, fougueuse et…
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| Messe In D (DVORAK ANTONIN) Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois, satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorák’s D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immedi…
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| Tempo Di Valse (Collection Anacrouse) Piano seul [Partition] EBR Editions Bourges
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d'oeuvres classiques, allant de la Renaissance à l'époque moderne.Proposer tout à la fois des 'incontournables' du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d'une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l'unité, a fait l'…
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| Quatuor à cordes en Ut majeur op. 61 (DVORAK ANTONIN) Quatuor à cordes: 2 violons, alto, violoncelle [Partition] G. Henle
Par DVORAK ANTONIN. Composé à l’automne 1881, l’opus 61 est le dernier des quatuors de Dvorák appelés, chronologiquement parlant, quatuors «du milieu», et dont les modèles déterminants furent Beethoven et Schubert. Dans cette œuvre en Ut majeur, c’est surtout l’influence de Beethoven qui se fait plus particulièrement sentir, de la construction thématique jusqu’au travail motivique, et c’est seulem…
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| Violoncellokonzert H-Moll (DVORAK ANTONIN) Violoncelle, Orchestre [Partition] Breitkopf and Hartel
Par DVORAK ANTONIN. The piano reduction, which was prepared by the composer himself, has been edited according to text-critical criteria for the first time as well. Döge was able to rely on a renowned performer for this part of his work: Heinrich Schiff, who arranged the solo part and provides valuable interpretative tips in his commentaries on performance practice./ Répertoire / Violoncelle et Or…
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| Antonin Dvorak - Symphony No. 9 In E Minor Op. 95 - From The New World - Orchestra Orchestre [Partition] Dover Publications
Description A great and lasting favourite in the vast symphonic literature, Dvorak's New World Symphony is among the composer's most enduring and appealing works ever since its premiere in 1893. This work appears in full score with original instrumentation and bar numbered movements. Ideal for study purpose. Songlist Symphony No.9 In E Minor Op.95 'From The New World'
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| Messe In D (DVORAK ANTONIN) Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois, [Partition] Carus Verlag
Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorák’s D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immedi…
7.70 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur |
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| Messe In D (DVORAK ANTONIN) Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois, [Partition] Carus Verlag
Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorák’s D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immedi…
7.70 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur |
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| Polonaise (DVORAK ANTONIN) Orchestre d'harmonie [Conducteur et Parties séparées] De Haske Publications
Arr. Wil Van Der Beek. Par DVORAK ANTONIN. The year 2004 marked the 100th anniversary ofthe death of Antonin Dvorák. In 1879 Dvorákwrote this Polonaise as a commission for thecommittee organising the festivities for theirfamous national dance festival. Many famousCzech composers wrote dances specially for thisevent. This Polonaise in three movements, with itsfine melody lines, deserves to be more …
148.60 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur |
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| Streichquintett G-Dur Op. 77 (DVORAK ANTONIN) Quatuor à cordes: 2 violons, alto, violoncelle [Partition] Barenreiter
Par DVORAK ANTONIN. Dvorák's 'String Quintet in G major” op. 77, had five movements when it was premiered on 18 March 1876. Its second movement was the 'Intermezzo” from his 'String Quartet in E minor” (1870). Later Dvorák removed this movement from the quintet, expanded it, and published it as a separate 'Notturno” for string orchestra op. 40. The 'Intermezzo” is included in its original version …
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| Quatuor à cordes en Ut majeur op. 61 (DVORAK ANTONIN) Quatuor à cordes: 2 violons, alto, violoncelle [Partition] G. Henle
Par DVORAK ANTONIN. Composé à l’automne 1881, l’opus 61 est le dernier des quatuors de Dvorák appelés, chronologiquement parlant, quatuors «du milieu», et dont les modèles déterminants furent Beethoven et Schubert. Dans cette œuvre en Ut majeur, c’est surtout l’influence de Beethoven qui se fait plus particulièrement sentir, de la construction thématique jusqu’au travail motivique, et c’est seulem…
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| Messe In D (DVORAK ANTONIN) Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois, [Partition] Carus Verlag
Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorák’s D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immedi…
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| Ballade - Notturno (DVORAK ANTONIN) Violon et Piano [Partition] Schott
Par DVORAK ANTONIN. Ces deux œuvres sont une sélection parmi les compositions de Dvorák pour violon et piano : Ballade et Nocturne, que Dvorák a également publiées pour orchestre à cordes. / Niveau : moyen - avancé / Date parution : 2024-02-08/ Répertoire / Violon et Piano
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| Messe In D (DVORAK ANTONIN) Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois, [Partition] Carus Verlag
Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorák’s D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immedi…
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| Symphony No. 8 G Major Op. 88 Violoncelle (DVORAK ANTONIN) Violoncelle (Partie Séparée) [Partition] Barenreiter
In G Major. Par DVORAK ANTONIN. The performance material available up till now for Dvorák’s sun-filled cheerful Symphony No. 8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the editor Jonathan Del Mar. He has taken into account the engraver’s copy, which was actually discovered in a rubbish bin at Novello’s in 1964. Its title page bears the w…
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| Messe In D (DVORAK ANTONIN) Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois, Carus Verlag
Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorák’s D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immedi…
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| Quartett Amerikanisches Op. 96 (DVORAK ANTONIN) Flûte Traversière, Violon, Alto et Violoncelle [Conducteur] Universal Edition
Emmanuel Pahud Presents. Par DVORAK ANTONIN. Dvorák’s “String Quartet No. 12” was created during a three-year stay in the USA. Also, in this work he skilfully developed original melodies and peculiarities, which for him embodied the music of the American natives and integrated them into his Central European influenced romantic musical language.
The spirit of this quartet fits perfectly into the na…
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| Messe In D (DVORAK ANTONIN) Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois, [Partition] Carus Verlag
Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorák’s D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immedi…
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| In der Natur/In Nature Op. 63 (DVORAK ANTONIN) Chorale 3 parties 3 parties Mixtes Hal Leonard
SAM-Klang. Par DVORAK ANTONIN. The name SAM-Klang takes the three voice parts from the arrangements Soprano, Alto and Men and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound together’ or ‘harmony’. The SAM-Klang series offers basic and advanced choral repertoire arranged for soprano, alto and one male voice- part. In addition to new repertoire a…
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