Compiled and edited by Soós András. Par . This collection, similarly to the publication entitled 111 bicinia from the 15th century (EMB 14478), contains longer and shorter two-part excerpts from polyphonic ecclesiastical choral works, for pedagogical and liturgical use. As teaching material, on the one hand it introduces and notes in brief textual definitions the characteristics of each given exce…

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain a staple of the modern choral repertoire. This collection of French chansons includes five representative works and is an excellent value! Includes: Bonjour mon Coeur, Dessus le marche, Paisible doma…

/ 2 A 12 Voix Egales Et Mixtes A Cappella

/ Choeur D'Hommes (TTBB) Ou Choeur Mixte (SATB) A Cappella Ou Avec Instrument A Vent En métal (4-2-3-1) Ou Piano (Ou Orgue)

The composer states:'Nightfall is an incantatory piece inspired by how light changes at the end of a day: the adding and subtracting of colours and shadow- the slowly building and diminishing dynamics- the shifting texture as the sun intensifies and then disappears over the horizon.Nightfall should be sung without vibrato so that the vocal colours and their translucent quality remain pure and clea…

This is a bold reimagining of Hildegard's chant, both tune and text. Actively quoting the source material, DiOrio's setting takes Hildegard's music as a launching point from which to imagine new sonic possibilities. This piece is meant to be experienced in the round, as the voices surround the audience and attempt to create an enactment of Hildegard's visions. Duration: ca. 5 minutes. / Choeur Mix…

/ Choeur Mixte (SATB) A Cappella Ou Avec Quatuor A Cordes Ou 4 Vents-Bois Ad Libitum

/ Choeur Mixte (SATB) A Cappella Ou Avec Quatuor A Cordes Ou 4 Vents-Bois Ad Libitum

103 Sätze für den Gottesdienst, 1–8stg gemischter Chor, teils mit Orgel. Chorbuch Ostern is the second sequel to the Freiburger Chorbuch. It has been described as “a real storehouse of good choral music for the Easter liturgy and for the 50-day period between Easter and Pentecost … stylistically varied, these 103 pieces offer a rich treasure for both large and small church choirs . . . ”/ Répertoi…

/ Choeur D'Hommes (TTBB) A Cappella Ou Avec Instruments Cuivre (Ou Ensemble A Vent)

The works of Swiss composer Ivo Antognini have been described as sublime. This setting of the beloved hymn by Franz Gruber certainly qualifies as sublime with the rich jazz chord voicings and unique choral textures. It may be performed by a vocal jazz group, chamber choir or larger concert ensemble for a beautiful and warm concert moment. / Choeur Mixte (SATB) A Cappella

Par SCHUBERT FRANZ. Franz Schubert's Rest 'Du Bist Die Ruh' for TTBB unaccompanied, as arranged by Granville Bantock. A piano accompaniment is scored for rehearsal use. Franz Schubert's Rest 'Du Bist Die Ruh' for TTBB unaccompanied, as arranged by Granville Bantock. A piano accompaniment is scored for rehearsal use./ Répertoire / TTBB a Cappella

En 1955, alors qu'en train de travailler sur une version musicale de Candide de Voltaire avec le dramaturge américain distingué Lillian Hellman, Leonard Bernstein compose choeurs français et le Latin comme musique de scène pour la pièce The Lark adapté par Miss Hellman de la version française originale par Jean Anouilh. Depuis le drame a propos de la Jeanne d'arc, la musique -s Bernstein and rsquo…

The text of Hildegard von Bingen is interpreted with spherical and archaic sounds. Frictions form and dissolve, harmonies come and go. The piece is particularly suitable for chamber choir, demanding a trained ear of the singers. / Choeur Mixte (SATB) A Cappella

For SATB a Capella + Piano Part for rehearsal purposes only. Par DURUFLE MAURICE. / Mottet / Répertoire / SATB A Cappella [Opt. Piano]