The Nashville Number System is the standard way for a professional country musician to notate a song. The system has been around since the 1950s, and it rapidly became widespread within the country music community because of how efficiently it can represent music. In essence, a Nashville number chart conveys the harmony, key, meter, rhythm, phrase structure, instrumentation, arrangement, and form …

Par PANUFNIK ROXANNA. When the London International Festival of Early Music came to me with a commission to write a solo harpsichord piece for Jane Chapman, they asked me to relate the new piece to Byrd, as it’s the 400th anniversary of his death, this year. Jane introduced me to Byrd’s arrangement of Dowland’s wonderful Pavana Lachrymae (‘Pavan of tears’) – a piece of many layers but simple and e…

This Jay Althouse spiritual arrangement really 'rocks that cradle.? Syncopated rhythms are natural and easy to learn, and a well-developed form leads us to unexpected, exuberant places. The gospel tag at the end is a fresh surprise! / 2 Parties Mixtes

Par GARCIA JOSE MAURICIO NUNES. Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present „Missa dos Defunktos“ was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows…

Violin Ii. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande pa…

Overture. Par BULLA STEPHEN. Galvanizing, angular melodies electrify this compelling overture! Challenge your band with this powerful, modern piece while you fully engage the audience. The spectacular opening leads to unexpected and intriguing places with relentless energy. This would be a great composition to use when your group returns from the intermission of a major concert. An atmospheric mid…

a cura di Federico Maria Sardelli. Par VIVALDI ANTONIO. Among Vivaldi’s many flute and recorder concertos, two, both for transverse flute, were known until a few years ago only in incomplete form: RV 431 and 432. Both are written in the comfortable and expressive key of E minor, are transmitted inautograph manuscripts and lack their second movement (RV 432 also lacks its third movement). The seemi…

Kantate Zum Epiphaniasfest. Par BACH JOHANN SEBASTIAN. This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstädter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movem…

Ce livre est fondé sur le principe des Microjazz, une série de morceaux de style populaire classés par niveau de difficulté croissante. Il contient une sélection de pièces d´un grand intérêt rythmique qui tiennent compte des possibilités et du caractère propre de l´instrument soliste.Des accompagnements qui encouragent la créativité, associés à des parties solistes mélodieuses et rythmées offrent …

Par DE HAAN JACOB. This composition in two parts is one of the first successful works Jacob de Haan published for brass band. Somewhat under the influence of Ted Huggen’s Choral and Rock Out which was an overwhelming success at the time, the still very young Jacob de Haan wrote this composition. The first part (Air) exists of a choral melody with baroque grace notes, supported by a pop rhythm in t…

Par WILLMINGTON EDWIN M.. Near the Cross is a set of 3 vocal solo compositions particularly suited for use during Holy Week or Communion services. Using memorable melodies and interesting accompaniments, these pieces, Keep Me Near the Cross, Jesus Carried the Cross and Daily Grace, focus on the grace of God provided through the sacrifice of Christ on the cross. These medium voice solos also offer …

La structure musicale de cette pièce est similaire à l'hymne folk américain bien connu, Amazing Grace. Un verset Amazing Grace est inclus dans la dernière section de la présente entente. / 3 Parties Voix Aigues (SSA) A Cappella

Cette méthode est conçue pour tous ceux qui apprennent à jouer du Venova(TM) - un instrument à vent portable et amusant avec des doigtés simples de type flûte à bec et un son expressif comme celui d'un saxophone. Ce guide du débutant facile à utiliser sert d'introduction au Venova(TM) et à ses techniques, vous apprenant à jouer avec des chansons amusantes et des leçons vidéo ! Les chansons incluen…