Par MOZART WOLFGANG AMADEUS. In late 1791 Mozart wrote his famous work the Concerto for “Bassettklarinette” and Orchestra K. 622, known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler, and the music follows the three-part structure of Allegro, Adagio and a Rondo finale. This work was first published in 1801 and by no less than three publishers. It is on…

After The Piano Sonata D 960. Par SCHUBERT FRANZ. Sonate dernier pour piano de Schubert dans une version de Symphonie de chambre pour octet classique : conscient qu'aucun travaux vraiment adéquate de l'instrumentation même n'existence qui pourraient compléter un programme de concert avec singulier Octet opus Schubert 166, Heribert Breuer a choisi la Sonate de Piano majeur en Bb majeur, publié à ti…

Par RODRIGO JOAQUIN. Durée: 16' 30'',/ Répertoire / Violon et Piano

Par SHELTON MELVIN L.. A touching and intense memoriam piece, the mechanics are on the easy side of Grade 4, but the demand for tone quality and control in tenuto passages and long slurred phrases calls for the best of musicianship from any group. The 'Adagio e Rubato' tempo indication invites the kind of wonderfully expressive ensemble playing that should probably make up a larger part of band li…

Par SCHNEIDER ENJOTT. Ce travail a été composé pour le 250e anniversaire de la mort de j. s. Bach. Elle a été créée dans la cathédrale d'Erfurt par le quatuor de saxophones Rascher et Silvius von Kessel, l'organiste de la cathédrale. L'ouvrage contient de nombreuses allusions à Bach. Le célèbre ostinato basse de sa messe en si mineur sert de l'inspiration principale, tandis que le motif B-A-C-H et…

Par VAUGHAN WILLIAMS RALPH. 'Quartet In C Minor' is in four movements with a total duration of about 25 minutes. The opening Allegro is similar in style to Dvorak in its lyricism, though there is a darker, more brooding atmosphere towards the close. It is tempting to detect a hint of folk-song in the theme of the Andantino, played by the viola, but that may be stretching hindsight too far. The mov…

Par DANIEL-LESUR JEAN-YVES. Création dans le cadre du concours du Conservatoire National Supérieur de Musique de Paris en juin 1974. Version orchestrale établie simultanément (ACF020629) Adagio ma non troppo, Allegro quasi una cadenza, Lento, 5min15/ Répertoire / Hautbois et Piano

Par RODRIGO JOAQUIN. Tema Del Adagio Del 'Concierto De Aranjuez'/ Répertoire / Voix et Guitare

Par BRAHMS JOHANNES. Braham's second symphony was an instant success when it first premiered in 1877. From its ingenious treatment of attractive melodic ideas in the first movement and the somber adagio, to the lyrical charm of the allegretto and the finale's robust cheerfulness, it is a delightful combination of enchanting melodies and masterly thematic treatment. A staple of the repertoire, it i…

Moonlight. Par BEETHOVEN LUDWIG VAN. This sonata, Beethoven?s 14th, is the most familiar of all 32 sonatas that he composed. The three movements make a strong contrast in character, from the contemplative Adagio Sostenuto first movement, to the light and dance-like Allegretto, to the virtuoso and dramatic final Presto. Spacious and clean notation and practical fingering make this edition ideal for…

Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on his second Symphony during his visit to Italy with his wife in 1874. He was commissioned to write it by an orchestral society in Florence – an indication that his reputation had already spread throughout Europe. The autograph score contains a poem by his wife Fanny, which in four sections expressed the moods of impress…

Toccata, Adagio e Fuga per quartetto di clarinetti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has h…

Par CURNOW JAMES. Through variations in tempo and tone, the Symphonic Variants bring forth the sonority of the euphonium and the skills of the soloist. The work begins with an allegro con espressivo statement of the theme and alternates with adagio and allegro con spirito variations. Lento, presto, and pesante treatments add further interest to the composition. / Niveau : 5 / Répertoire / Concert…