Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

Description Widely regarded as the culmination of French romanticism on the organ, Widor's symphonies include some of the most frequently performed and recorded works in the modern organ repertoire. Most of these symphonies - so called to emphasise the orchestral wealth of timbres offered by the new French organs - were written specifically to exploit the capacities of the modern Cavaille-Coll …

Par VERDI GIUSEPPE. The first critical edition of Verdi's Requiem with complete performance material for sale. The edition is based on the autograph as the primary source and makes accessible one of the most important requiem settings of the 19th century in a modern scholarly edition. In particular, articulation, phrasing and dynamics are often indicated more precisely than in previous, well-known…

Un texte sur le blues sous toutes ses formes, de la base à l'exploration des formes harmoniques plus complexes. Vous y trouverez: Deux blues lent en G et F, deux à modérée temps-rapide en Sib et F, A Minor Blues en C et une à 6/8 en ut mineur, un blues en C par temps modéré, trois rock-blues et qui utilise un blues substitutions d'accords dans F. Le CD fournit une section rythmique pour ceux qui n…

Par CZERNY KARL. Scelti, Graduati, Diteggiati Da Alessandro Longo/ Etude / Piano

Le but principal de cette rencontre entre chercheurs et enseignants provenant d'horizons divers (sociologues, musicologues, compositeurs, musiciens, etc,) porte sur les thématiques suivantes :- Interaction oral-écrit, étude des processus et stratégies créatifs, implication de la mémoire collective et individuelle dans la création et dans la réception musicales,- Répercussions de la tradition orale…

Par VERDI GIUSEPPE. Un homme, un grand artiste qui a laissé sa marque sur une époque ensemble, est décédé ' écrit Verdi en 1868, se référant à Rossini qu'il avait grandement admiré. En l'honneur du défunt, Verdi voulu composer une masse avec les compositeurs italiens plus célèbres de son temps. Mais la composition initiée par lui était jamais présentée à l'auditoire, pas moins en raison des vanité…

En Décembre 1916 parut un album, réservé à mille souscripteurs: 'Pages inédites sur la Femme et la Guerre', dédié à la Reine Alexandra, épouse d'Edouard VII. Seuls parmi les musiciens sollicités, Saint-Saëns et Claude Debussy répondirent à cet appel. Claude Debussy fit parvenir à l'éditeur Devambez deux pages manuscrites intitulées 'Elégie' et ce sera son oeuvre ultime consacrée au piano seul (Déc…

Par VERDI GIUSEPPE. The first critical edition of Verdi's Requiem with complete performance material for sale. The edition is based on the autograph as the primary source and makes accessible one of the most important requiem settings of the 19th century in a modern scholarly edition. In particular, articulation, phrasing and dynamics are often indicated more precisely than in previous, well-known…

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

This series presents some of the most significant works of European and Latin American music from the last three centuries transcribed for chamber guitar ensemble (in formations ranging from duo to quartet). The works contained in each volume have been selected both for their intrinsic artistic value and their potential to enhance sound production and playing technique. All of the transcriptions a…