Par KANE JOY. La musique, c'est toi est une série de recueils, souvent accompagnés de CD, regroupant des chansons qui sont porteuses d'enseignements musicaux spécifiques. Ces chansons encouragent le futur musicien, non seulement à apprendre, mais aussi à vivre la musique. Les appareils auditif et vocal, tous deux régis par le système nerveux, induisent une interaction entre l'écoute et l'émission,…

Ten-Stave Quire. Mel Bay's highly acclaimed, best-selling premium manuscript paper. Twenty-four sheets (96 pages) of 10-stave paper printed on beautiful, cream colored, high grade, heavy paper. Every detail in the production of this premium paper has been carefully planned and implemented. Probably the best value in manuscript paper on the market. / All Styles - Manuscript / Recueil / Tout Instru…

Par GRIFFIN JON. The distinctive sound of the Cuban tres underpins many Cuban styles of music. Here is a unique method that explains all aspects related to learning this traditional Cuban instrument. You'll also find an extensive introduction to son and the other Cuban styles, including nengon, changui, danzon, gauguanco and mambo! Discover the traditional technique and true essence of this Cuban …

Arr. James Curnow. Par TRADITIONAL. This arrangement of the traditional melody features the tenor horn as a soloist. The haunting slow melody is ideally suited for the wonderful tone of this much under used solo instrument. / Niveau : 3 / Musique pour célébration / Répertoire / Brass Band

Kantaten Nr. 1 - 15 für eine Singstimme, ein Instrument und Basso continuo. Der Partitur sind Stimmenbände für das obligate Instrument und ein Continuo-Instrument beigefügt. Urtext der Telemann-Ausgabe Series : Telemann Musikalische Werke, Band 2 Edition : Score; Set of Parts; Complete Edition Editor : Fock, Gustav Binding : cloth bound Instrumentation : SingSt, Instrument, Basso continuo Neujah…

Description Bert Ligon's comprehensive Jazz technique manual for all instrumentsis a an incredible and in-depth presentation of the most practical exercises an aspiring jazz student will need. All are logically interwoven with fine real-world examples from jazz to classical and improvisation techniques and models. This book is an essential anthology of technical, compositional and theoretical…

Par ROSSINI GIOACHINO. Taken from Bärenreiter’s first volume in the “Works of Gioachino Rossini”, this brilliant chamber music composition for winds belongs to a little known genre of Rossini ’s output. “ Andante, e Tema con Variazioni ” was allegedly written in Bologna in 1812. Rossini deftly sculpts the theme to fit each instrument i. e. all players take their turn with the tuneful theme. This p…

Par DAVIES JOHN H. / HARRIS P.. Paul Harris' Improve Your Sight-Reading! Grades 1-5 for Trombone. Now more than ever, the ability to sight-read fluently is an essential part of the training of musicians of any instrument. This workbook is designed to help overcome the nerves that can cause sight-reading problems by giving sound technical advice and confidence boosting tips. Step by step it help…

Par DAVIES JOHN H. / HARRIS P.. Now more than ever, the ability to sight-read fluently is an essential part of the training of musicians of any instrument. This workbook is designed to help overcome the nerves that accompany sight-reading. This book is written especially for trumpet players working for the Grades 1-5 examinations. Step by step it helps the player to build up a complete picture of …

The composer Rudolf Kelterborn about his work: 'I call the ten compositions for female voice and piano 'DUOS' because the voice and instrument parts are treated musically with absolute equality and indeed often go their own independent ways. In the vocal part there are several variants, and this makes them accessible for different types of voice. The 10 duos do not form a complete cycle that can b…

part II of the cycle Profiles of Light. Par PINTSCHER MATTHIAS. 'Now II” is the second part of a triptych of chamber pieces entitled 'Profiles of Light”. The first part is written for solo piano (Now I, BA 11073), the second for unaccompanied cello. The two instruments are then combined in the concluding third part, Uriel (BA 11013). All three pieces were inspired by the Abstract Expressionist pai…

Par SCHOCKER GARY. Gary Schocker's Three Dances for Two Flutes has long been a staple of the flute repertoire - in its original voicing with piano, as well as in transcriptions with string orchestra or band accompaniment, for alto saxophone duo with piano, and even in the composer's flute quartet version of the famous Coffee Nerves movement. Schocker has arranged Three Dances for one solo flute wi…