Par CLARK LARRY. The Compatible Ensemble Series allows chamber groups to play together, no matter the instrumentation or who wants to play melody. This collection contains 21 quartets for wind instruments in a variety of styles from classical, to folk, to original compositions, giving players the opportunity to mix-and-match instrumentation and line played, making the combinations almost limitless…

This essential guide to GarageBand on iPad and iOS devices is your foundation for learning music production in the classroom. Written by Dr. Floyd Richmond, noted iPad music expert and the president of TI:ME (Technology Institute for Music Educators), Learning Music with GarageBand on the iPad provides instant insight and wisdom through Dr. Richmond's many years of experience. With this book, stud…

Voici les 27 facile-intermediate arrangements de mélodies familiers en classique, folklorique et styles de jazz. Chaque morceau est présenté comme un trio, mais ces arrangements ingénieux travail tout aussi bien que les solos ou duos - avec ou sans accompagnement. Vous pouvez même inviter les autres instrumentistes à jouer ainsi que par les éditions Flute, clarinette, violon et laiton Junior livre…

Ausgewählte Werke für den Junior- und D1-Bereich. Par RAE / GEORG PHILIPP TELEMANN / HOOK / JOHANN SEBAS. Starke Töne ist eine Sammlung, die in Zusammenarbeit mit der Bläserjugend des Bundes Deutscher Blasmusikverbände (BDB) entstanden ist. Die Sammlung enthält eine Auswahl der beliebtesten Titel aus den Literaturlisten zum Jungmusiker-Leistungsabzeichen Bronze (D1) bzw. Junior. Die Vorteile liege…

Par BOMHOF GERT. Following Malletino and Fun-4-All, this work is the third in a series of compositions for five mallet instruments and five percussion instruments (including bongos and timpani). Malletino was written specifically for beginnerpercussion ensembles, whereas the technical and musical level required for Sequenza Percussola is clearly higher. In short, this work is a challenge for the e…

Par HAENDEL GEORG FRIEDRICH. The publication of the new Urtext edition of Water Music makes the work available in a revised edition reflecting the latest research findings. In October 2004, the editor Terence Best found the oldest surviving manuscript score in the archives of the Royal Society of Musicians in London – primary source A, which can be dated to 1718. This discovery demands a dramatic …

for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773–1779. Especially important are the years 1773 and 1775, which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are par…

Par JARRELL MICHAEL. I had already discovered texts from Gongora for some time in the bilingual edition of the Dogana, beautifully translated by Philippe Jaccotet. I found those poems were really rich, impossible to reduce to a single meaning. This is what drove me to use one of this author's sonnets at the time, in its original language, and to compose Eco for voice and piano. Recently, I discov…

With his sonatas op. 31 composed in 1802 Beethoven for the last time grouped together piano sonatas under one opus number. The centrepiece of the collection is undoubtedly the dramatic Sonata in D minor nicknamed 'Tempest' which already fascinated his contemporaries. According to Anton Schindler, who asked the composer about the 'key' to this work as well as to the sonata op. 57 ('Appassionata'), …

Par ALBRECHTSBERGER JOHANN GEORG. Albrechtsberger set the Ordinary of the Mass in two forms: with and without instruments. The latter ['alla capella'] does not mean that no instruments were to be used, but that these works are 'without independent instrumental parts'. The Mass in D major, here published for the first time, is an 'alla capella' mass in the above sense. / Messe / Répertoire / Choeu…

Par ALBRECHTSBERGER JOHANN GEORG. Albrechtsberger set the Ordinary of the Mass in two forms: with and without instruments. The latter ('alla capella') does not mean that no instruments were to be used, but that these works are 'without independent instrumental parts'. The Mass in D major, here published for the first time, is an 'alla capella' mass in the above sense. / Messe / Répertoire / Choeu…

Jouer le long de dix titres de Keane fantastiques pour clarinette. Cette superbe édition présente des chansons choisies de leurs deux premiers albums remarquables : espoirs et les craintes et les Under The Iron Sea, avec haut la ligne arrangements de toutes les chansons plus un guide de doigté instrumentale. Comme avec toutes les éditions de Guest Spot, il y a un CD de sauvegarde spécialement enre…

Par MUNCH CLOTILDE. L'une de mes plus profondes convictions est qu'il faut considérer la musique comme un élément primordial dans la construction de la personnalité. Chez le jeune enfant, elle a toujours permis de révéler des capacités ou des talents et ses effets positifs sur toutes les autres activités, par exemple scolaires, ne sont plus à démontrer. Mais encore faut-il disposer d'une méthode a…