This step-by step guide will help you develop the skills essential for a stylistic performance. The hands-on instruction presents information on patterns, grooves, rhythms, keyboard instrumentation, and much more. Gospel stylings are discussed in detail, as is the role of the keyboard both as a solo instrument and in the context of an instrumental ensemble. You'll learn how to play intros, how to …

5 Pieces for All Occasions. Par . Voici cinq courtes ?uvres du répertoire classique dans des arrangements de niveau intermédiaire pour ensemble à vent à quatre ou cinq voix et instrumentation variable, rassemblées sous le titre Classical Miniatures for Wind Quartet/Quintet. La sélection s\'étend de la Renaissance à la période romantique et comprend des pièces Allegro gaies et méditatives. Présenté…

'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and wanted to write a suite of dances. I thought it would probably still keep some of the conventions of the traditional form, like maybe the use of a Prelude to establish the key and the alternation of s…

This is a student workbook which is part of Mary Elizabeth Clark's excellent ear training course for music students of all ages, all levels of advancement, and all instruments -- including voice. It is meant to be used along with the Teacher's Book 1B of 'Now Hear This' in which all the instructions and dictations are given. This student book does not stand alone. / Piano

Adults will enjoy the ease with which they master these well-known tunes skillfully arranged for adults in their first year of piano study. Optional duet accompaniment parts enhance the richness of the musical color. Titles: Anything Goes * Can You Feel the Love Tonight * I Could Have Danced All Night * My Funny Valentine * Open Arms * Raindrops Keep Fallin' on My Head * The Rose * Singin' in the …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

This one-minute piece is thoroughly traditional in its notation and easy to play. Harmonies based around fourths and baroque-style rhythms are its most obvious characteristics, with a harmonically surprising chord bringing this 'Bagatelle' to a close with a wink of an eye. / Marimba Et Vibraphone (Ou 2 Instruments A Clavier)

Par BITSCH MARCEL. Born in Toulouse, Marcel Bitsch (1921-2011) went on to study at the Paris Conservatoire before becoming a professor of counterpoint at the institution. As an exceptionally versatile musician, Bitsch has composed orchestral works, chamber works, numerous pieces and studies for wind instruments, as well as theory books. Precis D'Harmonie Tonale is a significant addition to the the…

Par FORBES L'ESTRANGE JOANNA (Arr.). Wade in the Water is a lively and infectious spiritual. Its features include a call-and-response texture, jazz ‘scat’ vocalization and finger clicks on beats 2 and 4 of the measure. This arrangement by Joanna Forbes L’Estrange remains true to the spirit of Eva Cassidy’s well-loved version, adapting the instrumental improvisation on the recording to create a fun…