At last the excitement of traditional folk fiddling can be experienced by your entire string orchestra! Written by two renowned educators, this fun and motivating collection of 16 cross-cultural fiddle tunes is presented in a unique format that makes it perfect for players of any level or age. Each tune includes a solo version, followed by a 3-part 'arrangement' for group performance. Chord symbol…

At last the excitement of traditional folk fiddling can be experienced by your entire string orchestra! Written by two renowned educators, this fun and motivating collection of 16 cross-cultural fiddle tunes is presented in a unique format that makes it perfect for players of any level or age. Each tune includes a solo version, followed by a 3-part 'arrangement' for group performance. Chord symbol…

Par FARDET PIERRE. Compositeurs de talent, les auteurs des pièces choisies pour cette collection sont aussi, pour la plupart, Directeurs de Conservatoires ou Professeurs. Ils connaissent mieux que personne les difficultés particulières de chaque instrument et les besoins des élèves pour les amener peu à peu au répertoire contemporain. La compétence de leurs auteurs en matière de pédagogie et la qu…

5 Pieces for All Occasions. Par . Voici cinq courtes ?uvres du répertoire classique dans des arrangements de niveau intermédiaire pour ensemble à vent à quatre ou cinq voix et instrumentation variable, rassemblées sous le titre Classical Miniatures for Wind Quartet/Quintet. La sélection s\'étend de la Renaissance à la période romantique et comprend des pièces Allegro gaies et méditatives. Présenté…

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Par MOBERG IDA. Ida Moberg (1859–1947) was a Finnish composer and teacher. She grew up in a musical family, her father being an instrument maker. Ida was exceptionally well-educated in music: she studied singing and piano at the St. Petersburg Conservatory, composing and singing at the Helsinki Orchestra School, composing at the Royal Musical Academy in Dresden, improvisation in Berlin and pedagog…

This step-by step guide will help you develop the skills essential for a stylistic performance. The hands-on instruction presents information on patterns, grooves, rhythms, keyboard instrumentation, and much more. Gospel stylings are discussed in detail, as is the role of the keyboard both as a solo instrument and in the context of an instrumental ensemble. You'll learn how to play intros, how to …

Par SAUGUET HENRI. Henri Sauguet (1901-1989) was a French composer and organist. He was a contemporary and friend of the great Francois Poulenc, and other members of Les Six, but developed his own distinct, independent style. His works included Ballets and Stage works, large scale orchestral works, and chamber music. The two volumes of Musiques Pour Claudel were written in 1973. Each collection is…