Par JOHNSON TIMOTHY. Troika Rushing is one of many popular traditional folk songs that exist in Russia. Though not all Russian folk songs are in the minor key, man of them are, including this one. All of the wind instruments take their turn in playing the melody making it enjoyable for all to play. / Niveau : 1.5 / Répertoire / Concert Band ou Harmonie

The starting point was the collected letters of Vincent van Gogh. In spite of the tragedies for which van Gogh is best known, his letters are filled with joyous exuberance for the practical considerations of his work: what he will paint next and, most importantly, what colours he will use. For Julian Anderson, it seems the painter relishes 'the sheer stuff of which his art is made'. In Van Gogh Bl…

Le ukulélé n'a jamais été aussi populaire, et Fred Sokolow détendue, style d'enseignement convivial, il est facile à apprendre.Dans cette leçon, vous allez apprendre avancée accords plus mobiles et de premier rang, accords diminués et bien d'autres formes d'accords de jazz. Il ya plus d'accords / mélodie solos qui vous donneront lecture de haut en bas du cou, Blues Licks plus, et un solo de finger…

Le ukulélé n'a jamais été aussi populaire, et Fred Sokolow détendue, style d'enseignement convivial, il est facile à apprendre.Dans cette leçon, vous allez apprendre avancée accords plus mobiles et de premier rang, accords diminués et bien d'autres formes d'accords de jazz. Il ya plus d'accords / mélodie solos qui vous donneront lecture de haut en bas du cou, Blues Licks plus, et un solo de finger…

Par PAINE HENRY. The Belwin Student Instrumental Course is a course for individual instruction and class instruction of like instruments, at three levels, for all band instruments. Each book is complete in itself, but all books are correlated with each other. Although each book can be used separately, all supplementary books should be used as companion books with the method. / Études et exercices …

Par HARRIS PAUL. Two by Two (flute and clarinet) brings you a variety of mixed ability duets for clarinet and flute. Including a variety of original pieces by Paul Harris, plus arrangements of works from composers such as Mozart, Schubert, Bach and Handel.  / Instrumental Music / Recueil / Flûte Traversière et Clarinette

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…