Weihnachtsliedersammlung für Bläser. Gott Zur Ehre is a collection of hymns and chorales compiled by Jan de Haan. Each pieces are arranged in a four part flexible instrumentation, so enabling them to be used by bands with a small number of players. Volume 2 contains many famous German and international Christmas carols. Although not all pieces may be recognised instantly, they will fit perfectly i…

Born in Toulouse, Marcel Bitsch (1921-2011) went on to study at the Paris Conservatoire before becoming a professor of counterpoint at the institution. As an exceptionally versitile composer, Bitsch has composed orchestral works,chamber works and numerous pieces and studies for wind instruments. Vingt Études comprises unique studies covering all technical aspects asked of trumpet players. Suited t…

DescriptionLearn to read, understand, and create music. This book will help musicians of all levels communicate more effectively, learn new music faster, and memorize repertoire more easily. This approach has been developed and refined at Berklee College of Music since the 1950s and has been used by many thousands of musicians worldwide – currently as a textbook in Berklee's Aspire: Five-Week Musi…

Par HANNICKEL MIKE. Kids want to have fun, learn to play their instrument, AND be the STAR! Not surprisingly, beginning band parents want those very same things for their kids. Now all your students can be STARS!They will learn to play Popcorn Prelude quickly and easily. Then add a bit of simple “STAND UP, SIT DOWN” staging and VOILA! It’s POPCORN! / Niveau : 0.5 / Musique légère originale / Ré…

Par DE HAAN JAN. Chaque année, un concours pour orchestres d’harmonie et brass bands se déroule à Wallberg, en Suisse. Outre un hymne et une oeuvre avec solo, tous les orchestres doivent interpréter une pièce imposée. Jan de Haan fut chargé de composer celle-ci pour l’édition 2012 du concours. Intitulée Musica Helvetica, cette composition prend la forme d’une pièce de concert en trois parties, les…

Par DE HAAN JAN. Chaque année, un concours pour orchestres d’harmonie et brass bands se déroule à Wallberg, en Suisse. Outre un hymne et une oeuvre avec solo, tous les orchestres doivent interpréter une pièce imposée. Jan de Haan fut chargé de composer celle-ci pour l’édition 2012 du concours. Intitulée Musica Helvetica, cette composition prend la forme d’une pièce de concert en trois parties, les…

Score Hardcover. Par MARTINU BOHUSLAV. 'To tell the truth, I'm a concerto grosso type,” Martinu wrote in 1945. Unsurprisingly, the concerto grosso is also the formal basis of both concertante compositions for four solo instruments and orchestra included in the 'Quadruple Concertos” volume. The works were written nearly twenty years apart and are quite different in style, having been inspired by va…

Arrangeur: Karl Scheit. Par VISEE ROBERT DE. Robert de Visée (c. 1655 – 1732) was a French lutenist, guitarist, and Court musician for both Louis XIV and Louis XV. Suite H-Moll is also known as Suite No. 11 in B Minor. It is written in 5 movements: Prélude – Allemande – Sarabande – Gigue – Passacaille. First published in the 1680s, it was almost certainly written when de Visée was already a respec…

Par KRAUS JOSEPH MARTIN. Joseph Martin Kraus [1756 1792] composed his Requiem in 1775at the age of 19 for the parish church in his hometown of Buchen, Odenwald. This followed the Miserere of 1773, and is the second of his surviving sacred compositions. Already in this early work Kraus shows that he was a representative of the musical ?Sturm und Drang.? With all its youthful unconcern towards compo…

The music of this 12-minute piece for the Chinese zither zheng, flute, clarinet, harp, violin and violoncello is a unique mixture of Eastern and Western traditions. The striking instrumentation provides surprising and interesting tone colours which captivate especially Western European listeners.Xiaogang Ye is one of the most renowned and successful composers of China. He receives commissions from…

Introducing the Positions, a series widely used in classroom and private studio, represents a critical 'next step? for string students. Position playing allows players to extend range beyond the basics and move into the ranks of intermediate and advanced ensemble groups. The most important positions vary for each instrument, and Whistler wisely introduces the most-used positions first in Volume 1,…

Introducing the Positions, a series widely used in classroom and private studio, represents a critical â''next stepâ'� for string students. Position playing allows players to extend range beyond the basics and move into the ranks of intermediate and advanced ensemble groups. The most important positions vary for each instrument, and Whistler wisely introduces the most-used positions first in Volum…