Par KRAUS JOSEPH MARTIN. Joseph Martin Kraus [1756 1792] composed his Requiem in 1775at the age of 19 for the parish church in his hometown of Buchen, Odenwald. This followed the Miserere of 1773, and is the second of his surviving sacred compositions. Already in this early work Kraus shows that he was a representative of the musical ?Sturm und Drang.? With all its youthful unconcern towards compo…

Introducing the Positions, a series widely used in classroom and private studio, represents a critical 'next step? for string students. Position playing allows players to extend range beyond the basics and move into the ranks of intermediate and advanced ensemble groups. The most important positions vary for each instrument, and Whistler wisely introduces the most-used positions first in Volume 1,…

Third and Fifth Position. Par . Introducing the Positions, a series widely used in classroom and private studio, represents a critical next step for string students. Position playing allows players to extend range beyond the basics and move into the ranks of intermediate and advanced ensemble groups. The most important positions vary for each instrument, and Whistler wisely introduces the most-use…

Introducing the Positions, a series widely used in classroom and private studio, represents a critical 'next step? for string students. Position playing allows players to extend range beyond the basics and move into the ranks of intermediate and advanced ensemble groups. The most important positions vary for each instrument, and Whistler wisely introduces the most-used positions first in Volume 1,…

Arrangeur: Karl Scheit. Par VISEE ROBERT DE. Robert de Visée (c. 1655 – 1732) was a French lutenist, guitarist, and Court musician for both Louis XIV and Louis XV. Suite H-Moll is also known as Suite No. 11 in B Minor. It is written in 5 movements: Prélude – Allemande – Sarabande – Gigue – Passacaille. First published in the 1680s, it was almost certainly written when de Visée was already a respec…

for Cello and Piano. Par BOSSO EZIO. This is the first edition of Ezio Bosso?s Sonata No. 1 for cello and piano ?The Roots (A Tale Sonata)?, taken from the 2018 album of the same name, the last one recorded by the composer. This volume is part of a collaborative editorial project between Buxus Editions and Hal Leonard Europe, dedicated to publishing all of Maestro Bosso?s compositions for instrume…

Klarinette. Hören, lesen and spielen ist die bewährte Bläserschule für dreizehn verschiedene Instrumente, die im Einzel- oder Gruppenunterricht eingesetzt werden kann. Sie ist gemäß den aktuellen Erkenntnissen und Ansprüchen der Musikerziehung konzipiert. Die perfekte Ergänzung zur Methode in drei Bänden bilden diverse Bücher mit Spielliteratur. Sie sind genau auf den Lernfortschritt in Hören, les…

Altsaxophon. Hören, lesen and spielen ist die bewährte Bläserschule für dreizehn verschiedene Instrumente, die im Einzel- oder Gruppenunterricht eingesetzt werden kann. Sie ist gemäß den aktuellen Erkenntnissen und Ansprüchen der Musikerziehung konzipiert. Die perfekte Ergänzung zur Methode in drei Bänden bilden diverse Bücher mit Spielliteratur. Sie sind genau auf den Lernfortschritt in Hören, le…

Méthode de violoncelle
- Méthode pour une meilleure pratique de l'instrument
- Par Gerhard Mantel
- ISBN 9783795787141, n° d'édition ED 8714
- Format: 17 x 24 cm
- 222 pages
- En langue allemande

Bring the excitement of traditional Latin dance to the string orchestra with this collection. Explore the 'clave,' or rhythmic groove styles, such as the Merengue, Tango, Mambo, and others in a flexible format. All instruments have the melody, a harmony part, and an accompaniment/bass line. Easy hand percussion parts are included for the string players to perform or the optional drumset part can b…

Bring the excitement of traditional Latin dance to the string orchestra with this collection. Explore the 'clave,' or rhythmic groove styles, such as the Merengue, Tango, Mambo, and others in a flexible format. All instruments have the melody, a harmony part, and an accompaniment/bass line. Easy hand percussion parts are included for the string players to perform or the optional drumset part can b…

The etudes by Chopin are usually described in two categories: as a 'compendium on knowledge of piano performance? or as 'small musical poems.? Both those definitions are correct, and do not exclude each other. The etudes will always remain an example of exeptional harmony between the instrumental and aesthetic-emotional aspects of a musical composition. / Piano

of the concerto for flute, harp and orchestra KV 299. Par MOZART WOLFGANG AMADEUS. In the unparalleled series ‚Cadenza‘, Schott Musik International presents cadences of well-known instrumental concertos of classical and Romantic music, composed by major composers and soloists of our time. The cadences of Mozart‘s Concerto for flute, harp and orchestra in C major KV 299 were created by Nino Rota. I…