A Thesaurus of Musical Vocabulary for All Instruments. Par . A new thesaurus of hip melodic patterns for the contemporary improviser! The Bob Mover Jazz Lexicon is a comprehensive, detailed volume of melodic patterns, useful to not only improvisers and composers but all musicians, regardless of style. It contains: Over 400 intervallic and diatonic patterns that will greatly improve improvising …

Le cinquième volume de cette bien établie édition Urtext comprend le 'Dix Pièces' et le 'Fantasietta' avec des variations sur un thème provenCal, qui sont publiées pour la première fois depuis la première édition imprimée.Les 'morceaux Dix' ont une structure formelle claire, et, comme beaucoup d'autres oeuvres de Dubois, qui fut organiste à l'église de Paris de La Madeleine, reflète la volonté du …

Another delightful offering from classroom teacher and storyteller Susan Milligan and jazz singer and music teacher Louise Rogers, Jazzy Fairy Tales Volume II continues the jazz adventures for young children with three new fairy tales designed to bring jazz music into your classroom. The activities provided are a charming way to introduce young children to jazz with the musical stories of 'Georgie…

Contains six transcriptions, edited by Lionel Grigson, which will be of immense benefit to all jazz musicians, regardless of the instrument (B flat and E flat parts are inserted). Louis Armstrong's contribution to shaping the jazz style was incomparable, and it is important for today's aspiring jazz musician to study his phrasing and melodies. In the words of Miles Davis, 'The whole of jazz can be…

Par RAE JAMES. Get your Sax playing to really swing with this collection of Jazz solos! James Rae presents a set of 8 sizzling Jazz tunes in a wide variety of styles to guide you through your first steps into this exciting playing style. The pieces range from Cool Blues ballads and Country Blues shuffles to a drifting Jazz Waltz and a riotous up-tempo Swing. All syncopations and unusual phrasings …

A la question: peut-on enseigner le jazz ? , il n'y a pas si longtemps, la réponse était: ça ne s'apprend pas, il faut laisser parler l'instinct , etc. Les choses ont heureusement bien changé. Et s'il est toujours vrai qu'on ne peut transformer un musicien débutant en compositeur génial, on peut en tout cas lui indiquer comment faire fonctionner son imagination. C'est ce qui est merveilleusement…

Par ADELSON STEVE. A comprehensive exploration of revolutionary Chapman Stick and it's accompanying tap techniques. A primer on theory will explain all the musical logistics enabling the student to fully gasp the concepts in this book. Mr. Chapman's unique approach to his 12 string invention will be explained by Steve Adelson in respect to chords, melody, improvisations, rhythmic capabilities, cou…

Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori Diller Quaille Second Duet Book. Cette partition qui est éditée par les éditions Hal Leonard fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de …

Par PUJOL MAXIMO DIEGO. Suite Mágica arranged for harp and guitar. All four movements - Preludio, Vals, Tango and Candombe - take their cues from Argentine dance forms and are presented in a well-balanced and conversational style for the two instruments. Simple in structure and romantic in spirit, the movements alternate gracefully between interwoven dance material and heart-meltingly beautiful in…

In this arrangement of Faure's Requiem for soloists, female choir and organ, the tenor and bass parts are distributed among the altos which has necessitated some judicious adaptations in the part-writing. The second soprano replicates the original alto part largely unchanged, while the original baritone solo now resounds in the alto. The organ arrangement takes all three versions of the Requiem in…

The first three movements of Johannes Brahms' E minor Cello Sonata were composed in 1862, the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms' life, however, it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It wa…