Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

This one-minute piece is thoroughly traditional in its notation and easy to play. Harmonies based around fourths and baroque-style rhythms are its most obvious characteristics, with a harmonically surprising chord bringing this 'Bagatelle' to a close with a wink of an eye. / Marimba Et Vibraphone (Ou 2 Instruments A Clavier)

Par GORDON ANDREW D.. Due to the high demand of two of Andrew D. Gordons blues piano/keyboard books, 100 Ultimate Blues Riffs and the 12 Bar Blues Bible, he has adapted examples from the two books along with new examples into a blues organ book and Ultimate Blues OrganRiffs is the result. There is an increased interest in playing the organ these days as many keyboard players are adding organ modul…

Par FORBES L'ESTRANGE JOANNA (Arr.). Wade in the Water is a lively and infectious spiritual. Its features include a call-and-response texture, jazz ‘scat’ vocalization and finger clicks on beats 2 and 4 of the measure. This arrangement by Joanna Forbes L’Estrange remains true to the spirit of Eva Cassidy’s well-loved version, adapting the instrumental improvisation on the recording to create a fun…

Remplir la partition vocale du Rogers et Hammerstein musicale populaire. Comprend la réduction pour Piano de pièces instrumentales. / Voix / 200 pages / Partition

This classic series of duets for like instruments is recognizable to nearly everyone who has ever studied an instrument. The wealth of material supplements musical development and provides a rich experience for growing musicians. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they…

Par KANE JOY. La musique, c'est toi est une série de recueils, souvent accompagnés de CD, regroupant des chansons qui sont porteuses d'enseignements musicaux spécifiques. Ces chansons encouragent le futur musicien, non seulement à apprendre, mais aussi à vivre la musique. Les appareils auditif et vocal, tous deux régis par le système nerveux, induisent une interaction entre l'écoute et l'émission,…

Collection : La Musique, c'est toi (You are the Music) Nombre de pages : 24 La musique, c'est toi est une série de recueils, souvent accompagnés de CD, regroupant des chansons qui sont porteuses d'enseignements musicaux spécifiques. Ces chansons encouragent le futur musicien, non seulement à apprendre, mais aussi à vivre la musique.
Les appareils auditif et vocal, tous deux régis par le systè…

Fatigué des arrangements vieux mêmes ? Vous voulez donner à vos élèves quelque chose de simple encore gratifiant de jouer ? Carol Barratt crée des pièces faciles qui sont créatifs, idiomatique, simple encore gratifiant de jouer et qui sera vraiment élèves écoute et effectuant musicalement, dès le début. Les pièces de ' Bravo ! Violon ' prendre l'élève progressivement par le biais de l'école élémen…