Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. The present cantata draws on two of Bach’s earlier works. The original form was the cantata 'Alles, was von Gott geboren' [Weimar 1715, BWV 80a]. A second version [BWV 80b] was written between 1727 and 1731 in Leipzig. The instrumentation of movements 1 and 5 come from a later adaptation by Wi…

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. The present cantata draws on two of Bach’s earlier works. The original form was the cantata 'Alles, was von Gott geboren' [Weimar 1715, BWV 80a]. A second version [BWV 80b] was written between 1727 and 1731 in Leipzig. The instrumentation of movements 1 and 5 come from a later adaptation by Wi…

Ce hautboïste déjà légendaire ici présente trois pièces exigeantes mais avec humour énigmatiques pour l'instrument de reed plus profonde de la même famille. Le premier n'est pas le seul morceau d'exiger des calculs minutieux, avec la deuxième pièce rappelant que Mozart s célèbre / Basson

Par LEDEUIL ERIC. Born in 1970, Eric Ledeuil is a versatile musician, working as a flautist, composer, conductor and teacher. All his expertise combined have created the wonderful compilation, 3 Expeditions Pour Flûte Aventureuse. With text in four languages, this exciting study book explores the extended techniques of the Flute. Made up of three movements; Rainforests, Ice Lands, and Bush and Sav…

A wedding without a famous wedding march - unimaginable! Wagner's 'Bridal Chorus' from 'Lohengrin' and Mendelssohn's 'Wedding March' from the incidental music of 'A Midsummer Night's Dream' vie for the favour of bridal couples and wedding parties. If, however, the music shall be festive, Mendelssohn's background music for the wedding ceremony remains first choice. In order that the march cannot on…

Instrumentation: pianoEdition: scoreItem no.: fue 2820Year: 1995Duration: (5'30)Difficulty: advancedISMN: 979-0-50012-082-7This piece stricly obeys to the two-parts structure of the Sonata form of the early XVIIth Century All formal elements, like ritornelli, are in place, only the substance of harmony, melody and rhythm have taken liberty: fluid, and with a reference to viennese pointillism.

Par VAN DER ROOST JAN. This hymn was commissioned by “Antwerpen 93”. And this city, on the banks of the river Schelde has been nominated “Cultural Capital of Europe” for 1993. The work-group “animatie” took the initiative and commissioned a hymn, which -as the finale to a grand open-air event on 27th March- was premièred by hundreds of musicians from all over Europe. Philippe Langlet (France) was …

Présentation Jean-Marie Leclair est le plus éminent représentant de l'école française de violon du XVIIIe siècle. Cette nouvelle publication en partition des Editions du Centre de musique baroque de Versailles propose à tous les violonistes, mais aussi aux ensembles, spécialistes ou non de ce répertoire, de jouer ses concertos, véritables manifestes d'une virtuosité instrumentale au service du go…

Par SUZUKI SHINICHI. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can kno…

Par FRANCOEUR FRANCOIS. Compositeur et violoniste virtuose, François Francœur reste relativement méconnu, alors qu'il côtoya les plus grands, à Versailles et à l'Académie royale de Musique. Il composa nombre de pièces instrumentales et lyriques qui rencontrèrent un vif succès en leur temps. François Francœur signe ce premier livre de sonates pour violon et basse en 1720. La structure de ses sonate…

Suite Per Pianoforte. Par ROTA NINO. Ogni anno punto e da capo (Every Year Again) is a one-act comedy by Eduardo De Filippo, which premiered in 1931 at the Teatro Nuovo in Naples. On the occasion of the revival at the Piccolo Teatro in Milan in 1971, De Filippo asked Nino Rota to edit some songs of the Italian Rivista tradition from the thirties and provide them with additional music. Of the music…