Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Voices, Vl I-II, Alto I-II, Violoncelle, Bc/ Recueil / Divers

Vocal score of One Day More from Claude-Michel Schonberg's Les Miserables . Arranged by Mark Brymer for Soprano, Alto, Baritone voices and Piano accompaniment. Performance time = 3min 35sec / Rép International / Feuillet / Chant

From La La Land. Par HURWITZ / PASEK / PAUL. City of Stars is the Oscar-winning song from the hugely popular musical film La La Land. This artist-approved choral version has been arranged for soprano, alto and combined men's voices with a straight-forward piano accompaniment. It forms part of the Faber Choral Singles series and is ideal for choirs of any ability./ Recueil / SATB et Piano

from La La Land. Par HURWITZ / PASEK / PAUL. Someone in the Crowd is a song from the hugely popular musical film La La Land. This artist-approved choral version has been arranged for soprano, alto and combined men's voices with a straight-forward piano accompaniment. It forms part of the Faber Choral Singles series and is ideal for choirs of any ability./ Recueil / Choeur Mixte (SATB) et Piano

Mozart's 'Missa in C major? (K. 220), nicknamed the 'Sparrow Mass? for its frequently recurring characteristic motifs in the violins, has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started 'Bärenreiter Female Choir? series.Heribert Breuer has judiciously transferred the tenor and bass solos t…

4 Voices [SATB]. Par BEETHOVEN LUDWIG VAN. / Répertoire / 4 Saxophones (Soprano, Alto, Ténor, Baryton)

Voices, Vl I-II, Alto, Violoncelle, Cb, Bc/ Recueil / Divers

Par PORTER COLE. Written by Cole Porter, I’ve Got You Under My Skin became a signature song for Frank Sinatra and was one of his most requested songs at concerts. In 1966, the song became a top ten hit for the Four Seasons and has also been covered by countless others since. A key piece to include in any programme celebrating the Great American Songbook. This piece is part of the Faber Choral Sin…

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar.'Take the Lead Latin' features idiomatic arrangements of Latin classics offering fun r…

Par L'ESTRANGE ALEXANDER (Arr.). Jingle Bells dates from the mid-nineteenth century and is thought to be one of the first secular Christmas songs to ?top the charts?. It is in fact not about Christmas at all but instead about the ?Cutter? drag races in Boston, where young men would race sleighs and attempt to impress the girls with their speed. This piece is part of the Faber Choral Singles serie…

Par KANDER JOHN / BEALE CHARLES (Arr.). John Kander and Fred Ebb created a number of 20th-century show classics, including Cabaret and Kiss of the spider woman, but Chicago! is perhaps their greatest and best-loved show of them all. Mama Moreton sings When you’re good to Mama to indicate to the prison inmates how the world really works. She is deeply cynical, knows the ways of the world and contro…

/ Chant/Vocal/Choeur / Partition

Par L'ESTRANGE ALEXANDER (Arr.). The Germans? love of the Christmas tree is immortalized in the song O Tannenbaum - translated as O Christmas Tree - set to an old folk tune. Many popular singers, including the great Nat ?King? Cole, have recorded their own versions either in German or, as in this arrangement, in English. This piece is part of the Faber Choral Singles series, offering a selection …