Arrangeur: Lino Totaro. Par TESTORI. Sonata In B Flat is a beautiful chamber work for Two Mandolins and Basso Continuo, composed by Carlo Giovanni Testori (1714-1782) and edited by Lino Totaro. The solo mandolin 1 and 2 parts, along with the single basso continuo part, are also included on separate inserts. There is also a keyboard realisation of the basso continuo in the main score./ Répertoire /…

Par GLORIEUX FRANCOIS. François Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of chamber music at the Royal Music Conse…

Günter Habicht composed music for folk instruments and contributions to educational literature as well as works for wind orchestra, chamber and orchestral music, including the “Sinfonietta”, published in 1964 by VEB Breitkopf & Härtel Musikverlag Leipzig, and the award-winning “Quartettino 1969” for wind instruments, created for a composition contest organized by the Association of Composers…

Interesting facets of Coltrane's playing are presented along with eight transcriptions of his solos as recorded on the Blue Note albums Whims of Chambers and Blue Train. / Saxophone

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Tonalité : C-Moll - Op.: 149 -. Par RHEINBERGER JOSEF GABRIEL. The field of sacred chamber music, apart from vocal music and the solo-organ repertoire, often lives in the shadows. Thus the reprint of this valuable trio is all the more welcome. The organ has the same role here as the piano in a piano trio! [Württembergische Blätter für Kirchenmusik May 1993, p. 192]/ Répertoire / Violon Solo, Violo…

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for solo piano. Par RUO HUANG. Huang Ruo has been lauded by the New Yorker as 'one of the worlds leading young composers' and by the New York Times for having “a distinctive style. ” His vibrant and inventive musical voice draws equal inspiration from Chinese ancient and folkmusic, Western avant-garde, experimental, noise, natural and processed sound, rock, and jazz to create a seamless, organic i…

Par ADES THOMAS. Thomas Adès’s second work for string quartet, The Four Quarters was written for the Emerson Quartet and was premiered by them at Carnegie Hall in 2011. The winner of the 2012 British Composer Award for Chamber Composition, the 20-minute work charts the progress of a day. Glassy harmonics typify the opening movement Nightfalls, whilst playful pizzicati abound in Serenade – Morning …

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Par WILLIAMS R. / CHAMBERS G.. Cinquième album studio de Robbie conclut le grand artiste britannique d'humeur plus mature et moelleuse. Cette correspondance album songbook comprend toutes les chansons, y compris le single ' Feel ' dans les arrangements pour voix et piano avec cordes de guitare. / Pop & rock / Recueil / Piano, Chant et Guitare

Herttrich Ernst (Editor) - Schilde Klaus (Editor). Par MENDELSSOHN-BARTHOLDY FELIX. After an early work and a discontinued attempt in 1831/32 Mendelssohn made his breakthrough in this important chamber music genre in the summer of 1839 with the Piano Trio in d minor op. 49, which was to be followed six years later by the Trio in c minor op. 66. On publication of the first trio, Schumann took the o…

Par BRAHMS JOHANNES. '… and so gladly would I have given you a hundred-thousand kisses!”- Georg Friedrich Daumer A circle of friends as a vocal quartet alternating with solo voices and two good pianists - Brahms wrote his 'Liebeslieder Walzer” not for the grand concert hall but as chamber music for use at home. His first collection op. 52 was so successful that in 1874 he wrote a new set on poems…

Mozart wrote the five Divertimenti for Wind Sextet between the years 1775 and 1777 when he was living in Salzburg. The Italian title is reminiscent of simple 'light? music, but the pieces' melodic ingenuity and colourful writing for winds show it to be chamber music of the highest quality. / 2 Hautbois, 2 Cors Et 2 Bassons

Par LERDAHL FRED. Waltzes, a cycle of twelve virtuoso waltzes for violin, viola, cello, and double bass, was commissioned by the Spoleto Festival USA in Charleston, where the first nine waltzes were premiered in 1981. Soon thereafter I composed the final three waltzes. The violinist Rolf Schulte led the first performance of the complete work in New York City in 1983. Waltzes lasts about 22 minutes…