Par ROSSINI GIOACHINO. Taken from Bärenreiter’s first volume in the “Works of Gioachino Rossini”, this brilliant chamber music composition for winds belongs to a little known genre of Rossini ’s output. “ Andante, e Tema con Variazioni ” was allegedly written in Bologna in 1812. Rossini deftly sculpts the theme to fit each instrument i. e. all players take their turn with the tuneful theme. This p…

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Par GLORIEUX FRANCOIS. François Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of chamber music at the Royal Music Conse…

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Par ELIAS BRIAN. Capriccio for Bassoon and Strings was commissioned by Music at Malling. The first performance was given on 24 September 2021 in St. Mary’s Church, West Malling, Kent, by Adam MacKenzie (bassoon) and Chamber Domaine, conducted by Thomas Kemp. / Date parution : 2022-03-15/ Répertoire / Orchestre à Cordes et Basson

Kantate Zum Sonntag Jubilate. Par BACH JOHANN SEBASTIAN. On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing 'new pieces monthly' for the church. Following the …

Par SCHUBERT FRANZ. Octet in F major Op. post. 166 D 803 for Clarinet (in B-flat), Bassoon, Horn, Violin (2), Viola, Violincello, Double Bass “I have done little new by way of lieder. In compensation I have tried my hand at several instrumental things, for I have composed two quartets for Violins, Viola and Violincello [A minor, D 804; D minor, D 810] and an octet [F major, D 803] and will write y…

Par WALTON WILLIAM. Performing edition of Walton's Piano Quartet, first published in 1918 and one of his first compositions to have survived. The work was later revised by Walton in 1974-5, and this edition is based on the score published in the Walton Edition Chamber Music volume./ Répertoire / Quatuor à Cordes

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Violine 1. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically du…

Piano Duets Edited By Michael Aston. Par ASTON MICHAEL. This includes arrangements of celebrated chamber and orchestral works alongside original duets, in a survey of prominent composers and styles from the US. The collection reflects the indigenous influences of jazz, ragtime, folk music, and Latin-American dance, and of European styles and genres. / Niveau : Très Avancé / Répertoire / Piano 4 M…

Mauro Giuliani is considered today to have been the most important guitarist-composer of the early nineteenth century. Not only was Giuliani the foremost player of his day: his fame reached far beyond the realm of guitar enthusiasts, earning him a place among the musical élite as a complete, versatile musician. Even so, by the end of the nineteenth century he was largely forgotten and his music ma…

for pianist(s). Par TAKEMITSU TORU. Corona for pianist(s) premiered by Yuji Takahashi andToshi Ichiyanagi in Tokyo on February 1962. It is an experimental classical composition and the player is requested to play the music though he is at liberty to repeat the same piece if necessaryand not to follow the numerical order. Toru Takemitsu tends to the universal through the large range of forms and in…

Par VAUGHAN WILLIAMS RALPH. Of all his early chamber works, the Nocturne is most clearly by the mature Vaughan Williams, almost anticipating the influence of Ravel which followed his lessons from the French composer in 1908. In the veiled beauty of its highly chromatic harmonies we hear already the tone-poet of the slow movement of A London Symphony , while in the fleet-footed Scherzo there is alr…