for Brass Ensemble and Percussion. Par GLORIEUX FRANCOIS. François Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of cha…

Par WILLIAMS R. / CHAMBERS G.. 3E sortie d'album Robbie Williams, en exerçant sa réussite continue, cet album est pleine d'emblématiques mélodies pop qui rebonds. Cet ouvrage contient la transcription de la note-pour-note authentique de l'album. Cet arrangement pour piano, chant et guitare en notation standard, des cordes et des diagrammes, le livre propose également des paroles complètes et une m…

Ecrite pour choeur unnacompanied. Commandée par Azusa Pacific University for The APU Chamber Singers, Michelle Jensen, chef d'orchestre. / Chant Et Piano

/ Musique De Chambre

Par POULENC FRANCIS. This edition of Les Biches by Francis Poulenc features the score for the whole Orchestra. Initially written as Ballet, it was revised as a suite for Orchestra in the 1940s. This piece has a light style, considered ; beautiful and melancholic by Jean Cocteau. Lasting 15 minutes 30 seconds, it is divided into five parts: 1. Rondeau 2. Adagietto 3. Rag-Mazurka 4. Andantino 5. Fin…

The Little Chamber Music. Par TELEMANN GEORG PHILIPP. L'édition fait partie du programme ABRSM (4e)/ Répertoire / Flûte à Bec Soprano et Basse Continue

Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plu…

/ Cor (Extraits D'Orchestre)

20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers…

Par GYORFFY ISTVAN. Hungarian-style dance music which flourished in the 16th and 17th centuries - generally referred to as ungaresca - represents a valuable part of European musical tradition. István Gyorffy's work (2007-2010) is a late successor of this tradition. It was written with the intention of embodying the eastern-central European tradition in order to present an alternative to the curren…

from La Vida Breve. Par DE FALLA MANUEL / ELLIS NICHOLAS (Arr.). Drawn from his early opera La vida breve (1905), de Falla’s Spanish Dance No. 1 has become one of his most celebrated pieces. Bursting with rhythmic fire and Andalusian colour, it captures the spirit of Spanish folk tradition with its driving pulse, passionate melodies, and sudden shifts between delicacy and intensity. In this arrang…

for Euphonium TC/BC. Par SAMITZ NICO. This set also includes a Bb Euphonium TC solo part. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the „BlechReiz BrassQuintett“ ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditati…

Par GLORIEUX FRANCOIS. François Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of chamber music at the Royal Music Conse…

20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers…