| Te Deum (BIZET GEORGES) Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic ?Te Deum laudamus?, to the skillful choral fugue of ?Fiat misericordia tua?, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset t…
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| Streichquartett Nr. 2 'Intime Briefe' (1928) . Hrsg Leoš Faltus Und Miloš Štedron (JANACEK LEOS) Quatuor à cordes: 2 violons, alto, violoncelle [Partition] Barenreiter
Par JANACEK LEOS. Janácek's 2nd String Quartet, Intimate Letters, is regarded as a highlight of the modern string quartet literature. It was written during the composer’s last year of life, between 29 January and 19 February 1928, inspired by the ageing Janáèek's exceptional love for Kamila Stösslová. The Moravian Quartet devoted themselves to this impressive work; Janácek attended a total of thre…
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| Concerto No. 2 In C Minor Op. 18 (RACHMANINOV SERGEI) 1 Piano, 4 mains G. Henle
Concerto no. 2 in c minor op. 18 for Piano and Orchestra. Par RACHMANINOV SERGEI. Rachmaninoff's legendary Opus 18, often lovingly referred to as Rach 2,” is for many the epitome of the Romantic piano concerto. Following its acclaimed premiere in Moscow in 1901, it proved to be a show-stopper around the globe, finally helping cement Rachmaninoff's international reputation as a composer. To this da…
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| Magnificat In C Major D 486 (SCHUBERT FRANZ) Piano, Voix [Partition] Barenreiter
Arrangeur: Andreas Köln. Par SCHUBERT FRANZ. This edition of Franz Schubert's 'Magnificat” D 486 is based on the composer's autograph score and is the first to make use of his authorised performance material. It offers alternative readings that make the performance practice of Schubert's day accessible to today's performers. This entertaining large-scale 'Magnificat” was composed in September 1815…
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| Concerto For Pianoforte And Orchestra #5 E-Flat Major Op. 73 Piano et Orchestre Barenreiter
Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethove…
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| Requiem C Minor Chorale SATB SATB, Orchestre Barenreiter
Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…
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| Cantabile Violon et Piano Ricordi
The Cantabile in D major for violin and piano (M.S. 109) is one of Paganini's most popular and famous compositions. This brief piece - a short tripartite 'aria variata' - is particularly spontaneous and lighthearted, reminiscent of the lyrical nature of the Italian bel canto tradition. It has an intimate feel to it, bringing us closer to this composer from Genoa.The main aim of this critical editi…
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| Sonate In C (MOZART WOLFGANG AMADEUS) 2 Clarinettes, 2 Violons, Orgue et Basse Continue [Partition] Carus Verlag
Epistelsonate. Par MOZART WOLFGANG AMADEUS. Edition based on the Mozart autograph in the Saltikov-Shtchedrin Library in St. Petersburg. Carus editions of the Mozart masses for which the Epistle Sonata KV 263 would be suitable. Missa in C KV 259 [Organ Solo Mass, CV 40. 628]; Missa longa in C KV 262 [CV 51. 262, in prep. ]; Missa in C KV 258 [Spaur Mass, CV 40. 627]; Missa in C KV 257 [Great Credo …
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| Klavierkonzert (MOZART WOLFGANG AMADEUS) Piano seul [Partition] Barenreiter
Concerto for piano and orchestra. Par MOZART WOLFGANG AMADEUS. Piano Concerto No. 25 in C major K. 503. Piano Solo, Flute, Oboe (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Strings. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid…
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| Missa In Angustiis (HAYDN FRANZ JOSEF) Solistes SATB, Choeur SATB, 2 Trompettes, Timbales [Partition] Carus Verlag
Nelson-Messe. Par HAYDN FRANZ JOSEF. The 'Missa' in D minor, published here, the third of Haydn's six late masses, was written during the summer of 1798 between the two late oratorios. According to the dates given on Haydn's autograph score he completed the composition in less than eight weeks. The score bears no particular title, but in Haydn's manuscript thematic catalogue of his works he referr…
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| Concerto For Pianoforte And Orchestra #5 E-Flat Major Op. 77 Piano et Orchestre Barenreiter
Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethove…
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| Trio For Piano, Clarinet (Violin) And Violoncello In D Minor Op. 3 Clarinette, Violoncelle, Piano (trio) G. Henle
Alexander Zemlinsky is mainly known for his operas and orchestral songs with their opulent late Romantic orchestration. His earlier, inspired hit, the Trio for Clarinet op. 3, written in 1896, owes a great deal to his first important role model Johannes Brahms as far as inflection and instrumentation are concerned. And it was none other than Brahms himself who enthusiastically recommended the trio…
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| Spectacles De Fontainebleau 1753 (RAMEAU JEAN-PHILIPPE) Orchestre [Conducteur] Barenreiter
Symphonies. Par RAMEAU JEAN-PHILIPPE. The heroic pastoral Daphnis et Eglé was performed only once, on 29 October 1753, for the entertainment of King Louis XV at Fontainebleau and remained unpublished until today. Our complete edition (BA 8862) is based on Rameau's autograph manuscript, a copy of the separate parts, and the libretto published by Ballard in 1753. A comparison of the sources reveals …
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| Jubilate, O Amoeni Rv 639/639A - Gloria, Rv 588 (VIVALDI ANTONIO) Voix et Piano Réduction Ricordi
Ed. Critica M. Talbot - Riduzione Per Canto E Pianoforte Di A. Frigé. Par VIVALDI ANTONIO. RV 588 is Vivaldi’s ‘other’ Gloria, a composition having many parallels with Vivaldi’s better-known setting of the same text (RV 589). It dates similarly from the period 1713-1717, when the composer was acting choirmaster at the Ospedale della Pietà in Venice. It even borrows from the same work, a slightly e…
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| Háry János-Suite (KODALY ZOLTAN) Universal Edition
Par KODALY ZOLTAN. This edition is based on the fi rst printed score published in 1927 (Universal Edition UE 8943), and was compared with Kodály’s own conductor’s copy, three additional scores held in the Budapest Zoltán Kodály Archives containing autograph notes, as well as the corrections from the piano reduction and the orchestral parts of the stage work, kept in the archives of the publisher. …
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| Te Deum (BRUCKNER ANTON) Chorale SATB SATB, Orchestre [Partition] Carus Verlag
Par BRUCKNER ANTON. Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. …
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| Dido and Aeneas (PURCELL HENRY) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
Par PURCELL HENRY. Purcell Dido and Aeneas (Full Score, paperback) The opera ?Dido and Aeneas?, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcell and his librettist Nahum Tate, who combined an overriding tragic theme with masterfully inserted comic episodes. Long believed to …
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| laviersonate (Waldstein-Sonate) op. 53 und Andante favori
BEETHOVEN LUDWIG VAN Piano seul [Partition] Wiener Urtext
do Majeur. Par BEETHOVEN LUDWIG VAN. Beethoven's Piano Sonata in C major op. 53, called the Waldstein Sonata, is one of the highlights of all piano music. The large-scale work was originally even more expansive with its extensive Andante middle movement, so that Beethoven eventually decided to replace the Andante with a relatively short Adagio introduction to the Rondo finale. In addition to the W…
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| 6 Sonate E Partite Per Violino Solo (BACH JOHANN SEBASTIAN (TR) Violon Ricordi
Six Sonatas For Violin Solo. Par BACH JOHANN SEBASTIAN (TR.BRAHMS JOHANNES). Revision faithfully reconstructed, according to the autograph manuscript, with suggestions for interpretation and fingering by the eminent violinist and teacher Rodolfo Lipizer. Preface and introduction in Italian, French, English and German. / Niveau : Difficile / Répertoire / Violon
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| Le Festin D'Esope Op. 39 No. 12 (ALKAN CHARLES-VALENTIN) Piano seul G. Henle
Le Festin d'Esope op. 39 no. 12. Par ALKAN CHARLES-VALENTIN. Charles Valentin Alkan's cycle of variations Le Festin d'Esope derives from his monumental series of etudes op. 39, the 12 Etudes dans tous les Tons Mineurs, and forms the culmination of that work. Now G. Henle Publishers presents, for the first time in an Urtext edition, what is by far the most well-known piano composition by this Frenc…
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| Works For Violin And Piano Violon et Piano Barenreiter
This edition contains all of Janácek's works for violin and piano:the Sonata as well as the 'Romance and Dumka?, composed while he was still a student.Though probably written as early as 1914, Janácek's Sonata for Violin and Piano was revised several times before finally appearing in a definitive version in 1922.This new edition of the Sonata and the 'Romance? is based on the 'Complete Critical Ed…
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| The Dream Of Gerontius (ELGAR EDWARD) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar?s moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of t…
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| Sonate In C (MOZART WOLFGANG AMADEUS) 2 Clarinettes, 2 Violons, Orgue et Basse Continue [Partition] Carus Verlag
Epistelsonate. Par MOZART WOLFGANG AMADEUS. Edition based on the Mozart autograph in the Saltikov-Shtchedrin Library in St. Petersburg. Carus editions of the Mozart masses for which the Epistle Sonata KV 263 would be suitable. Missa in C KV 259 [Organ Solo Mass, CV 40. 628]; Missa longa in C KV 262 [CV 51. 262, in prep. ]; Missa in C KV 258 [Spaur Mass, CV 40. 627]; Missa in C KV 257 [Great Credo …
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| Pastoral Quatuor à cordes: 2 violons, alto, violoncelle Barenreiter
First scholarly-critical editionThe single-movement String Quartet #2 by Josef Suk (1874-1935) was written at the height of his compositional powers. Completed in Krecovice in May 1911, this demanding work, with its complex harmonies and motivic structure, seemed avant-garde for its day: the Berlin premiere of November 1912 was accompanied by protests from the audience.Now Zdenek Nouza has edited …
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| Rapsodies Hongroises And Other Melodies Piano seul EMB (Editio Musica Budapest)
Supplement 8 of the New Liszt Edition contains first versions of Hungarian Rhapsodies Nos 12-21 and two shorter Liszt pieces with a Hungarian connection. All works in the volume appear here for the first time in a scholarly edition. This version of the Hungarian Rhapsodies ensued in 1846-50 from Magyar dallok (Hungarian Songs) Nos 1-11, published in Supplement 7. Piece #13 is based on the Rákóczi …
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| Missa In C (MOZART WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the mus…
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| Regina Coeli In B (MOZART WOLFGANG AMADEUS) Solo S, Choeur SATB, 2 Flûtes Traversières, 2 Haut [Partition] Carus Verlag
Marienantiphon. Par MOZART WOLFGANG AMADEUS. The new edition is based on the autograph which was presumed to have been missing since the second world war but which was rediscovered in 1964. It is the basis for the present new critical edition by Christine Martin. In contrast to previous sources, several matters concerning articulation have been corrected. / Hymnes et chorals / Répertoire / Solo S…
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| Klaviersonate H-Moll Piano seul G. Henle
Following the revision of our facsimile of the Piano Sonata in b minor (HN 3227) in 2015, we are now proud to present the corresponding new Henle Urtext edition. With the help of the splendid facsimile reproduction we were able to analyse several passages in the autograph more reliably - in addition the editor Ernst Herttrich not only consulted the first edition but also a copy of a student of Lis…
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| Attila Piano, Voix [Reduction] Ricordi
Attila, Verdi's ninth opera and the second of five that he composed for Venice's Teatro La Fenice, had its premiere on 17 March 1846. Verdi was inspired to compose an opera on the subject of Attila by two rather unusual sources, Attila, König der Hunnen, a curious play by a now-forgotten German playwright, Friedrich Ludwig Zacharias Werner, and Madame de Staël's discussion of it in her magisterial…
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