Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Six Moods est le quatrième volume de la série 'Autograph' Fentone. Chacun de ces volumes, par un compositeur séparé, contient un ensemble de six pièces destinées à des joueurs qui ont atteint au moins le grade 5. Les six courts métrages dans les six Moods sont:Contentement - un morceau à l'aide détendue bien formé legato lignes mélodiquesAffirmation - Une pièce vivante nécessitant doigts fermes et…

Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the mus…

Marienantiphon. Par MOZART WOLFGANG AMADEUS. The new edition is based on the autograph which was presumed to have been missing since the second world war but which was rediscovered in 1964. It is the basis for the present new critical edition by Christine Martin. In contrast to previous sources, several matters concerning articulation have been corrected. / Hymnes et chorals / Répertoire / Solo S…

Breitkopf Urtext für Flöte und Cembalo / for Flute and Harpsichord. Par BACH CARL PHILIPP EMMANUEL. These Sonatas for flute and harpsichord obbligato (Wq 83 - 86) were written in Potsdam between 1745 and 1755, while C. P. E. Bach was in the service of King Frederick II of Prussia. The sonatas also exist in genuine trio Sonata versions. In our present version, the right hand of the harpsichordist t…

Offertorium In Festo Sti Benedicti. Par MOZART WOLFGANG AMADEUS. Since the autograph of the offertory 'Scande coeli limina' KV 34 has not survived, the discovery of the oldest existing copy of the parts in 1998 in the archives of the Holy Chapel in Altötting were a significant contribution to the preservation of this work. Robert Münster discovered the parts, the new source upon which the present …

Kantate Zum 13. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. The closing chorale of the cantata is given without text in the autograph. In this edition, the recommendation of the Neuen Bachausgabe (NBA 1/21) is followed. / Musique religieuse / Répertoire / Solistes SATB, Choeur SATB, Trompette (Da Tirarsi)

Ausgabe mit den Ergänzungen von Ferdinand Schubert. Par SCHUBERT FRANZ. edition based on the autograph score [1815], with the recommendations of Ferdinand Schubert. / Messe / Répertoire / Solistes STB, Choeur SATB Version 1 (original) : (

Tito Manlio was performed for the fi rst time in Mantua as second work of the Carnival season of winter 1719. Vivaldi set the libretto of La fi da ninfa, a dramma per musica in three acts by Scipione Maffei, with a view to its use for the inauguration of the new theatre of the Accademia Filarmonica of Verona, which took place on 6 January 1732, during the Carnival season, elaborate stage sets bein…

Par VERDI GIUSEPPE. The first critical edition of Verdi's Requiem with complete performance material for sale. The edition is based on the autograph as the primary source and makes accessible one of the most important requiem settings of the 19th century in a modern scholarly edition. In particular, articulation, phrasing and dynamics are often indicated more precisely than in previous, well-known…

Edited from autograph, reginal edition and other authentic sources Urtext fingering: Pressler, Menahem editor: Stockmann, Bernhard notes on interpretation: Pressler, Menahem composer: Brahms, Johannes preface: Stockmann, Bernhard - Capriccio d-Moll op. 116,1 - Capriccio d-Moll op. 116,1 - Intermezzo a-Moll op. 116,2 - Capriccio g-Moll op. 116,3 - Intermezzo E-Dur op. 116,4 - Intermezzo…

KV271 'Jeunehomme'. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orchestra No. 9 E-flat major K. 271 'Jeunehomme'. Piano Solo, Oboe (2), Horn (2), Violin (2), Viola, Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves …

Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on his second Symphony during his visit to Italy with his wife in 1874. He was commissioned to write it by an orchestral society in Florence – an indication that his reputation had already spread throughout Europe. The autograph score contains a poem by his wife Fanny, which in four sections expressed the moods of impress…

Tonalité : G-Moll - Op.: 117, 2 -. Par REGER MAX. The facsimile edition of Max Reger’s Präludium and Fugue in G minor op. 117, 2 is meant for music lovers and violinists alike. Music enthusiasts also treasure the strongly expressive musical handwriting of Reger, with its colorful remarks, as an example of graphic individuality. The four-page facsimile, which is inserted loosely in the accompanying…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…