Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Ausgabe mit den Ergänzungen von Ferdinand Schubert. Par SCHUBERT FRANZ. edition based on the autograph score [1815], with the recommendations of Ferdinand Schubert. / Messe / Répertoire / Solistes STB, Choeur SATB Version 1 (original) : (

Par BEETHOVEN LUDWIG VAN. Urtext edition reflecting the latest musicological research. With many corrections in the solo part and Orchestral parts. Piano reduction for 2 Pianos with a separate solo Piano part. A must for Pianists,Orchestras and Beethoven scholars. Beethoven?s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the s…

Dvorák, Antonín Concerto for Piano and Orchestra G minor op. 33 B 63 - New Urtext edition of Dvorák's only piano concerto - Commentary on performance practice by Czech pianist Ivo Kahánek (Eng/Cz/Ger) - Piano reduction by Karel 'olc adapted to fit this new edition Edition no. BA 10420-90 ISMN 9790260108394 Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two conce…

Kantate Zum 13. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. The closing chorale of the cantata is given without text in the autograph. In this edition, the recommendation of the Neuen Bachausgabe (NBA 1/21) is followed./ Répertoire / Solistes SATB, Choeur SATB, Trompette (Da Tirarsi)

herausgegeben von Fulvio Luciani. Par BACH JOHANN SEBASTIAN. A new critical edition of Bach?s Sonatas and Partitas for solo violin ? possibly the very pinnacle of the whole repertoire for violin ?, by violinist Fulvio Luciani. The edition is based on the autograph and is equipped with an apparatus of critical notes: they indicate problems with the reading of the original source, suggest possible n…

Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on his second Symphony during his visit to Italy with his wife in 1874. He was commissioned to write it by an orchestral society in Florence – an indication that his reputation had already spread throughout Europe. The autograph score contains a poem by his wife Fanny, which in four sections expressed the moods of impress…

Par BRUCKNER ANTON. Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. …

Edited From The Autograph And Original Edition. Par SCHUMANN ROBERT. / Répertoire / Piano

Edizione Critica Di Italo Vescovo. Par PAGANINI NICCOLO. Paganini’s Sonata a violino solo (M. S. 6), composed during his Lucca period (1805-1809), forms part of a series of music written for solo violin that has failed to attract the attention of both performers and scholars interested in Genoa’sfamous violinist. This work – published several times in the nineteenth century (especially outside Ita…

Transcription for Violin and Piano by the Composer. Par SAINT-SAENS CAMILLE. In his symphonic poem “Danse macabre” Saint-Saëns takes up a poem by Henri Cazalis that he had already set as an art song. Here the Devil brings the dead to life by playing his violin. Although the orchestral work was given a lukewarm reception in its early performances, or was even rejected, it became highly popular and …

Par WOLFF CHRISTIAN. Composed, as the title suggests, for the 80th birthday of Alvin Lucier on May 14, 2011, At 80, Plus for Alvin Lucier by Christian Wolff is largely open in form and can be performed by any players, with variable duration. The performing score, published here as a facsimile of the autograph manuscript, consists of 14 short phrases to be performed in any sequence, followed by a 1…

Par LISZT FRANZ. Liszt ’s Piano rhapsodies stand in the tradition of his transcriptions of operatic or song melodies, yet employ folk dances and songs as their source material. Completed in 1864, Rhapsodie Espagnole is a late reminiscence of Liszt ’s extended travels to Spain and Portugal in 1844–45. On the basis of two popular Iberian dance tunes, Folia and Jota, Liszt here sets off fireworks of …

Par SCHUBERT FRANZ. Schubert's much-loved masterpiece is a mainstay of the classical choral repertoire. Prepared from the composer's autograph manuscript, Brian Newbould's authoritative new performing edition takes account of invaluable additional source material in Schubert's hand, discovered recently and held in the Monastery Library at Klosterneuburg./ Répertoire / Chorale

The Op. 79 was announced by Breitkopf and Hartel in Leipzig in December 1810 as 'sonatine pour le pianoforte.' It was also registered at London's copyright registry on August 31, 1810, by the English publisher Muzio Clementi. It is not possible to ascertain exactly when the English edition was available to the public, but it may be that it predates the German edition. Although the Op. 79 bears no …