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1311 partitions trouvées en s
Pavane - Op.50 (FAURE GABRIEL)
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Pavane - Op.50 (FAURE GABRIEL)
Piano seul [Partition]
Barenreiter
Par FAURE GABRIEL. Fauré?s ?Pavane? was composed for orchestra in 1887, followed by a version for chorus and orchestra in that same year. Three decades later Serge Diaghilev had it choreographed for his Ballets russes ? a sign of its great popularity. ?Pavane? exudes the spirit of Paris?s fêtes galantes at the turn of the century. A version for solo piano appeared in 1889; it was most likely prepa…
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String Quartet No. 10 In E-Flat Major Op. 51 Set Of Parts (DVORAK ANTONIN)
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2 vendeurs
String Quartet No. 10 In E-Flat Major Op. 51 Set Of Parts (DVORAK ANTONIN)
Quatuor à cordes: 2 violons, alto, violoncelle
Barenreiter
Arrangeur: Hartmut Schick. Par DVORAK ANTONIN. When Antonín Dvorák started composing his String Quartet No. 10 in late 1878, none of his quartets had yet been performed. However this new work, deliberately cast in the 'Slavonic” style, quickly achieved international renown and has remained among one of the most popular string quartets by Dvorák. The authoritative Dvorák scholar Hartmut Schick has…
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Missa In Honorem Sanctae Ursulae (HAYDN JOHANN MICHAEL)
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Missa In Honorem Sanctae Ursulae (HAYDN JOHANN MICHAEL)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale [Partition]
Carus Verlag
Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…
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Violin Concerto #1 In G Minor Op. 26 Violon 2 (BRUCH MAX)
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6 vendeurs
Violin Concerto #1 In G Minor Op. 26 Violon 2 (BRUCH MAX)
Violon [Partition]
Breitkopf and Hartel
Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto #1 zipped onto the road to success and has never left it since. Yet from the preface of the 'BreitkopfUrtext' edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive fo…
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CONCERTO FOR TWO VIOLONCELLOS IN G MINOR RV 531 (VIVALDI ANTONIO)
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CONCERTO FOR TWO VIOLONCELLOS IN G MINOR RV 531 (VIVALDI ANTONIO)
2 Violoncelles, Piano [Partition]
Barenreiter
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time. The Concerto RV 531 is the only double concerto in Vivaldi's 'uvre for two solo violoncellos. The two solo parts take ce…
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Nun Danket Alle Gott (BUXTEHUDE DIETRICH)
Choeur SSATB, 2 Cornets à Bouquin, 2 TrompetteSBas [Partition]
Carus Verlag
Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…
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Serenade no. 3 H 218 (MARTINU BOHUSLAV)
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Serenade no. 3 H 218 (MARTINU BOHUSLAV)
Hautbois, Clarinette, 4 Violons et Violoncelle [Set de Parties séparées]
Barenreiter
Par MARTINU BOHUSLAV. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate (1932), each with a different instrumentation. The serenades were issued by the Pr…
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Scande Coeli Limina (MOZART WOLFGANG AMADEUS)
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Scande Coeli Limina (MOZART WOLFGANG AMADEUS)
Solo S, Choeur SATB, 2 Clarinettes, Timbales, 2 Vi [Partition]
Carus Verlag
Offertorium In Festo Sti Benedicti. Par MOZART WOLFGANG AMADEUS. Since the autograph of the offertory 'Scande coeli limina' KV 34 has not survived, the discovery of the oldest existing copy of the parts in 1998 in the archives of the Holy Chapel in Altötting were a significant contribution to the preservation of this work. Robert Münster discovered the parts, the new source upon which the present …
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String Quartet No. 10 In E-Flat Major Op. 51 Study Score (DVORAK ANTONIN)
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String Quartet No. 10 In E-Flat Major Op. 51 Study Score (DVORAK ANTONIN)
Quatuor à cordes: 2 violons, alto, violoncelle [Partition]
Barenreiter
Arrangeur: Hartmut Schick. Par DVORAK ANTONIN. When Antonín Dvorák started composing his String Quartet No. 10 in late 1878, none of his quartets had yet been performed. However this new work, deliberately cast in the 'Slavonic” style, quickly achieved international renown and has remained among one of the most popular string quartets by Dvorák. The authoritative Dvorák scholar Hartmut Schick has…
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Sarabanda (RESPIGHI OTTORINO)
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Sarabanda (RESPIGHI OTTORINO)
Violon et Piano
Schott
Edizione critica per Emy Bernecoli e Elia Andrea Corazza. Par RESPIGHI OTTORINO. The Sarabanda for violin and piano (P015a) is a short composition consisting of three pages dated 1897, published here for the first time. The original manuscript is part of the private archive of Potito Pedarra, cataloguer of Ottorino Respighi’s compositional legacy. Ottorino Respighi composed this work during his yo…

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String Quartet A Minor Op. 29 D 804 Rosamunde
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2 vendeurs
String Quartet A Minor Op. 29 D 804 Rosamunde
Quatuor à cordes: 2 violons, alto, violoncelle
G. Henle
The quartet in a minor is one of the chamber music works with which Schubert wanted to 'pave the way to the great symphony? in spring 1824. At the same time he was paving his way to a wider audience, as the 'Rosamunde? Quartet was the first and only string quartet that was not only publicly performed in Schubert's lifetime but also published in parts. It is fortunate for us that this was the case …
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Echoes #1 (Solo Horn)
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Echoes #1 (Solo Horn)
Cor
EMB (Editio Musica Budapest)
Edited by Ulrich Bartels, this companion volume to the recently-published 2-part inventions, is based on Bach's autograph,and also informed by contemporary secondary sources. / Cor
8.20 EUR - Expédié par LMI-partitions
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Sonate In C (MOZART WOLFGANG AMADEUS)
2 Clarinettes, 2 Violons, Orgue et Basse Continue [Partition]
Carus Verlag
Epistelsonate. Par MOZART WOLFGANG AMADEUS. Edition based on the Mozart autograph in the Saltikov-Shtchedrin Library in St. Petersburg. Carus editions of the Mozart masses for which the Epistle Sonata KV 263 would be suitable. Missa in C KV 259 [Organ Solo Mass, CV 40. 628]; Missa longa in C KV 262 [CV 51. 262, in prep. ]; Missa in C KV 258 [Spaur Mass, CV 40. 627]; Missa in C KV 257 [Great Credo …
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Sonate Nr. 1 in d-Moll op. 75 (SAINT-SAENS CAMILLE)
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Sonate Nr. 1 in d-Moll op. 75 (SAINT-SAENS CAMILLE)
Violon et Piano [Partition]
Barenreiter
Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: Influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.1 was incorporated into the repertoire of numerous late 19th-century violinists…
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MeSSA Da Requiem (VERDI GIUSEPPE)
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MeSSA Da Requiem (VERDI GIUSEPPE)
Chorale SATB
SATB, Orchestre [Partition]
Carus Verlag
Par VERDI GIUSEPPE. The first critical edition of Verdi's Requiem with complete performance material for sale. The edition is based on the autograph as the primary source and makes accessible one of the most important requiem settings of the 19th century in a modern scholarly edition. In particular, articulation, phrasing and dynamics are often indicated more precisely than in previous, well-known…
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At 80, Plus for Alvin Lucier (WOLFF CHRISTIAN)
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At 80, Plus for Alvin Lucier (WOLFF CHRISTIAN)
Orchestre de chambre [Conducteur]
Peters
Par WOLFF CHRISTIAN. Composed, as the title suggests, for the 80th birthday of Alvin Lucier on May 14, 2011, At 80, Plus for Alvin Lucier by Christian Wolff is largely open in form and can be performed by any players, with variable duration. The performing score, published here as a facsimile of the autograph manuscript, consists of 14 short phrases to be performed in any sequence, followed by a 1…
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Andante Und Variationen Op. 46 Anh. (SCHUMANN ROBERT)
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Andante Und Variationen Op. 46 Anh. (SCHUMANN ROBERT)
2 Pianos et Instruments Divers [Partition]
Breitkopf and Hartel
Par SCHUMANN ROBERT. 'Andante and Variations op. 46 Anh. for 2 pianos, 2 celli and horn': even in Schumann's collected works, one finds such an unusual scoring only once. No wonder the piece was initially left unprinted and only first released as a posthumous work. Schumann's widow Clara and Johannes Brahms apparently fervently believed in the piece and organized a posthumous world premiere with f…
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Piano Sonata #7 Op. 64
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Piano Sonata #7 Op. 64
Piano seul [Fac-similé]
G. Henle
Scriabin's 7th Piano Sonata is amongst the late sonatas nos. 6-10, conceived as preliminary studies for a Gesamtkunstwerk of enormous proportions, the 'Mysterium?. The mystic aura of the 7th Sonata is communicated to the player not least through the ecstatic performance directions contained in the autograph and the first edition. This and a great deal more can be seen in Scriabin's manuscript for …
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Rhapsody (SZELENYI ISTVAN)
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Rhapsody (SZELENYI ISTVAN)
Violon et Piano
Schott
Par SZELENYI ISTVAN. The Hungarian composer István Szelényi (1904-1972) studied with Zoltán Kodály and later himself became a lecturer at the Budapest Academy of Music. This Rhapsody, published here for the first time, was written in 1956 for the Henryk Wieniawski Composition Competition in Warsaw. On the autograph manuscript Szelényi noted in French a saying of his former composition teacher Zolt…
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Piano Concerto #1 In G Minor Op. 25
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Piano Concerto #1 In G Minor Op. 25
2 Pianos, 4 mains
Peters
two-piano score (one copy is provided)This edition is based on the first two printed editions of the work, as no autograph score of the solo piano part survives.The edition includes an historical preface and critical commentary. / Piano
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Andante E Polacca Per Violino E Pianoforte (TIRINDELLI PIER ADOLFO)
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Andante E Polacca Per Violino E Pianoforte (TIRINDELLI PIER ADOLFO)
Violon et Piano
Ricordi
a cura di - edited by Rina You. Par TIRINDELLI PIER ADOLFO. The edition of the Andante e Polacca for violin and piano published here was realised from an autograph manuscript held in the library of the Conservatory of Santa Cecilia in Rome. An inspired melodic vein, with a cantability typical of Late Romantic Italian compositions, characterises the piece, especially in the first part. The Polacca …

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Quartettsatz in C minor (ORFF CARL)
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Quartettsatz in C minor (ORFF CARL)
Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées]
Schott
for String Quartet. Par ORFF CARL. Like the Quartettsatz of 1914 (ED 7816), Quartettsatz in c-Moll of 1921, premièred by the Henschel Quartet at the Orff Centre in Munich in 2007, testifies to Orff’s early struggles towards the classical-Romantic tradition. Originally left unfinished as a fragment in C sharp minor, the first version has now been reconstructed (in C minor) from a source that only s…
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Concerto For Pianoforte And Orchestra No. 2 E-Flat Major (ROSLER JOHANN JOSEF)
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2 vendeurs
Concerto For Pianoforte And Orchestra No. 2 E-Flat Major (ROSLER JOHANN JOSEF)
2 Pianos, 3 mains
Barenreiter
Für Klavier und Orchester. Par ROSLER JOHANN JOSEF. Johann Joseph Rösler (1771-1812) was a composer, conductor and pianist who was active in Prague and Vienna. Later he was in the service of Prince Franz Joseph von Lobkowitz. His Piano Concerto No. 2 in E-flat major of 1803 is a fitting companion to the piano concertos of Beethoven - indeed, his first Piano Concerto in D major was mistakenly attri…
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Symphony C Major Hob. I:90
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Symphony C Major Hob. I:90
Orchestre
Barenreiter
Haydns Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82-87) and the London symphonies (Hob. I: 93-104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791-92 and 1794-95. Continuing the collaboration between Barenreiter and the G. Henle publishing company regarding …
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12 Etüden Op. 10 (CHOPIN FREDERIC)
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12 Etüden Op. 10 (CHOPIN FREDERIC)
Piano seul
Ricordi
Arbeitsausgabe mit Kommentaren von Alfred Cortot. Par CHOPIN FREDERIC. Die 12 Etüden op. 10 von Frédéric Chopin in einer Arbeitsausgabe mit Kommentaren von Alfred Cortot, einem der größten Klaviervirtuosen und Chopin-Interpreten des 20. Jahrhunderts - erstmals in deutscher Übersetzung. (Notentext nach Chopins Autograph und Pariser Erstausgabe) / Date parution : 1905-06-28/ Répertoire / Piano
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Te Deum (BIZET GEORGES)
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Te Deum (BIZET GEORGES)
Soli, choeur mixte et accompagnement
Carus Verlag
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic ?Te Deum laudamus?, to the skillful choral fugue of ?Fiat misericordia tua?, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset t…
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PIANO QUARTET E FLAT MAJOR OP (DVORAK ANTONIN) (DVORAK ANTONIN)
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PIANO QUARTET E FLAT MAJOR OP (DVORAK ANTONIN) (DVORAK ANTONIN)
Piano Quatuor: piano, 2 violons, violoncelle [Partition]
G. Henle
Par DVORAK ANTONIN. For several years following composition of his first piano quartet, Dvorák?s publisher Simrock pushed him to compose a follow-up piece in the genre. The work, written during a few short weeks in summer 1889, fulfilled Simrock?s wishes. With his op. 87, Dvorák delivered a challenging and mature work in which a mastery of form is combined with memorable themes and surprising harm…
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CONCERTO FOR TWO VIOLONCELLOS IN G MINOR RV 531 (VIVALDI ANTONIO)
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CONCERTO FOR TWO VIOLONCELLOS IN G MINOR RV 531 (VIVALDI ANTONIO)
2 Violoncelles, Piano [Partition]
Barenreiter
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time. The Concerto RV 531 is the only double concerto in Vivaldi?s ?uvre for two solo violoncellos. The two solo parts take ce…
35.70 EUR - Expédié par LMI-partitions
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