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 | String Quartet #2 Op. 31 (SUK JOSEF) Quatuor à cordes: 2 violons, alto, violoncelle Barenreiter
 First scholarly-critical editionThe single-movement String Quartet #2 by Josef Suk (1874-1935) was written at the height of his compositional powers. Completed in Krecovice in May 1911, this demanding work, with its complex harmonies and motivic structure, seemed avant-garde for its day: the Berlin premiere of November 1912 was accompanied by protests from the audience.Now Zdenek Nouza has edited …
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 | Io RCT 45 (RAMEAU JEAN-PHILIPPE) Opéra Barenreiter
 Acte de Ballet. Par RAMEAU JEAN-PHILIPPE. Rameau Io RCT 45 (Vocal Score) In Rameau's operatic oeuvre, 'Io' is certainly the work shrouded in the most mystery: the acte de ballet has survived only in the form of a copy of the score and parts which was made by a collector from the generation after Rameau from the autograph that now is lost.  Although the copy seems to have been used, presumably for …
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 | Concerto For Pianoforte And Orchestra #5 E-Flat Major Op. 75 (BEETHOVEN LUDWIG VAN) Piano et Orchestre [Partie seule] Barenreiter
 Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethove…
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 | Divertimenti For 2 Oboes, 2 Horns And 2 Bassoons (MOZART WOLFGANG AMADEUS) 2 Hautbois, 2 Cors et 2 Bassons G. Henle
 Mozart wrote the five Divertimenti for Wind Sextet between the years 1775 and 1777 when he was living in Salzburg. The Italian title is reminiscent of simple 'light? music, but the pieces' melodic ingenuity and colourful writing for winds show it to be chamber music of the highest quality. Our edition is based on the autograph and brings together all five authentic sextets in one practical edition…
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 | Pastoral (CARTER) Quatuor à cordes: 2 violons, alto, violoncelle Barenreiter
 First scholarly-critical editionThe single-movement String Quartet #2 by Josef Suk (1874-1935) was written at the height of his compositional powers. Completed in Krecovice in May 1911, this demanding work, with its complex harmonies and motivic structure, seemed avant-garde for its day: the Berlin premiere of November 1912 was accompanied by protests from the audience.Now Zdenek Nouza has edited …
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 | Danse macabre op. 40 (SAINT-SAENS CAMILLE) Violon et Piano [Partition] Barenreiter
 Transcription for Violin and Piano by the Composer. Par SAINT-SAENS CAMILLE. In his symphonic poem “Danse macabre” Saint-Saëns takes up a poem by Henri Cazalis that he had already set as an art song. Here the Devil brings the dead to life by playing his violin. Although the orchestral work was given a lukewarm reception in its early performances, or was even rejected, it became highly popular and …
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 | Streichquartett Nr. 2 'Intime Briefe' (1928) . Hrsg Leoš Faltus Und Miloš Štedron (JANACEK LEOS) Quatuor à cordes: 2 violons, alto, violoncelle [Partition] Barenreiter
 Par JANACEK LEOS. Janácek's 2nd String Quartet, Intimate Letters, is regarded as a highlight of the modern string quartet literature. It was written during the composer’s last year of life, between 29 January and 19 February 1928, inspired by the ageing Janáèek's exceptional love for Kamila Stösslová. The Moravian Quartet devoted themselves to this impressive work; Janácek attended a total of thre…
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 | Missa In E (RHEINBERGER JOSEF GABRIEL) Choeur SATB et Orgue, (Solistes SATB) [Partition] Carus Verlag
 Misericordias Domini'. Par RHEINBERGER JOSEF GABRIEL. Wohl auf eine Bitte des Verlegers Otto Forberg begann Rheinberger mit der Komposition dieser Messe. Der Beiname 'Misericordias Domini', den die Messe in der Druckausgabe und vielleicht schon im verschollenen Autograph führt, wird in den Skizzen nicht genannt; auch liegen keine Anhaltspunkte vor, dass ein besonderes Ereignis den Komponisten zur …
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 | Scande Coeli Limina (MOZART WOLFGANG AMADEUS) Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo [Partition] Carus Verlag
 Offertorium In Festo Sti Benedicti. Par MOZART WOLFGANG AMADEUS. Since the autograph of the offertory 'Scande coeli limina' KV 34 has not survived, the discovery of the oldest existing copy of the parts in 1998 in the archives of the Holy Chapel in Altötting were a significant contribution to the preservation of this work. Robert Münster discovered the parts, the new source upon which the present …
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 | Magnificat In C Major D 486 (SCHUBERT FRANZ) Chorale SATB [Partition] Barenreiter
 Par SCHUBERT FRANZ. This edition of Franz Schubert's 'Magnificat” D 486 is based on the composer's autograph score and is the first to make use of his authorised performance material. It offers alternative readings that make the performance practice of Schubert's day accessible to today's performers. This entertaining large-scale 'Magnificat” was composed in September 1815.
The edition is based o…
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 | Missa In Angustiis (HAYDN FRANZ JOSEF) Solistes SATB, Choeur SATB, 2 Trompettes, Timbales [Partition] Carus Verlag
 Nelson-Messe. Par HAYDN FRANZ JOSEF. The 'Missa' in D minor, published here, the third of Haydn's six late masses, was written during the summer of 1798 between the two late oratorios. According to the dates given on Haydn's autograph score he completed the composition in less than eight weeks. The score bears no particular title, but in Haydn's manuscript thematic catalogue of his works he referr…
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 | Concerto For Pianoforte And Orchestra #5 E-Flat Major Op. 73 (BEETHOVEN LUDWIG VAN) Piano et Orchestre Barenreiter
 Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethove…
  72.61 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur | 
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 | String Quartet E-Flat Major Op. 127 (BEETHOVEN LUDWIG VAN) Quatuor à cordes: 2 violons, alto, violoncelle Barenreiter
 Par BEETHOVEN LUDWIG VAN. This new scholarly-critical edition of String Quartet Op. 127, the first of Beethoven’s late quartets, follows upon Urtext publications of Opp. 18, 59, 74 and 95. Once more the editor is the renowned Beethoven authority Jonathan Del Mar. All surviving sources have been consulted including sketches to clarify the conflicting readings in the autograph. Not only has Del Mar …
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 | Stabat Mater In G Minor D 175 (SCHUBERT FRANZ) Chorale SATB [Partition] Barenreiter
 Par SCHUBERT FRANZ. Franz Schubert's 'Stabat Mater” D 175 is one of a number of church works that he wrote for his local congregation in Lichtental.
This edition is based on the sole surviving source, the composer's autograph full score. Unlike its like-named companion piece D 383, Schubert uses the original Latin poem here. In his setting of April 1815 he focuses on the first two lines of the te…
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 | Monsieur Choufleuri Restera Chez Lui Le… (OFFENBACH JACQUES) Piano, Voix [Partition] Bote and Bock
 Opérette-Bouffe En Un Acte. Par OFFENBACH JACQUES. An opera buffa in one act by Offenbach, in Germany mainly known under the title of 'Salon Pritzelsberger', which has enjoyed continuous popularity since its world premiere in 1860 until the present day. Since original performance materials were lost after the death of the composer, several numbers like the overture and the legendary Trio italien c…
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 | Requiem C Minor (CHERUBINI LUIGI) Chorale SATB SATB, Orchestre [Partie seule] Barenreiter
 Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…
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 | Matthäus-Passion (BACH JOHANN SEBASTIAN) Chorale SATB [Partition] Barenreiter
 1. Choir, 2. Choir, Organ. Par BACH JOHANN SEBASTIAN. Version of 1736 (final version) Bach ’s St. Matthew Passion passed through several stages in its progress towards its final form, stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas’s Church, Leipzig, in a version of which the copy made by Bach ’s son-in-…
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 | Six Partitas BWV 825-830 (BACH JOHANN SEBASTIAN) Piano seul [Partition] G. Henle
 Edition sans doigtés. Par BACH JOHANN SEBASTIAN. Bach’s Six Partitas form what is presumably the most famous and challenging collection of suites in music history. Bach was aware of the weightiness of his cycle as he initially had these multi-movement partitas, composed in Leipzig between 1726 and 1730, published in individual editions. This culminated in their publication in an anthology that pro…
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 | Concerto For Pianoforte And Orchestra #5 E-Flat Major Op. 74 (BEETHOVEN LUDWIG VAN) Piano et Orchestre [Set de Parties séparées] Barenreiter
 Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethove…
  93.20 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur | 
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 | Sonate In C (MOZART WOLFGANG AMADEUS) 2 Clarinettes, 2 Violons, Orgue et Basse Continue [Partition] Carus Verlag
 Epistelsonate. Par MOZART WOLFGANG AMADEUS. Edition based on the Mozart autograph in the Saltikov-Shtchedrin Library in St. Petersburg. Carus editions of the Mozart masses for which the Epistle Sonata KV 263 would be suitable. Missa in C KV 259 [Organ Solo Mass, CV 40. 628]; Missa longa in C KV 262 [CV 51. 262, in prep. ]; Missa in C KV 258 [Spaur Mass, CV 40. 627]; Missa in C KV 257 [Great Credo …
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 | Scande Coeli Limina (MOZART WOLFGANG AMADEUS) Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo [Partition] Carus Verlag
 Offertorium In Festo Sti Benedicti. Par MOZART WOLFGANG AMADEUS. Since the autograph of the offertory 'Scande coeli limina' KV 34 has not survived, the discovery of the oldest existing copy of the parts in 1998 in the archives of the Holy Chapel in Altötting were a significant contribution to the preservation of this work. Robert Münster discovered the parts, the new source upon which the present …
  7.30 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur | 
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 | Incantation. Concerto for Piano and Orchestra No. 4 H 358 / Fantasia Concertante. Concerto for Piano and Orchestra No. 5 in B-flat major H 366 (MARTINU BOHUSLAV) Orchestre [Partition] Barenreiter
 The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, kno…
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 | Grande Sonate Pathétique Op. 13 en do mineur (BEETHOVEN LUDWIG VAN) Piano seul [Partition] Wiener Urtext
 Sonate #8. Par BEETHOVEN LUDWIG VAN. 'This sonata is easier to study than any of the earlier ones, and has therefore always been extremely popular.' (Carl Czerny). Indeed, the Grande Sonate pathétique is the one with the most moderate demands in terms of playing technique among Beethoven's famous piano sonatas. But it is also popular for its pathetic expression, which captivates the listener from …
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 | String Quartet No. 10 In E-Flat Major Op. 51 Study Score (DVORAK ANTONIN) Quatuor à cordes: 2 violons, alto, violoncelle [Partition] Barenreiter
 Arrangeur: Hartmut Schick. Par DVORAK ANTONIN. When Antonín Dvorák started composing his String Quartet No. 10 in late 1878, none of his quartets had yet been performed. However this new work, deliberately cast in the 'Slavonic” style, quickly achieved international renown and has remained among one of the most popular string quartets by Dvorák.
The authoritative Dvorák scholar Hartmut Schick has…
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 | Sonate In C (MOZART WOLFGANG AMADEUS) 2 Clarinettes, 2 Violons, Orgue et Basse Continue [Partition] Carus Verlag
 Epistelsonate. Par MOZART WOLFGANG AMADEUS. Edition based on the Mozart autograph in the Saltikov-Shtchedrin Library in St. Petersburg. Carus editions of the Mozart masses for which the Epistle Sonata KV 263 would be suitable. Missa in C KV 259 [Organ Solo Mass, CV 40. 628]; Missa longa in C KV 262 [CV 51. 262, in prep. ]; Missa in C KV 258 [Spaur Mass, CV 40. 627]; Missa in C KV 257 [Great Credo …
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 | Myrthen Op. 25 (SCHUMANN ROBERT) Voix haute, Piano G. Henle
 Song Cycle. Par SCHUMANN ROBERT. 1840 was Schumann ’s famous “year of song” that brought forth over 100 lieder. They included Myrthen op. 25, which he dedicated “to his dear bride”, Clara Wieck-Schumann. Besides famous songs such as “Widmung”, “Lotosblume” and “Nussbaum” to texts by German poets, the collection also saw Schumann venture further afield, whether to the Scottish Highlands with settin…
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 | Serenade no. 3 H 218 (MARTINU BOHUSLAV) Hautbois, Clarinette, 4 Violons et Violoncelle [Set de Parties séparées] Barenreiter
 Par MARTINU BOHUSLAV. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate (1932), each with a different instrumentation. The serenades were issued by the Pr…
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 | Requiem (VERDI GIUSEPPE) Solo SMsTB, SATB et Orchestre [Partition] Carus Verlag
 Par VERDI GIUSEPPE. Among Verdi’s many compositions, as a work of sacred music, the Requiem remains unique. It was composed as a musical memorial for the Italian national poet Allessandro Manzoni, deeply admired by Verdi, and was first performed on the first anniversary of his death on 22 May 1874 in Milan Cathedral. The exploration of many extremes places Verdi’s tonal language with musical means…
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 | Concerto Nr. V Für Cembalo Und Streicher (BACH JOHANN SEBASTIAN) Clavecin et Instruments à Cordes [Partition] Barenreiter
 for Harpsichord and Strings. Par BACH JOHANN SEBASTIAN. In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly v…
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