Par BACH JOHANN SEBASTIAN. The four orchestral suites of J. S. Bach, are superb examples of the composer's innovative mastery of the many dance forms popular in the courts of the 18th century. Reproduced from the authoritative Bach-Gesellschaft edition, this volume contains: Suite No. 1 in C major (BWV 1066) for two Oboes, Bassoon, Strings and Continuo Suite No. 2 in B minor (BWV 1067) for solo Fl…

Kantate Zum 4. Advent. Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original conc…

Par BACH JOHANN SEBASTIAN. Pianists will welcome this inexpensive edition of a selection of Bach's small fugues and preludes, specially arranged and edited by the esteemed musician Giuseppe Buonamici. These pieces — all in simple keys, and with helpful notes on fingering — provide excellent preparation for Bach's Well-Tempered Clavier, a longtime Dover bestseller. Reprint of the G. Schirmer, Inc. …

Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the 'representative' form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists…

Jesu bleibet meine Freude from Cantata 147. Par BACH JOHANN SEBASTIAN. Bach’s appointment as the Cantor at Leipzig’s Thomaskirche in 1723 required him to produce a new cantata for every Sunday service. Jesu, Joy of Man’s Desiring is taken from his Cantata No. 147 and is unusually elaborate, treated more like an aria than a chorale. It is perhaps the best-loved cantata movement from Bach’s entire o…

Jesu bleibet meine Freude from Cantata 147. Par BACH JOHANN SEBASTIAN. Bach’s appointment as the Cantor at Leipzig’s Thomaskirche in 1723 required him to produce a new cantata for every Sunday service. Jesu, Joy of Man’s Desiring is taken from his Cantata No. 147 and is unusually elaborate, treated more like an aria than a chorale. It is perhaps the best-loved cantata movement from Bach’s entire o…

for two Violins, Strings and Basso continuo. Par BACH JOHANN SEBASTIAN. In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition. The present expanded new publication goes a step further in that it offers not only the two solo Violin parts as presented in the New Bach Edition, but also two additional parts with fingering…

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. Tonalité : D-Dur - Bach, Wilhelm Friedemann (Arr. ) - BWV 80/ Répertoire / Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W.

Par BACH JOHANN SEBASTIAN / BOURIN ODILE (Arr.). Chorals de Johann Sebastian Bach choisis et adaptés pour 4 violoncelles par Odile Bourin. Dans ce second volume de Chorals de Bach pour 4 violoncelles, les premières voix explorent les 5e, 6e et 7e positions ainsi que la position du pouce - les autres, les positions intermédiaires. Dans chacun des Chorals, une des voix est plus simple permettant d…

Par CURNOW JAMES. A wonderful teaching piece and the ideal young band festival work, BACH VARIANTS (six melodic variations on the Bach chorale AWAKE MY HEART AND SING) should be a staple of every young band library. Chorale style playing does so much for the young band's intonation, tone quality and phrasing. Including this one in your next festival program is certain to reap great rewards by honi…

Cantata for the 14th Sunday after Trinity. Par BACH JOHANN SEBASTIAN. Jesu, der du meine Seele BWV 78 (Jesu, by Thy Cross and Passion) Cantata for the 14th Sunday after Trinity The cantata Jesu, der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724, the …

Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. …

Cross Staff Cantata (Kreuzstabkantate). Par BACH JOHANN SEBASTIAN. Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56 Cantata for the 19th Sunday after Trinity Bach ’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy,…

Par BACH JOHANN SEBASTIAN. Wachet auf, ruft uns die Stimme (Wake ye maids! hark, strikes the hour) (BWV 140) Cantata for the 27th sunday after Trinity The Cantata BWV 140 was written in 1731 and first performed in Leipzig on November 25 of that year - the performance was directed by Bach himself. In addition to three vocal soloists and chorus, the work is scored for two Oboes, English Horn, Bassoo…

Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. …